Watch something else. There are very few redeeming qualities to this film.

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

The first must-see film of the year.

This was such a wonderful show. Everything about it was charming and captivating.I loved the dark approach that this show gave to many myths and fairy tales. I guess this was one of the major influences for movies such as "Pan's Labyrinth" and "The City of Lost Children". And also, most of the movies made by Tim Burton.The atmosphere of every single episode of this show was beautiful and wonderfully made. This was one of the most original and inspiring shows ever made.Too bad that most of the modern kid's shows aren't so good as this one, being both disgusting and stupid. And also incredibly annoying.However, this show will remain as a timeless classic, and also, as one of the best television shows ever made.

Jim Henson always seemed to put out wonderful television shows. This was sadly one of the shortest lived. It was endearing to hear each tale with their delightful morals. Each episode was a new story, with new characters. John Hurt did a wonderful job playing the Storyteller, and the sarcastic tone of Brian Henson as the dog was always enjoyable.The set designs and costumes were very well done. The Muppet work, when required, is classic Jim Henson work. You know it is a Muppet, but it's endearing appearance more than forgives. You find yourself enchanted and compelled. When each episode comes to an end, you realize that you were quite entertained. An entertained that is fulfilling, not the kind that wears off after a few moments. You sit back and think about each episode, realizing that each story is indeed timeless, and presents a strong tale of morality.I have yet to show this to my own children, but this is indeed a series that is more than family entertainment. I implore you to find it on DVD, and snatch it up. If you can't do that, then just find it some how.

i loved this series when i was 6 and now i own it on dvd i love it even more.The key to this(and all the other jim henson fantasies)is that if they had recreated all those monsters with a computer, it might have looked okay then but by now it would of been laughed at by any critical viewer.The stories are all so beautifully created they are extremeley hard to forget, and who said the title music was corny!! my favourite of all the stories is probably the three ravens in a close tye with the soldier and death. the only episode i dont like is hans my hedgehog, this can be forgiven as it was made as a pilot and probably had smaller budget, the camera is shakey storytellers makeup is different and hans mum and dad are two terribly annoying actors but all the rest are great buy and enjoy edward

Despite its pedigree, the most interesting things about this series are not the animatronics or puppetry, which, while charming, are little more than sideshows, at least in the story I saw, A STORY SHORT. In fact, loathe though I am to admit it, the programme's chief pleasure lies in that most ancient art, storytelling.John Hurt, in Rowley Birken QC-mode, grotesque, medieval make-up, relates a story about story telling, seated by the fire, accompanied by a cynical dog. One winter's day, starving and poor, he spots a fellow beggar thrown out of the Royal Kitchen by the nasty cook. The Story Teller tricks this latter into giving them an excellent soup. Furious, the Cook pleads with the King for permission to boil the villain, but, pleased with the Story Teller's wit, the monarch offers him a reprieve - for 100 nights, he must tell the King a new story: if he fails to do so, he will hand him over to the cook.The story may be old, but it's told with great gusto. Anthony Minghella's script is excellently dramatic (as befits a playwright), witty, and with some disturbing concerns beneath the fun, such as fears for the self, or the culturally self-generating power of storytelling, linked to the continuation of ideological power. For a programme aimed at children, it is bracingly self-reflexive (with little nonsense about film being the new oral culture); despite the Americanised style, there is a charming sense of medieval bustle, its grotesqueness and arbitrary terror, as well as its magic and power.