This movie is the proof that the world is becoming a sick and dumb place

Horrible, fascist and poorly acted

Charming and brutal

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Awkward and unhinged loner Tony (a creepy and convincing portrayal by Bob Meyer) works at a mannequin factory. One day Tony decides to stop being a peeping tom and graduates to stalking women prior to strangling them and having sex with their corpses.Director Barry Mahon keeps the deliciously depraved story moving along at a reasonable pace, makes fine use of various grimy New York City locations complete with choice footage of Times Square in all its awesomely seedy 60's glory, maintains a leering sleazy tone throughout, and, naturally, delivers oodles of tasty gratuitous distaff nudity. Toothsome blonde Uta Erickson acquits herself well (and bares her nice body) as a mean hooker while Bob Gran amuses as Tony's overbearing boss. Moreover, this movie offers a few inspired loopy moments, with Tony's ill-advised "date" with a mannequin head rating as a definite gut-busting highlight. The grainy cinematography provides a suitably scroungy look. Worth a watch for aficionados of tawdry adults only exploitation fare.

Tony works in a mannequin factory in grimy NYC. He has this strange sexual attraction to the mannequins. One day he brings home a head from one of them. In his spare time he uses binoculars to spy on topless women sunbathing on the tops of buildings. Then he walks into womens apartments (in this universe no one locks their doors), kills them and has sex with their bodies (not shown). There's also a ton of pointless female nudity which has nothing to do with the plot.There's nothing wrong with showing women dressing and undressing--this is an adult film after all and it has its audience. But when you throw in violence and necrophilia it gets pretty sick. Thankfully the killings themselves aren't that bad--only two are shown and they're just strangulations. That aside the film is painfully dull (I fast forwarded through most of it) and no reason is given for Tony's actions. There's very little dialogue and the guy who plays Tony actually isn't a bad actor. But this is a slow, sick and deadly dull movie. A 1 all the way.

SEX KILLER, THE (1967) *** (out of four)After a successful date with a mannequin head, the shy and lonely Tony decides to move towards the real thing. After being rejected by several women, he starts stalking the streets of Manhattan strangling women and then humping them. This early shocker is actually very well made and the acting isn't too bad. There isn't too much dialogue, which is good thing, but there are plenty of naked women and a nice music score. Something Weird Video has been a haven full of weird, sex films like this one but this here is one of the best out there. Running under an hour, the film gets right to the point and keeps the viewer entertained throughout.

Mention the name "Barry Mahon" to film buffs and most of the time you will get a blank stare. Students of the Adults Only subgenre might bring up THE BEAST THAT KILLED WOMEN and hopefully soon people will be discussing THE DEAD ONE, a serious terror thriller that has just been rediscovered. Barry is also responsible for this film, a moody black and white drama that had a lot of potential which went unrealised. The plot (oh yes there's a plot) centers on Tony, a quiet guy who works in a warehouse that makes mannequins for department stores. Tony appears to be a shy fellow who seldom says three complete sentences in a whole day and lives a Spartan existence in his barely furnished apartment. One day Tony asks his boss if he can take a mannequin home. When he is turned down Tony "borrows" a head and actually takes it on a date! He takes it to a bar and talks to it while the bartender looks on and shakes his head. (The bar, like all other locations in this film, is a real one and that was probably the real bartender playing himself. The look on his face is meant to apply to Tony, the character in the film but you can imagine he was watching the scene being filmed and thought "The things some guys will do for a job.") Tiring of his bodiless date Tony buys some binoculars and sneaks into a high rise apartment to spy on women sunbathing topless on the roofs of the walkup apartments nearby. This is an interesting look at how much easier life was when this was filmed. The apartment we see has no doorman and it is relatively easy for Tony to sneak in a side door and go up to the roof. In fact he does it several times in the movie and is never stopped even once! This is where Mr. Mahon separates us from reality a little too well. Reel-istically all of the women Tony spies on are attractive but notice how the camera angle changes frequently as he spies on them. We are supposed to see what Tony is seeing through his binoculars, so how can the angle of his vision keep changing? Just keep saying "It's only a movie." Even spying is not enough after a while and Tony starts stalking the women he spies on and strangles them to death. Of course since he never bothers to cover his tracks it is only a matter of time (and not much time either, this movie runs less than one hour) before Tony comes to the end of the road. You can see that for yourself though; I won't spoil the end for you. I wondered how this movie would have looked had it been done without dialogue (qv., DEMENTIA (a/k/a DAUGHTER OF HORROR)). The dialogue really adds nothing to the plot except something to laugh at; it is the visuals that hold our interest. Not a classic, but not wholly unwatchable either. The nudity and violence blend into the plot well and even the abrupt ending does not seem to be contrived. Nicely done, but not the sort of movie you can watch over and over.