This is How Movies Should Be Made

That was an excellent one.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This is the film which I cherish above all others and one which I will never forget.A look into the lives of the destitute people in the street and in the the shelters made for them, particularly the Fort Washington Shelter for Men.The story is told through the eyes of its principle narrator Jerry (Danny Glover). The story is about Matthew (Matt Dillon), a young schizophrenic, who finds himself evicted when his apartment building is torn down. He tries to ask for his welfare money but is told to go elsewhere to a non-existent address. He eventually ends up outside the the Fort Washington Shelter for Men, where he first encounters Jerry. He attempts to take a photo of Jerry with his camera, which offends Jerry. Matthew however tells Jerry that the camera is empty and that his hobby is photography. Jerry begins to take an interest in Matthew.He is threatened in the bathroom by Little Leroy, a much feared thug, who preys upon the weaker members of the Fort Washington Shelter for Men. But however he is timely rescued by Jerry who breaks Leroy's arm in the process. Leroy swears his vengeance against both Jerry and Matthew.Jerry, a streetwise combat veteran, takes Matthew under his wing. The relationship between these two men grows as they attempt to conquer the numbing isolation of homelessness.Jerry earns some money by cleaning the windows of cars as the pass through a busy part of the street. He teaches Matthew this profession, whop speedily masters it. Matthew soon begins to save up some money. Jerry buys Matthew some film so that he can start taking some photos.Jerry tells Matthew more about his personal life. He advises Mathew that to escape from the shelters they have only to save enough money to rent an apartment and so escape the Fort Washington shelter. He also tells Matthew about his dream of selling fruits and vegetables from the back of a car to make fast and easy money. The two men now begin to have a goal in life: to rent an apartment and start a business for themselves. Will they achieve their dreams? It is up to you to watch the film and see what happens next.An outstanding performance by both Danny Glover and Matt Dillon and both are deserving of an Oscar. As well as an Oscar for the director Tim Hunter. Ving Rhames is also brilliant in his role as Little Leroy. The cinematography is good showing the busy city life and the packed Fort Washington Shelter.Overall 10/10. A film you will remember of the rest of your life.

You and I can usually put the homeless out of our minds. It is said that if you truly felt the misery of the homeless, you would go mad. I could not watch this movie all the way through at one sitting, but had to take it in increments. You know tragedy will occur, as though the wasted lives of the hundreds of vagabonds, mentally ill and veterans on the street isn't itself a crime.As someone who sometimes serves the homeless at the Arlington Street Church in Boston, I know these people. They act like the software engineers I work with 'so long as they are on their 'meds''. That we are so savage a society that we no longer take upon ourselves the obligation to do good to the helpless, to house them as we did in a more civilized time, that's just one of the many signs of our downfall as a society.No preaching in this movie, however. Danny Glover's and Matt Dillon's eyes tell it all. I think one reason we have so many humanitarian actors is because they have to play the roles of the downtrodden and in doing so, become empathetic with them. Since many writers, musicians, actors were blacklisted or attacked for their heroic stands, they know the hurt of the mob or bullying police themselves.Dillon and Glover went out on the streets and lived among these denizens of the sewers, these reminders that we have regressed to Dickens' time. The complicity of the Shelter police in the beating and murder is something that will make you retch, as the sharks of the night rob the other homeless of their pennies, armed with knives that somehow get through the metal detectors. You have no reason NOT to believe the various anecdotes that emerge, from the retarded couple and their pregnancy to the old man with the arthritic fingers, sharing his soup to the Vietnam vet with shrapnel still in his knees, screaming in pain when his drugs give out. The sharing of the homeless with the others in the same state is something that few of us in the 'burbs will ever do,You keep thinking something beatific will happen as the boy has visions of a happy life in glorious Technicolor, but the drab colors of the mean streets of New York remind you that it's all in his head. YOu will never pass up another street hustler with his roses on Mass Ave., trying for a few bucks to ease whatever horrors brought him to this place in life. YOu will want to open wide your home to every vagrant in the Pine Street Inn.. Yet fear will stop you: fear that some will be as the murderous hustlers of the night in those shelters. You understand why some of those you serve dinner to won't be caught dead in a shelter, for fear they WILL be.The city of New York aided in filming this important movie, which should be shown to every HIstory class, every Sociology class and to every recruit thinking he will return to Glory when his time in Iraq is over. They're already joining the Vietnam vets in homelessness, as this movie shows.The most horrible scene is the movie however, shown so poignantly and understatedly by Dillon, is when he tries to return home after his slum apartment is razed. His mother has moved to Florida, and left the key with a neighbor who refuses to let him in his 'family home' in the Bronx. You have no understanding for how a mother can desert her mentally ill child......the joke is made painfully real. "My folks left while I was out and left no forwarding address." For the first time in my long life, I visit a Potter's Field and am told "There is no funeral." They are buried in a mass grave, each in a wooden box. Even as we are shown the box, the photos left as a memorial blow away, leaving no trace of that human being's individuality, his genius. Having met many intelligent, well-educated homeless whose shell is too brittle to bear the 'slings and arrows of outrageous fortune', I wonder how we in this country dare call ourselves 'civilized'. Yet I remember the admonishment in my training in Clearwater, when i volunteered to help out at a church's homeless shelter: "Don't ever think you can change them, can make their lives right again. You can only serve them where they are." This movie makes even more clear why the homeless man snapped at me, as I whistled while cleaning up the mats in the morning: "What are you so happy about?" Maybe he knew what I didn't: I was whistling because I wasn't him. Great movie, but for God's sake, don't ignore what you take from it. Dillon and Glover punch up the point: There but for the grace of God go I. No wonder this movie wasn't 'popular'. It points the finger right at you and me, for the injustice we do to these, the helpless.

It was one of my finest movie experiences to watch that movie. I only had the chance to watch this masterpiece once on TV a few years ago, but I can say that I can't forget the effect it made on me. Especially, the scene where Danny Glover was wiping the car windows waiting for the green light for some cash. The way he was getting his job seriously and the drivers who were not even looking at him. A wonderful human film which shows what we are. I am still confused when those red light people come over my car and try to sell something and realizing that I am too is afraid of looking into their faces. Are they there or just we don't care them.

A film about homelessness seemed like a depressing movie to watch, but the New York Times blurb on the video case along with Danny Glover's presence tipped the balance. It wasn't depressing. I was glad to see it. My wife rated it 10 out of 10. I'd give it 8 out of 10. Many scenes are heart-touching, without being over-sentimental. The acting and script are super, making it very believable. This isn't the usual 'shoot-em-up / car chase' movie. It is a story about life, about the reality for so many. You do not have to be homeless, or even close to it, in order to relate to this movie. All of us have had similar experiences of despair and bad luck. And just who is the saint ? Watch and find out...