Highly Overrated But Still Good
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
View MoreGreat example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
View MoreBlistering performances.
As children, Ken, Rin, Motoko, Yuki and Myiu ventured into a closed house of horrors at a local amusement park without the approval of their parents. Four came out, but Yuki was never seen again. Tonight, approximately ten years on, Yuki will return.Spooky premise? Shock Labyrinth as a movie bears some similarities to Silent Hill, House on Haunted Hill and Ju-On, though, unlike the aforementioned Japanese horror film, the feature, rather than being a combination of events set out of chronological order, provides the audience with an opposing atmosphere, where the past and the present frequently clash to reveal what really happened all those years ago.Unlike contemporary horror, Yuki (Misako Renbutso) does not appear as a terrifying figure, kicking down the door, only to proclaim 'here's Johnny!'. Rather, she's portrayed as an adorably cute, innocent victim, who, for the entirety of the film is capable of receiving our sympathy. One look into her character's eyes, and we immediately melt, though the same cannot be said for the other leads that occupy this film.Ken (Yuya Yagira), a young man who has only recently returned for reasons that are not thoroughly provided, and Motoko (Ryo Katsuji), who exhibits dominance over his group of friends, portray stereotypical male characters, who inevitably attempt to exert control over a seemingly uncontrollable situation when things start going wrong.Myiu (Erina Mizuno), Yuki's younger sister, is as guilt ridden over her sister's disappearance as she is quick to blame her for all the wrongs in her life, while blind character Rin (Ai Maeda), is able to, despite her condition, take note of her surrounds through the environment's vibrations, allowing her to predict what awaits her and others in unexplored areas.Instead of asking if Yuki is okay, the unanimous reaction upon her arrival is to treat her like a pariah, her four childhood friends initially viewing her as an unwanted hindrance. After an accident leaves Yuki unconscious, she is taken by her friends to the hospital, where they mysteriously discover they are the only people in the seemingly empty establishment. Here, the friends are forced to encounter the fateful day Yuki disappeared, an event most of them would rather forget, and as paranoia and mistrust set in, the characters are forced to confront their hidden desires and honest personalities. A particularly powerful scene involves Rin questioning the legitimacy of people's sympathy, which is just one example.Friendship, peer pressure, family, resentment, jealousy and unrequited love are just some of the themes explored. Despite this, ironically, many of the characters remain two dimensional in a film marketed as a 3D feature. Besides the depth that is provided in a number of scenes, actual 3D affects are incredibly fleeting, and generally occur when the film happens to be moving in slow motion, which again, happens very infrequently. Often this involves a plush bunny, moving either on its own, or through the air, which, similar to a rabbit been pulled out of a hat, fails to excite after its first appearance.The movie works best as a mystery, and is, in this sense, similar to a wheel of cheese, but instead of a mouse running off with the slices, the critter is returning them, the viewer being required to watch the entirety of the feature to satisfactorily understand what happened all those years ago. By the end, director Takashi Shimizu provides the audience with enough information to compliment both a rational, or an illogical ending, this decision solely been at the behest of the viewer.Though there are several unique moments in this feature, the film doesn't prove to be in the slightest scary, and the symbolism of a forest, which appears more than once in the movie, is lost on me I'm afraid. Although this image could literally convey the notion of being lost in the woods, considering the film takes place in an amusement park, a different metaphor might have been appreciated.Shock Labyrinth neither shocks its audience or provides them with a labyrinth, with corridors and images alike been repetitively explored. Despite its negative features, the mysterious plot will keep your interest peaked, and even if this begins to flounder, the promise of three gorgeous female characters and two handsome men will certainly keep your heart racing. In the end, you will more than likely be wondering: if my friends and I go somewhere we shouldn't, how safe will I truly be?
View MoreI never worry too much about the scores movies achieve as if something fits into your preferred niche or genre you will enjoy it more than an aggregated score will suggest. Therefore a Japanese horror from the guy who made the grudge which people are saying may be a bit weird and confusing ticked a lot of boxes for me regardless of its 4.Unfortunately 4 is a fair score, the story had real potential, I am not an expert on Japanese culture but it felt true to the kind of supernatural movies we get to see. Movies are either more or less than the sum of its parts therefore it didn't necessarily matter that the movie looked like it was made for TV, the acting was poor (the guy I watched it with thought the lead actor was the worst he had ever seen)! The effects were cheap and sure there were plot holes. I see movies for the emotional impact so can forgive pretty much everything, I don't always understand David Lynch movies but they are beautiful dreamy experiences.So having said that I bring it all down to how I felt about the experience and it was boring, there was no tension or atmosphere. I've seen movies where I didn't care about the characters but this was different, I've enjoyed bad movies but I wasn't sure how I could get through the 85 minute run time. It really is that bad. The story could have been interesting but other than that there were was nothing to redeem this movie.I have only hated 2 movies in my life, this isn't one of them but its probably the movie I have found the most impossible to engage with.
View More"Shock Labyrinth" really only has it's boffo title and packaging going for it. Everything else about the movie fails to deliver.The plot...well, apparently a group of friends visit a spooky fairground attraction as children and there is some kind of accident in which one of the girls vanishes. Then, 10 or so years later the same friends find themselves tricked into going to an abandoned hospital, which then turns into the same funhouse from their past, and they re-live the frightening experience all over again, possibly as part of the twisted revenge of the missing/dead girl.That might have worked as a plot, in fact on paper it looks pretty good, but watching this movie is absolutely no fun at all. There is but a single key event in the movie, which is that somebody falls over the handrail and down the well of a spiral staircase. Believe it or not, the whole film is constructed to dwell on this one event in as many ways as it is possible. First we see the original accident, then we see it again from another view, then we see other characters go through the same event either as witnesses or as victims themselves, sometimes in their childhood and sometimes in their adult states. The film thinks it's clever in mixing the evens of the past with the present, but it doesn't hold any suspense whatsoever, it just looks like a bunch of kids running in circles and then a bunch of adults running in circles again. The so-called shocks of the labyrinth are provided by (wait for it) a white toy bunny and a yellow balloon with a smiling bumble bee on it. Shots of the bunny in particular are wheeled out interminably, not that a single shot of it provokes any feelings of fear whatsoever. At no point in the film does anything approaching scary happen. Not in one single minute of it, and therefore I count "Shock Labyrinth" as a total failure to entertain.By the way, you might pick up the DVD that comes with both 3D and 2D versions, but if you think the 3D will rescue it, think again. It's totally unwatchable, I only lasted about 1.5 minutes before yanking off the 3D specs and sticking the 2D version on.What a shame.
View More"Shock Labyrinth 3D" revolves around a group of childhood friends who share a tragic and dark secret. Their friend Yuki went missing 10 years earlier in a haunted house attraction they snuck into. One night, the lost child shows up as an adult at her friends' front door, frightened and still dressed the same way she was when she disappeared. The group decide to take her to the hospital and upon arriving discover they are locked in the abandoned building with something or someone sinister playing with their minds. Shimizu has a way with pulling you into his films and getting you emotionally involved. He takes you through all sorts of different emotions, from fear to sadness to empathy all in a 90 minute time period. His work goes so much deeper than what American viewers have seen with his "The Grudge" movies. Fans of intelligent horror films will love the "Shock Labyrinth 3D." The movie is an atmospheric and claustrophobic journey through the darkest parts of a person's mind. The fact that it was shot in the actual "Shock Labyrinth" haunted house attraction in Japan helps with the distinctive character of the film.
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