The Slender Thread
The Slender Thread
| 16 December 1965 (USA)
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Alan is a Seattle college student volunteering at a crisis center. One night when at the clinic alone, a woman calls up the number and tells Alan that she needs to talk to someone. She informs Alan she took a load of pills, and he secretly tries to get help. During this time, he learns more about the woman, her family life, and why she wants to die. Can Alan get the cavalry to save her in time before it's too late?

Reviews
SmugKitZine

Tied for the best movie I have ever seen

SnoReptilePlenty

Memorable, crazy movie

Huievest

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

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Mehdi Hoffman

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

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Barbara Donahue

My late father, Donald J."Bud" Donahue and my sister, Sandy Donahue ( now Bernard) were extras....since my father was part of the Seattle Chamber of Commerce,at 2nd and Columbia streets, where the office scenes were filmed, he asked that we have small walk-on parts...my father was the "coffee cart guy" and my sister was beside him at the file cabinet....I got a role that entailed walking behind the amazing Bancroft as she talked with Kay Doubleday...it was SO much easier said that done....cables, cords and wires were covering the floors....I did succeed...it was So brief. When my sister and I went to the screening at a very small "theatre", we were so amazed at how the story took shape and the importance of mental health crises programs are in real life. I think that due in a large part to my introduction to the mental health issues shown in The Slender Thread, I began my work in day therapy programs for schools and continue working with high schoolers who might be "at risk".Seattle was beautiful, as always, yet the continuity for those of us who grew up in Seattle was a bit of a stretch...trying to determine how the protagonists moved from one neighborhood to another in mere minutes.....it was fun to critique. It was laughable, yet serious.I have since viewed this "dated" movie many times and am returned to a time much simpler..where people showed much empathy and truly cared for the well-being of others...without regard to personal gain...To me THAT is the value of this timeless movie...timeless in regard to social values it demonstrates..those values Never go out of style..for this reason this movie will never be "dated" to me.

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Stan

I saw this title coming up on TCM, read the synopsis, and KNEW instantly that this one I had to see. And like I said, I should have known. Poitier is probably one of the top ten dramatic actors of ALL TIME! I'm not sure I've ever seen a bad film that he was in. This little gem, was tremendous. I don't comment on many film's but when I see one I haven't seen before, and it's as good as this one, I can't restrain myself. Watch it when/if you can, and you won't be disappointed! There are many subplots and twists to this film, and it has many fine performances, including Telly Savalas, and Ann Bancroft. There are small parts, for a young Dabney Coleman, and one of Ed Asner's early ones as well. I am a classic movie buff, with over 800 titles in my library, and I simply love it when I come across a new one that I hadn't seen/heard of before. Like I said, Watch this one when/if you can.

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mchaun-1

I haven't seen "The Tender Thread" but am certain it was a knock off of a much earlier TV version. Sidney Poitier was in that one too, but to the best of my recollection, there was only one set, the hotline phone room. The basic plot seems similar to your commentator's impressions of Tender Thread, but in the end, they get hold of the husband and work him over pretty good for getting mad about his wife's deceit and blame him for Moms feeble suicide attempt. I consider the earlier version the beginning of the lunatic notion that a man should be responsible for another's children. Monte Haun

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Lee Eisenberg

I believe that this was Sydney Pollack's directorial debut. If so, then he certainly gave an interesting insight into his future work. Seattle college student Alan Newell (Sidney Poitier) is working at a crisis hotline center when he gets a call from housewife Inge Dyson (Anne Bancroft), who is reaching the breaking point. Because they can't see each other, it gives the movie a real sense of tension, as implied by the title - even if it drags a little bit at times.A previous reviewer said that Poitier plays his usual role: a morally superior black man in a white-dominated society. That's partly true, but here, he has a job that anyone could have, and his race doesn't really matter (although as the reviewer noted, they could have been subtly talking about race). As for Anne Bancroft, her death six months ago brings her filmography to mind. This may have not been her most famous role, but I would recommend it.

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