The Second Renaissance Part II
The Second Renaissance Part II
| 05 May 2003 (USA)
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The battle for Earth turns against the humans, despite their infamous desperate act of blackening the skies.

Reviews
NipPierce

Wow, this is a REALLY bad movie!

Tuchergson

Truly the worst movie I've ever seen in a theater

ThedevilChoose

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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Catangro

After playing with our expectations, this turns out to be a very different sort of film.

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Horst in Translation (filmreviews@web.de)

Well.. actually the second of the second of the second, looking at the film's title. These 9 minutes continue where "The Second Renaissance Part 1" left off. Unfortunately it is equally forgettable just like the first part. Men rejected machines' peaceful attempt to return, so a war is unavoidable. And of course there can only be one possible outcome to that. Stupid men. So they want to destroy the sky? Another brilliant idea. NOT. The director is Mahiro Maeda again, who already worked with Tarantino and the script comes from the Wachowskis just like the script for the famous live action movies. I have to say I was never too big on "The Matrix", but these animated short films are even worse. And also, they almost have no reference to the films anymore at all. Not recommended.

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Shawn Watson

With the human economy almost in complete ruin the world fights back against the machine city, but underestimates their resilience. With no option left but to black-out the sky and eliminate the main source of machine power, the humans launch an attack on robot-kind and are quickly cut-down. Those who are captured are experimented on in the beginning of the Matrix concept.It's pretty depressing stuff, and highlights the cheapness and futility of human life. As with the film series, it's very, very much like the Terminator mythology, but as long as humans are greedy, vain, and stupid it will always be relevant.IE: It will ALWAYS be relevant.

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Polaris_DiB

Again, I'm not exactly sure why this one had to be divided from the first part, which was a lot better and more effective in creating a sense of doom. This one also felt a little incomplete because it ended before explaining how the resistance featured in the Matrix trilogy main plot arch even managed to form. If there were two parts, was there supposed to be a third? The animation in both parts one and two is decent, though the second one stands out more for its expressive use of dissolves and that uncanny image of the (robotic?) horseman falling into flames. I really wish the two parts were one, as I think they'd both be more effective that way.--PolarisDiB

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bob the moo

With the robot city isolated and it's ambassadors ejected from the United Nations, a trade war begins to protect the human economy from superior products. When the trade war escalates into war the machines begin a seemingly unstoppable march across the globe. With solutions running out man darkens the sky to try and shut out the machine's main energy source, but the machines keep coming and the war for earth reaches it's horrifying conclusion.The second part of the history of the Matrix leaves aside the civil unrest and political build up and launches straight into the war for earth. Where part 1 used fictional news footage to good effect, here the main use is cameras belonging to the human soldiers. The violence, terror and speed of the war is well brought out and I found myself unable to look away as it was really gripping. Some of it is very gory but the overall impression is that man was overcome by sheer weight of numbers.As a sister to the films this works very well. You don't need to have seen this short to understand the film but it enriches your experience. Unlike some of the other shorts that you do need to see to understand the films (or bits of them anyway). The animation is very frantic and very slick and the thing is pure style with the strong substance.Overall it is easy to dismiss this but it does have enough style of it's own to justify it's existence as a short in it's own right. It suggests that (unlike many blockbusters) this trilogy (for all it's flaws) was established in a world that was planned rather than one which was expanded when the box office suggested that it would be a good idea to try to do so.

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