Plot so thin, it passes unnoticed.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

The copy I watched courtesy of YouTube was clean and crisp, and the film itself was good by the standards of the mid-1930s.Unlike some other reviewers here on IMDb, I've always thought Fred MacMurray an acceptable Western actor, and I found Jack Okie irritating in the first part of the film - especially as he rode along with MacMurray anticipating a romantic encounter with a señorita. The back projection was reasonable enough, certainly compared with that in "The Plainsman", issued in the same year.With much of the film being set before Texas became a state (which happened in 1845), there were lots of anachronisms - relating to the Rangers' kit and weapons for example. And the telegraph system was very much in its infancy - I wonder if it had reached Texas?One might also mention the unrealistic death following the shot under the table.On the plus side, the fight between the Rangers and the Indians was excellent and Lloyd Nolan in his early scenes radiated charisma - before reverting to the sort of nasty character he was to portray in later films.

Two Texas bandits (Fred MacMurray and Jack Oakie) join the Texas Rangers in order to avoid being caught and slowly reform. They take on raids by Native Americans and another bandit (Lloyd Nolan) while MacMurray further reforms thanks to a beautiful woman (Jean Parker). Exciting action sequences (particularly a scene with falling boulders)and humor by Oakie are among the highlights. MacMurray, then at the start of his lengthy career, is quite likable in spite of a tough facade. Benny Bartlett is excellent as the young boy MacMurray mentors initially against the law and later on its side. Parker gets some better material than most heroines do in westerns. This is a perfect old movie to introduce today's youth to the great westerns of yesteryear.

The Texas Rangers is directed by King Vidor who also co-writes with Elizabeth Hill, Louis Stevens and Walter Prescott Webb. It stars Fred MacMurray, Jack Oakie, Jean Parker and Lloyd Nolan. Music is by Gerard Carbonara and cinematography by Edward Cronjager. Plot has MacMurray and Oakie as two outlaws who decide to become Texas Rangers, something which invariably brings them into conflict with another outlaw pal.It showcases the good and bad of 1930s Westerns. The action is strong and vibrant, the landscapes appealing and the story as a premise is always interesting. But those good points are countered with weak scripting, goofs, logic holes and a mixed bag of acting performances. But all told, Vidor's movie comes through its problems to stay firmly on the good side of good for the Western fan.It's good guys versus bad guys on the home front, with the Indians lining up in numbers to be the common foe. It's here for the latter, where Vidor excels, constructing the action scenes with great skill as a ream of extras in Indian attire attack in their droves, arrows and bullets fly with murderous worth, bodies hurl and fall about, it's exciting stuff. The highlight coming as the Indians start flinging boulders off of a cliff face down onto the Rangers down below; the sound work here especially great, as is the stunt work in this whole segment of the film.MacMurray and Oakie make a likable pair, but both seem a touch out of place in this portion of the Wild West. But Nolan cuts a nice snarly figure as chief villain Sam "Polka Dot" McGee, and he gets to deliver the film's best (nastiest) moment. Parker is pretty but pretty much a token, while secondary support slots are capably filled by the likes of Edward Ellis, Benny Bartlett and Frank Shannon. Cronjager's black and white photography is on the money, neatly utilising the New Mexico locations as wide open vistas that impose on the characters. While Carbonara scores it with standard Cowboys and Indian flavours for the attacks, and bombastic machismo for the Texas Rangers patrols.Full of formula and mixed signals as to what it wants to be, The Texas Rangers is none the less an enjoyable picture and one of the better Oaters from the 30s. 7/10Footnote: A sequel followed in 1940 called The Texas Rangers Ride Again. In 1949 The Texas Rangers was remade as Streets of Laredo, with William Holden starring.

Jack Oakie a great comedian and character actor who has all but been forgotten plays Henry B. 'Wahoo' Jones and we see him driving a stagecoach against a backdrop of Texas prairie. After he has a funny bit of conversation with his shotgun rider the stage is held up by Jim Hawkins played by Fred MacMurray and Sam 'Polka Dot' McGee played by Lloyd Nolan who is equally great in this film.The stage hold up is very picaresque with Oakie providing most of the humor, there is a sequence where he is crying crocodile tears when the bandits ask for his watch and he tells then that it was a memento from his father, a fade to black reveals, in the next scene around a campfire, that Whaoo, Hawkins, and McGee are all in cahoots and they split the loot and Oakie gets his watch back. After a short interval a voice calls out of the dark that they are surrounded and to get their hands up, and Hawkins kicks out the campfire and we get another fade to black with shots ringing out.We next cut to Wahoo again driving a stage for what we expect is a repeat of the con. This time however the shotgun is a Texas Ranger and at a water stop another comedic display from Wahoo warns Hawkins minus a missing McGee who is planning to rob the stage not to attempt the con. The two outlaws decide that since the Rangers are a tough outfit to go up against maybe they should join them for wages rather than fight them. They get an assignment to track down cattle rustlers and discover their old partner in crime McGee driving a stolen heard with some Mexican vaqueros and they decide that they can con the Rangers using their inside information on money shipments with McGee doing the dirty work.Anyway a love interest and a kid that they rescue from marauding Indians gums up the works and basically Wahoo & Hawkins get "religion".As I started watching this as soon as I heard the name Wahoo a switch clicked and I realized that I saw a remake of this that was called "The Streets Of Laredo" (1949) with William Holden, and William Bendix as "Reuben Whaoo Jones" with a Brooklyn accent. That remake palled in comparison to "The Texas Rangers" the unrepentant bad guy in Laredo sucked compared to Loyd Nolan.Also making a cameo is George "Gabby" Hays as a judge, all in all "The Texas Rangers" in Black & white and even with the predictable Hays Code redemptive moral ending is superior to the remake. Worth a look if you are interested.