Amateur movie with Big budget

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

The Secret of Convict Lake is directed by Michael Gordon and collectively written by Anna Hunger, Jack Pollexfen, Oscar Saul and Victor Trivas. It stars Glenn Ford, Gene Tierney, Ethel Barrymore, Zachary Scott, Ann Dvorak, Barbara Bates, Cyril Cusack, Richard Hylton, Helen Westcott, and Jeanette Nolan. Music is by Sol Kaplan and cinematography by Leo Tover.I came here to kill one man. I don't mind killing a couple of others if I have to.It's winter time here at Diablo Lake, and the five convicts who have survived the escape find themselves holed up in a remote village. Their reasons for being there differ, more notable though is that the men of the village are away prospecting, meaning the village is only currently populated by women.It's a fine bubbling broth of scenarios, each convict is different, ranging from unstable psycho type, alpha male, twitchy youngster, simpleton and on to the calm likeable one who doesn't appear to belong in this company. So with the reasons for the men being here established, narrative then jostles with the inner fighting of the convicts, and the various emotional strands of the women folk. Suffice to say there is sexual tensions, mistrust, misrule, macho posturing and of course secrets to be born out.Violence is sporadic but potent upon arrivals (one instance especially grabs you by the throat), and with the mystery of the men's crimes a constant question, intrigue makes for an enjoyable companion. Tech credits are uneven. The studio bound feel of the village sequences which fill out 90% of the pic are an itch, making you hanker for the more expansive snowy terrains that greeted us at story beginning. However, Tover's monochrome photography is suitably mood compliant, even if Kaplan's score isn't, while the lead actors are giving good value to offset some of the histrionics elsewhere.Perhaps not the firecracker it could have been, given all the elements involved - particularly annoying that a strong feminist bent subsides into token play - this is none the less a most interesting piece that holds attention throughout. 7/10

Six convicts escape from a Nevada prison, barely surviving winter storms, and find a tiny village of women, the men all having been called away. Leader of the convicts is Glen Ford, innocent of the crime of which he's been convicted, of course. Excluding Cyril Cusack as a good-natured "Limey" comic, the others tend to ride a little on the nasty side. Zachary Scott, in particular, signals his desire to debauch Ann Dvorak the way a traffic light signals its status. In this case, Scott, with this toothy grin and salacious experessions, signals "rape."The performances aren't bad and the plot is just complicated and coincidental enough, but the black and white photography doesn't really capture the brutal winter. Everything just looks grimy.

Those opening scenes of mushing through snow under arctic conditions made me appreciate the comforts of an easy chair and fireplace. It's an oddball Western from start to finish with a strong cast and a noirish atmosphere. Essentially a band of escaped convicts invade a small mountain village whose men are away leaving only the women. As you can guess a number of subplots evolve from the premise, the most important of which has Glenn Ford trying to clear himself of an unjust murder charge.I love it when evil-eyed bad guy Jack Lambert has a stare-down with gimlet-eyed bad guy Zachary Scott. It's almost like a couple of Darth Vaders squaring off. There are a number of good scenes most of which involve Scott, especially when he's vamping the hapless Ann Dvorak. But, the best scene defies our expectations when the two youngsters run off to the woods. It's a chilling, well done sequence. The cast is almost an A-list, with Ford quite good as the resolute Jim Canfield when he stands up to the other four convicts. Ditto, the other performers who manage to make some difficult dramatic scenes convincing enough. And catch that ending. It made me wonder just what does comprise a "duly constituted jury". It's an unusual resolution for its time, to say the least. I don't think I ever found out the "Secret" of the title, nor I believe do we ever see Convict Lake. Nonetheless, there's more than enough going on to fill a lively 83 minutes, and I agree with the others that the movie is generally an under-rated Western.

Six condemned convicts escape over a mountain pass (one of them doesn't make it, leaving five) in a blizzard and take refuge in an outpost where the men have temporarily left their wives and assorted other females to watch over the property. It's quite a setup and the movie does not let it down. Directed by Michael Gordon who did the superior Another Part of the Forest, this film nearly equals that one, with the women acting fairly mesmerizing as they eye these cons first with suspicion and later with sympathy and then a little lust. It's fairly predictable but that does not detract from the scenes, especially with Ford and Gene Tierney and Scott with Ann Dvorak. While Glenn Ford is great and has the hero's role, the parts for both Zachary Scott and Jack Lambert as the two heavies, are both excellent. Shot in black and white, the opening scene of them trekking over a mountain in a full on blizzard looks dark and ominous. Gordon doesn't waste any character in the film. Everyone has a background which is revealed with just enough information to leave a lasting impression. Amazing this film hasn't been seen more.