This movie is the proof that the world is becoming a sick and dumb place

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

One of the most extraordinary films you will see this year. Take that as you want.

Here's a refreshing delightful horror-spoof from Denmark. Usually parents tend to say no to their kids when it comes to horror movies but with 'Vikaren' they should make an exception as it would be wrong to deprive children from the sheer entertaining experience of this film. Yet, this film isn't restricted to children as adults can easily enjoy it. Ole Bornedal and Henrik Prip have written a superb screenplay meshing it with both humour, irony and horror while telling a linear story. The washed out colours and score bring that horror movie feel. The cinematography and special effects are topnotch. Then there's the outstanding performance of Paprika Steen as Ulla Harms. The use of a lesser actress could have easily ruined the film. Steen beautifully carries the role very naturally and with an amazing balance between restraint and over-the-top acting she just proves what a masterful actress she is. The child actors also do a good job. 'Vikaren' is sheer fun and one of the best examples of family entertainment. It doesn't go over the top in delivering its message while maintaining a fine gradient such that both adults and children could enjoy it to the full.

One of the best surprises I had in early 2008, when one professor brought to the film school where I work one of those "for your consideration" copies for some kind of national academy award. It was "Vikaren", a very funny, original and sometimes scary science-fiction comedy, in which an ugly alien who comes from a planet where love is unknown, assumes the figure of an attractive teacher to replace the one who, in a Danish school, has to prepare 6th grade students for a competition in Paris. If you can, do not miss this version (my favorite sequence is the first day she confronts the class!), since Hollywood has already bought the rights for a 2011 remake loaded with special effects --and although we have to give them the chance to prove they can improve something already good, you will lose watching Paprika Steen doing the real thing in Danish. It is a pity Marco Beltrami's score has not been released on any format, it is very good, and his fans consider it one of his best.

Finally a film, for both children and adults, which takes the kids and their thoughts seriously, with no exception whatsoever. Great storyline, superbly executed. Several climaxes and tear-dripping ending. I have now been able to watch it several times and I keep trying to hold back the tears at the end, where the "lost" son finds his strength through the grief of loosing his mother, now hugging his father with great affection after having stopped the alien's attempt to steal the children's born compassion and empathy for each other.Ole Bornedal shows new modernistic storytelling in a classical and highly professional level, bringing psychology and uniqueness to his own story. Scandinavian film has been small, very small, until this artist arrived with "Nattevagten/Nightwatch" and he kept on going. Thankyou for bringing and showing a great touch of the professional heart into film-making; finally. Bringing together the European psychology and the American classic storytelling.I'm happy.

When I first saw the trailer for this film, I knew it was something I had to watch. I can't remember any Danish sci-fi movies off the top of my head, and I knew that a director like Bornedal would never just tack on such a genre for no reason. It also seemed wonderfully crazy, and Danish black humour does work very well on film. When you actually go see the film, you realise that the fantastic elements of the story are only cosmetic, and that the film isn't about aliens with strange powers, but rather about what our society is changing into.The film's acting is spot on; the kids have been cast very well, their characters seeming genuine. The main character, Carl, is particularly well portrayed, and his emotions all seem perfectly sincere and authentic. You can't put a finger on the acting of any of the supporting roles either; Ulrich Thomsen does a very effective father, and Ulf Pilgaard seems delightfully mechanical in his portrayal of the "education minister". But in the end, with all due respect to all the other actors, Paprika Steen really outshines everyone else. She is frighteningly effective in her role as Ulla Harms, the Substitute. Constantly condescending towards the students in an effort to turn them into the best children possible, so they can compete in Paris with other students from various parts of Europe, Ulla Harms is a fantastic villain. The way she doesn't show any remorse at all towards the students she insults, the way she'll stop at nothing in her quest to discover what love is (which she, of course, tries to do in totally psychopathic manner).One of the few flaws the movie has is that it doesn't really flesh out certain characters who, while not actually very important to the plot, still get a lot of screen time and thus should be made more clear than they were. This makes some of the characters seem a bit shallow. The important characters are dealt with as they should, though, so it's not a very big problem.Another thing I can complain about is the ending. The final scene starts out very calmly, with a bit of narration from what I think is Ole Bornedal himself, and then suddenly explodes into a loud and very energetic series of credits. It didn't really fit in, and it seemed fairly pointless.All in all, the Substitute is a very entertaining movie; part social commentary, part black comedy, part horror. With stunning performances by virtually all the actors and a very effective script, the Substitute delivered everything I thought it would and much, much more. I can recommend it to all fans of Danish film-making.