Excellent but underrated film

Amateur movie with Big budget

A very feeble attempt at affirmatie action

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Despite being a big fan of his work,I have somehow not gotten round to seeing auteur film maker Russ Meyer's 5 final works for the last year or so! Preparing to write my 800th IMDb review,I felt that it was the perfect time,to at last count down Meyer's minutes.The plot:Going undercover,2 cops raid a bookstore where they find a book called The 7 Minutes being sold.With the book being banned over "moral decay",the cops tell the bookstore owner that along with facing a huge fine,he also faces jail.Making out with his girlfriend,lawyer Mike Barrett finds his fun get rudely interrupted by a call requesting for his skills on a case involving The 7 Minutes.Due to him having been involved in a number of cases related to the case,Barrett gives the store owner directions over how he should plead in court in order to avoid serving time.As he prepares to notch up another successful 7 Minutes case, Jerry Griffith brutally rapes a girl,who is later found dead.Being a big power player in the city,Jerry's dad Frank decides to take advantage of The 7 Minutes being found in his sons car,by turning Jerry's murder case around,into being a battle of "morality",as Frank makes the count for the final 7 minutes.View on the film:Filming over 24 hours worth of usable footage, (good to see that he did not waste any stock!) directing auteur Russ Meyer closely works with editor Dick Wormell to keep each take lasting no longer then 3 or 4 seconds.Along with making the 2 hour running time glide along,Meyer & Wormell also give the film an excellent zany atmosphere,thanks to the rapid-fire editing raising all the tension in the trial to an over the top melodrama.Whilst Fox (who after this flopped,ripped up Meyer's 3 picture deal) put tough restrictions on how much skin he could show, (with there only being the odd peak at Meyer's beauties)Meyer makes sure to still leave a mark that is clear to see,by splashing saturated colours over the most violent scenes,and superbly using extremely stylised close-up,to give the most dramatic scenes an underlying comedic tone.Although Meyer stayed away from the writing room, Manny Diez & Richard Warren Lewis adaptation of Irving Wallace's novel offers a tantalising mix of off-beat private eye sleuthing with a warped court room showdown.Holding back the court for the first hour,the writers make Mike Barrett's search for defence one that takes the film in a number of fantastic detours,which goes from Barrett trying to get the book dealt with by the book,to searching round for a long lost Hollywood star.Unleashing the court room setting with Wormell's razor-sharp editing & Meyer's fast-pace close-ups,the writers make sure to keep up with Meyer's stylised filming by making the case one that appears deadly serious,but slowly reveals itself to be a delightfully exaggerated affair,as Meyer's clock strikes 7.

To my dismay the previous review was off. This movie is not for box office, that's the problem. It should have been a TV movie of the week, it would have done better which is where I saw it. It is like Perry Mason. The twist is who the author turned out to be since it was authored as a pseudonym, a male's name.The book in the movie was hot it's for modern day audiences. To be made in that time frame goes to show that it was way ahead of its time. I would re-release it, I had no idea it was a Russ Myers film that's what surprised me. He needs to be rediscovered. Russ does a great job. This is not one of his T&A movies. It has a story which is why fans of him were disappointed back in the day.Too much brain power for the people who want video game like movies like the Matrix. Watch it if you can.

I just watched this film on Bravo. While I admit to being a bit of a Russ Meyer fan in the same way many people slow down to look at train wrecks, I actually found this movie surprisingly entertaining. Russ Meyer is the master of campy dialogue, bizarre twists and nonsensical plots, and of course larger (pun intended) than life characters. This movie has them all, but at a much more subdued level than most of his other films. In many ways, this film works ... much better at least than other Russ Meyer films.If you are looking for a quality film delving into the drama of the courtroom, forget it here. With even a modicum of legal savvy it is easy to see all the holes in the courtroom antics of both sides. The twist at the end might be typical Russ Meyer, but it was also pretty predictable. Normally, I dislike predictability in a movie, but Russ Meyer flicks are usually such mixed up, twisted messes, that seeing a plot actually come to fruition with a credible twist that fits into the rest of the story was a bit of a treat.I echo the sentiments of other users when they say that this is not a Russ Meyer fan's movie. Unfortunately, the only people who likely will ever see this film are the serious Russ Meyer fans who want to see everything the man has made. (Said fans can look for the cameo of Russ as well, in true Hitchcockian style *smile*.) I felt this was a good film, easy to watch, fun and sexy at times, with a few valuable (yet no doubt satirical) comments about the hypocrisy of the day. Being that Russ had his own personal problems with censorship, the movie is an obvious "poke-in-the-nose" at all the holier-than-thou types out to save society while wallowing in their own debauchery.My Rating: 7 / 10 (Unless you are looking for a Russ Meyer genre film, then only 2 / 10)

After scoring a hit at Fox with "Beyond the Valley of the Dolls," Russ Meyer plays it straight with a courtroom drama? Well, sort of...Irving Wallace's novel is a terrific, suspenseful read and Meyer does a good job bringing the story to the screen, completely replacing the "surprise" ending of the novel with one of his own. As you can probably imagine, Meyer can't really play anything straight, so this film is full of Meyer's bright colors and eye-popping, um, camera work. The man is a brilliant cinematographer, and this film looks just as good as any of his others that I've seen. Odd camera angles, fast cuts, bad acting, Edy Williams, and gratuitous cleavage shots are all here and well worth a look.Beware of the old television print of this film, for sale in some US video outlets. The hack job done by the censors just ruins the film. Fox has a gorgeous print of the film around, as it has been shown on the FX channel in the past, open matte (unlike BVOD, this one wasn't shot in Panavision), fully uncut and looking brand new. Write the folks at Fox and demand a proper video release!