Excellent, a Must See

Better Late Then Never

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

Excellent film and a great script, relevant and fresh. The simplicity of it someone had called-out is its very strength, and if it carries some scenes in real time a la Béla Tarr, it is part suspense mechanism for the audience fantasies to play out, as well as to open up space for the viewer to contemplate their own values being addressed. In it's sparing dialogue (suited to the social air density being portrayed), and not unlike a Roy Anderson film, each point of conversation is another clue or symbol threaded into the moral tableau performed over the course of the film. It deals with profound issues with understated situational comedy, leaving all conclusions up to the viewer. The acting deserves another notable mention, naturalistic and effortlessly comedic.We've seen it as a group German, Swiss, American and were all delighted with the ending neither one of us guessed! Keen for the next film from this director.

I spent $7 to rent this on Amazon, based on flamboyant critical praise. The trailer looked promising, like a deadpan comedy. But it wasn't anything like I expected. It couldn't have been slower, duller, plodding. I appreciate the low-key naturalistic style that is European cinema, but in this case, it wasn't shedding much light on any internal journey. And being halted as a comedy? I often marvel when reviewers claim something is a comedy. Why? Because there may be slight nuances of humannature's foibles? There was not a moment that I was amused in a heightened comedicway. The basic plot line - that a neighbor enlists another neighborwith a possible buried treasure - takes near 90 minutes for negligible plot development. I like slow, non-Hollywood movies, but this was really SLOW. And reviewers hailed the transformative payoff in the last two minutes. But for me it was too little, too late. Not recommended. Just plodding.

Greetings again from the darkness. Cinematic comedies always face a challenge of the wide variances found in the senses of humor of movie goers. Taking a wry comedy approach narrows the market a bit more, and finally, tying in cultural and historical aspects specific to Romania risks leaving an audience of only the staunchest film festival attendees. Writer/director Corneliu Porumboui (12:08 East of Bucharest) sticks to his creative vision, never once catering to the masses.Costi (Toma Cuzin) is reading "Robin Hood" to his young son when a knock on the door leads to a conversation with his neighbor Adrian (Adrian Purcanescu). In most movies, theirs would be described as an awkward conversation, but in this world, awkward is normal, so the description doesn't really fit. However, the Robin Hood story acts a structure to the film, and especially to the actions and thought process of Costi, who fancies himself as a real life Robin Hood, even if it's possibly only to impress his bullied-at-school son.Adrian's pitch to Costi is meant to raise the 800 Euros necessary to hire a professional metal detector in hopes of finding the treasure buried by Adrian's great-grandfather during WWII. The stage is set for what looks to be the proverbial wild goose chase of an urban legend, but this partnership results in the introduction of Corneliu Cozmei, a real life metal detector professional. The conversation between these three during the dig is at times harsh and lacking any pleasantries … sometimes laden with accusations … and often tying in Romanian history from revolutions to wars and Communist control. It's here you're your particular sense of humor will either be rewarded or not. Viewers are treated to the somehow entertaining extended sequence of 3 men digging a hole whilst lighted by car headlights and accompanied by the beeping of the (flawed?) metal detector.The wry, deadpan comedy is often as uncomfortable as it is funny, and much of the negativity is directed at the bureaucracy of modern day Romania (and human nature in general), including the ridiculous "cultural heritage" fees of any found treasure. This leads to an offbeat scene at the local police station – again, either wry or boring, depending on you. If the viewers have trouble connecting with the characters or the dialogue, perhaps the closing song "Life is Life" (in a guttural performance from Lailbach) will prove to be the best explanation of what was just seen. Most of us can't name another Romanian comedy … and depending on taste, some will question whether this one qualifies, while others will be googling for more.

I watched this movie during the TIFF festival in Timisoara and I wanted my money back, but since the entrance was free, I want my time back.The plot could have been easily narrated in a 5 or 10 minute short. It contained many scenes that were stretched for no reason or dialogue that was totally irrelevant to the main theme. Almost all actors (especially the ones in supporting roles) were lacking acting skills. There isn't any climax/peak, but only an enumeration of events that naturally derive from one to another like a very slow flowing river. No action, no suspense and definitely NO comedy. Maybe the only good parts that made sit down and watch it until the end was the general Romanian feeling this movie had (with traditions, idioms which cannot really be translated and so on) and the hope that some turn of events will make this movie great or at least interesting, but sadly it didn't.I can't believe this movie got two awards and two nominations, since it was one of the most boring movies I ever saw.