a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Blistering performances.

Worth seeing just to witness how winsome it is.

"The Road to Denver" being a Republic Trucolor western is better made than most of westerns being made by other studios, but just routine for them. Directed by veteran Joe Kane it is rather predicable as the story unfolds.John Payne and Skip Homier play brothers Bill and Sam Mayhew. Bill is ever getting his hot tempered brother out of trouble. After breaking Sam out of jail the brothers decide to separate and go their separate ways. Bill is befriended by John Sutton (Ray Middleton) who is planning to start a stagecoach line and who also happens to have an attractive daughter Elizabeth (Mona Freeman).As luck would have it, Sam turns up in town and hires on as a gunfighter for town boss Jim Donovan (Lee J. Cobb). Naturally the brothers both take an interest in the comely Elizabeth. Meanwhile Sutton has made Bill a partner while Donovan plans to take over the new stage line. This leads to the inevitable showdown.As in most Republic westerns the supporting cast is made up of many recognizable western veterans. In addition to those already mentioned we have Andy Clyde along for comedy relief, Lee Van Cleef and Glenn Strange as Donovan henchmen, and Robert Burton, John Dierkes, Hank Worden, Francis McDonald, William Haade, Dick Alexander and Emory Parnell in various roles.Director Kane keeps thing moving and there is a dandy fight featuring the Republic stunt men. The acting is so so. Payne is one dimensional in the lead role and cannot hold up against the superior talent of Cobb, who although wasted here gives his usual great performance. Homier made a career out of playing the hot headed young gunfighter. Mona Freeman does what she can with a limited role.I think the film would have benefited from a stronger actor in the lead role.

Several reasons to comment on this entertaining but otherwise pretty routine Western. Scope out the saloon at the beginning. It may be the only Western watering hole I've seen with actual pink accents for inside and outside decor. How the heck did that happen in a macho horse opera. Maybe Republic had a few gallons left over from a Vera Hruba Ralston flick. Also, note how those early scenes along the sagebrush trails resemble the wistful Frederick Remington paintings of the early West. They're subdued pastels and in my book, quite striking, especially with the light snow cover unusual for any Western. Then there's Skip Homeier creating another of his cocky young punk characters he was so expert at. Working at lowly Republic would never get you an Oscar in snooty Hollywood. But in my book, Homeier was as good at etching memorable characters as any of the higher-priced talent. Too bad he eventually matured out of these roles, but here he's near his peak as the hot- headed young Sam Mayhew.The movie starts off fast, but sags somewhat in the middle—probably to accommodate the stagey skills of Broadway heavyweight Lee J. Cobb. (Notice that he has no outdoor scenes, holding forth instead from his saloon headquarters. That was probably in his contract so he wouldn't have to travel to Utah locations.) I was really impressed with the screen presence of Ray Middleton as the limping John Sutton. He's such a quietly imposing character that exudes integrity and strength. He certainly qualifies for a bigger career. Much of the movie's appeal comes from the cast, even Mona Freeman as the sweet young thing. She may be miscast, snuggling up with 43-year old Payne, but she does have a winning personality. All in all, it's a worthwhile little Western with a positive message of the sort that unfortunately they don't make anymore.

Bill Mayhew is growing tired of bailing out his hot headed younger brother, Sam. After breaking him loose from a Texas jail he decides enough is enough and tells Sam they must go their separate ways. He heads towards Denver and sets up in Central City where he lands a job (and soon to be partnership) with kindly gent John Sutton, he also starts to fall for Sutton's pretty daughter Elizabeth. However it soon becomes apparent that the towns money mad crook, Jim Donovan has issues with Sutton's dealings, and after enlisting into his fold the newly arrived in town, Sam, sets up the scenario of the brothers being on opposing sides.Simple yet executed with no little style, The Road To Denver is a hugely enjoyable Western. It's directed by Western specialist Joe Kane and stars John Payne (Bill Mayhew), Mona Freeman (Elizabeth Sutton), Lee J. Cobb (Jim Donovan), Ray Middleton (John Sutton), Skip Homeier (Sam Mayhew) & Lee Van Cleef (Pecos Larry). The tale of sibling rivalry amongst the fabulous Snow Canyon location is highly watchable stuff, where even though the sense of the inevitable is hard to get away from, a number of sequences delight and fully form the story. Homeier is particularly good at playing the loose cannon role of Sam, and the best scenes tend to land with him, but Lee J Cobb is always a solid performer, and when given a bad guy role such as here, he positively delivers with sneer in full effect.One of Kane's better efforts in the genre, and certainly one that is either under seen or undervalued on internet sites, so if you get the chance have a look, because it's a very tidy little piece. 7/10

Although this western is an enjoyable way to spend a couple of hours, everything in it is so predictable and the acting so mediocre that does not really worth anybody's time. True, it has some ideas, but it prefers the easy solutions right from the beginning. I have given it 4 out of 10.