Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Amazing worth wacthing. So good. Biased but well made with many good points.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

"Die Vorstadtkrokodile" (suburban crocodiles) is a West German children's movie from almost 40 years ago and runs for roughly 85 minutes. In general, it is about a gang of kids and their adventures where they learn about tolerance in terms of foreign citizens, disabled kids and false loyalties towards family members. The most dramatic scene is maybe right again the very first one when a boy hangs down from a roof after a trial of courage and is rescued by the police. It's not so serious though and also an appropriate film for young audiences with a similarity to the Goonies here and there.The film is directed by Wolfgang Becker (who won a Golden Camera for it and mostly directed crime movies otherwise) based on Max von der Grün's book. This book was also taken for a remake in 2009 which even got two sequels. This remake also features Heiner Beekr and Martin Semmelrogge in small parts, who appeared here in the original. Actually, Semmelrogge, the main antagonist here, plays the golf course owner in the new movie, a role that his father played in the original. but back to the 1977 film. The child actors here really had no careers afterward and returned back to normal with careers far away from the acting branch. But some of the grown-up actors are actually names you may have come across if you are interested in German film and television, such as Marjan, Zech, Feik, Grönebaum, Barner and Rohrbeck. Pay attention to how the wheelchair boy is actually played by a girl.Finally, i would like to say that even if I did not like the film as much as I hoped I would, I really enjoyed the "Amada Mia, Amore Mio" main theme and the ending with the tears coming when the building is destroyed is pretty effective too. Other than that, not many memorable aspects here. Not recommended.

It's not easy to describe this film to non-Germans, unfamiliar with either Max von der Grün's children's novel or those that are unfamiliar with Germany's post-ww2 social issues. However, if you born after 1970 in (then) West-Germany, it is likely that you have read the book in school or saw the following film on TV.The "Suburb crocodiles" are a group of teenagers, living in the western part of North-Rhine Westphalia (in Germany known as the 'Ruhrpott', the heart of the working-class proletarians). The clique refers to themselves as a "gang", their "headquarter" being a transformed woodshed. While "defending" their club-house against adults and the children of foreign guest-workers, they get confronted with typical everyday tribulations, seen through the eyes of youngsters: unemployed parents, a gang of teenage burglars (who's head happens to be the elder brother of one of the Krokodile), xenophobia (a group of Italian guest-workers, referred to by the locals as "Makkaronis", blamed for said burglaries) and having to accept a new member, wheelchair-bound Kurt.It is your typical adventure movie about teenage kids with some serious social issues which Germany – especially the Western part – had and has to deal with. However, both von der Grün and TV-veteran director Wolfgang Becker have found a balance between making a young-people's film that enjoyable for the adult audience and at the same time educates the youngsters without patronizing or lecturing them.The cast is altogether excellently cast, giving an extremely authentic feel to the film (most youngsters were laymen actors who would never again appear on screen). Watch out for a very young Martin Semmelrogge as thieving punk Egon, a few years before he would appear in "Das Boot", get critical acclaim as one of the best actors of his generation and afterwards run his career into the ground.We could compare the film to similar-minded kids movies like "Das Fliegende Klassenzimmer" or "Das Haus der Krokodile" but through directing and acting style, we're more often reminded of Klaus Lemkes "Rockers". What makes the comparison to "Rockers" even stronger is the excellent soundtrack. Let me say it this way: it's rather unlikely you'll ever see a children's movie again that features songs by "Rainbow", "Supertramp" or "Deep Purple".All in all it's truly a cult-movie, a timeless classic and at the same time a very important film, that can still be enjoyed by youngsters and adults alike, even 40 years down the road – and if this last sentence made you feel slightly old, then you were born in the 1970's.