I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Michael Dudikoff plays against typecasting, as he is cast a cold blooded assassin who helps a framed FBI agent Jason Wells(Brennon Elliot)against his employers. Seems Dudikoff hates his job and seems to want a normal life(Indeed his girlfriend is a teacher, who he practically begs to keep seeing him.) make this an interesting feature. I saw this on HBO when this came out and thought of this as a very above average entry in the straight to video market. However the story is somewhat implausible and there are a few plot holes but generally this is involving stuff that makes this a lot harder edged than you would normally expect. Also Dudikoff and Elliot share good chemistry that develops momentum even in the smaller scenes.* * * out of 4-(Good)

Michael Dudikoff stars as Quinn Simmons, an assassin who is starting to hate his job and is recruited to teach a new guy Jason Wells (Brennon Elliot) the tricks of the trade however Wells is an undercover FBI agent, what Wells doesn't know is that his company is setting him up as a patsy and when all hell breaks loose, Well's only friend seems to be the same assassin who trained him in this unbelievably intense thriller which has lots of suspense and finally a worthy role suitable of Dudikoff's talents. This is easily one of Dudikoff's best roles in his entire career and this time he's backed up by a good story and good actors. The Silencer is a surprise due to it's story's texture and because that everything that happens is plausible. Of all the Dudikoff movies out there, this is the one that deserves the most credit.4/5 Matt Bronson

I was pleasantly surprised by this movie. Considering the quality of the movies Dudikoff had been in at that time, I was going in expecting very little. This movie suckered me. It had a good plot, the characters were more developed than most in low budget films, and the movie had a nice pace.Dudikoff turned in one of his best performances in this flick. He is more vocal and physically expressive in this role. His acting had come a long way by the time he did this film. This role also blended with his age and persona moreso than other films he did in this time period. He wasn't trying to play the young hero, this was a middle aged, world wise man and he captured the look very well. Brennan Elliot did an OK job, although he tended to overact in some scenes. Also, his "bad guy" is totally unconvincing.If you have a few hours to kill, this movie is a good way to do it.

This is probably Michael Dudikoff's best-written movie. The story has some good twists and turns, and is at times a bit hard to follow, forcing you to pay close attention. Dudikoff is the title character, a hitman who does the dirty work for a mysterious organization. A young FBI agent, Brennan Elliott, fakes his death in order to infiltrate the group and identify the guy calling the shots, and ultimately makes some startling discoveries about the circumstances surrounding his father's death. Dudikoff's character really isn't that bad, and we learn that he does have a conscience after all, and Elliott is good as well. The film does tend to drag in a few places, but for the most part, it's a pretty well-written movie that may surprise you with the fact of just how good it is for a B-movie.