The Sign of Four: Sherlock Holmes' Greatest Case
The Sign of Four: Sherlock Holmes' Greatest Case
NR | 14 August 1932 (USA)
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A young woman turns to Holmes for protection when she's menaced by an escaped killer seeking missing treasure. However, when the woman is kidnapped, Holmes and Watson must penetrate the city's criminal underworld to find her.

Reviews
WasAnnon

Slow pace in the most part of the movie.

Mjeteconer

Just perfect...

Neive Bellamy

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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Wyatt

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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TheLittleSongbird

Am a huge fan of Sherlock Holmes and get a lot of enjoyment out of Arthur Conan Doyle's stories. Also love Basil Rathbone's and especially Jeremy Brett's interpretations to death. So would naturally see any Sherlock Holmes adaptation that comes my way, regardless of its reception.'The Sign of Four' is one of my favourite Sherlock Holmes stories, due to the ingenious climax and denouement (one of Conan Doyle's best), great story and one of Conan Doyle's most fascinating antagonists. Furthermore, interest in seeing early films based on Conan Doyle's Sherlock Holmes stories and wanting to see as many adaptations as possible of the story sparked my interest in seeing this 1932 film adaptation, as part of the series of films with Arthur Wontner. While it is not as good as the Jeremy Brett Granada version, to me the definitive version of the story, this is a worthy effort in its own right and anybody wanting to see early versions of Sherlock Holmes will get a kick out of it. The basic structure generally is intact, although there are alterations and Small's role is expanded (nice enough but considering the character was fascinating already it was perhaps not needed). For me, 'The Sign of Four' is not perfect. The sound is quite severely wanting and there is a slightly primitive look to the production values, although there is some evocative and handsome period detail. Also felt that some elements of the mystery are revealed too early in favour of expanding some of the characters and that, even for a character that never was the brightest bulb on the block, Jones is far too much of an idiot. Isla Bevan's performance sometimes descends into melodrama, though it is a better performance than the Mary Morstan of the Matt Frewer adaptation. However, the mystery and suspense of this riveting story are intact and handled very well. The climax is tensely staged. As said, the period detail is quite good. Writing is thought-provoking and the film is never dull and easy to follow. Excepting Bevan and Gilbert Davis (rather too buffoonish), the acting is not bad at all. Arthur Wontner may technically have been too old for Holmes but he did not look too old and his portrayal is on the money, handling the personality and mannerisms of the character spot on without over-doing or under-playing. Ian Hunter is a charming and amusing Watson, with nice chemistry between him and Wontner. Roy Emerton, Graham Soutten and Miles Malleson are particularly good in support. In conclusion, good. 7/10 Bethany Cox

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binapiraeus

This is not only one of the best, but also one of the most unusual of all Sherlock Holmes adaptations - Arthur Wontner is doing great again as Holmes, he's really brought his image to perfection in his third Holmes adventure: noticing every little detail and most cleverly deducing the most unbelievable things, so that Dr. Watson (Ian Hunter) almost believes he's a mind reader; but it's only 'elementary', as he keeps remarking as usual.But there's much more to this adventurous treasure hunt for a bag full of jewels that four people had promised to divide among them long ago (hence the "Sign of the Four"): Holmes isn't only thinking and sleuthing all the time, but also does a perfect impersonation of an old boozer in a bar, and for once gets into a real nice brawl during the dramatic climax in an old warehouse - while Dr. Watson isn't only the object of Holmes' teasing and the (more or less) reliable watchdog, but he also falls in love with the pretty young daughter of one of the 'Four' who's been murdered; and in the end, it's HIM who gets the kiss, and it's HOLMES who remarks: 'Amazing...' And for once, HE can reply smiling: 'Elementary, my dear Holmes, elementary!'...In short, this movie - once it'll be given more attention, since all the other Sherlock Holmes movies seem to vanish behind the shadow of Basil Rathbone's portrayals - will thrill ALL sorts and ages of movie fans, because it's got about EVERYTHING in it: from logical crime detection to creepy murders to motorboat chases to brawls and even a lovely bit of romance!

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ackstasis

Graham Cutts' 'The Sign of Four' is one of five Sherlock Holmes films starring Arthur Wontner in the main role. Of Wontner's portrayal, Vincent Starrett (author of 'The Private Life of Sherlock Holmes') declared, "No better Sherlock Holmes than Arthur Wontner is likely to be seen and heard in pictures, in our time... The keen worn, kindly face and quiet prescient smile are out of the very pages of the book". Indeed, Wontner beautifully captures the essence of Sir Arthur Conan Doyle's famed character, enjoyably depicting his quirky brilliance and almost omniscient deciphering of crime scene puzzles, frequently waving off Dr. Watson's (Ian Hunter) stunned admiration with a dismissive, "Elementary, my dear Watson, elementary."After an amputee prisoner serving a life sentence, Jonathon Small (Graham Soutten), reveals the whereabouts of his stolen treasure to two prison warders in exchange for his freedom, he is furious when they betray him. Driven mad by the sight of so many riches, one man, Major John Sholto (Herbert Lomas), murders his acquaintance, and flees with the wealth. Many years later, Small escapes from prison, seeking his revenge and his treasure. Shortly before his death, Sholto bequeaths the valuable pearl necklace from the treasure hoard to Mary Morstan (Isla Bevla), the daughter of the man he murdered. However, when Small comes after Morstan as well, she quite intelligently seeks the aid of the great Sherlock Holmes.'The Sign of Four' is a surprisingly engrossing mystery. Whilst there isn't really much of a classic whodunit, I was most certainly interested in how the story played out. Throughout the film's prologue, the clunking of Small's wooden leg against the floor was used quite effectively to develop suspense, and the ambitious high-speed boat race and dock brawl at the end of the film was suitably climactic. The professional police detective, Det. Insp. Atherly Jones (Gilbert Davis), was characteristically smug and incompetent, often referring to Holmes as an "amateur," whilst himself reaching completely the wrong conclusion about a mystery.Though the production values are undoubtedly low-budget, 'The Sign of Four' is a solid Sherlock Holmes film with some good performances and an engaging mystery. Worth a look.

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classicsoncall

I always go into a Sherlock Holmes film expecting the best, but fearing the worst. With "The Sign of Four", my fears for the worst were unfortunately realized. Poor production values and a largely unintelligible sound quality contributed to my difficulty in following the story. But where I really lost it was when Sherlock Holmes (Arthur Wontner) was able to determine that a note sent to florist Mary Morstan (Isla Bevan) was written by an amputee, because the letters STAND UP on their own legs! With that line, the film immediately made it to my Top Ten Worst list without Passing Go, with the dubious distinction of joining my previously worst ever film - "The Beast of Yucca Flats". At least with The Beast, there's a lot to ridicule. Here, one doesn't know what's to be taken seriously and what's to be taken in good clean fun.With "The Sign of Four", nothing is "Elementary My Dear Watson", especially in Ian Hunter's portrayal of the acclaimed detective's accomplice. Watson fancies himself a romantic, and quite literally gets the girl at the end of the film. By that time my interest in the movie was gone, although I was jolted at inopportune moments by the appearance of a tattooed man and a black man with a snake around his neck. By the time they got to the speedboat chase, I was glad I had a bottle of brandy beside me.I'll admit the mystery started reasonably enough before getting bogged down in unbearable boredom. To be fair, I probably should give the film a second viewing, but it will be a long while before it comes to that. Until then, "The Sign of Four" doesn't even hit that numerical equivalent on my radar screen, and they don't allow negatives here. So for now, it's just a +.

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