Best movie ever!

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

The acting is good, and the firecracker script has some excellent ideas.

Amazing worth wacthing. So good. Biased but well made with many good points.

Vanishing American, The (1925) *** (out of 4) Interesting drama from Paramount tells the story of Indians and how they fought to try and gain acceptance after having everything stolen from them. This film centers on Nophaie (Richard Dix), a man whose bravery leads the Indians into WW1 as well as fighting their battles at home. While this adaptation of Zane Grey's story isn't as great as one might hope, there are enough interesting bits here to make it worth sitting through. The film starts off with a nice prologue where we see various "forms" of people from the early caveman, to cave dwellers and then the Indian. These shorter sequences all look extremely good and especially the cave dwellers segment, which is real eye candy especially with the sets that really were built on cliffs. The entire look of this city makes you feel as if you're really there and this continues during the next sequence where we finally get to see the Indians and their early time here. We get some brief comic moments including their thoughts when they first see a horse but this soon turns to some battle sequences that are also well executed. I was surprised to see how graphic some of the violence was and this includes a scene with an Indian full of spikes through his body as well as another brutal scene with an Indian being shot and falling from a cliff. These early war scenes look extremely realistic as does the later one when Nophaie is fighting in WW1. Some could rightfully argue that this film's entire message of peace is pretty much wasted as the majority of the Indians here are played by white men with brown paint on. I think a lot of viewers today will see this and not even pay attention to the message here as they'll see it being double sided but it's important to remember when this movie was made and the fact that a lot of these message movies quite often appear just as racist as the film's their trying to go against. What really makes one scratch their head is the fact that this make up put on the actors is clearly melting during several scenes yet no one tried to touch it up to make it less obvious that we weren't seeing an Indian. With that said, Dix, Lois Wilson, Noah Beery and Malcolm McGregor all turn in fine performances. Each were believable in their roles with Beery clearly stealing the film and Dix coming off as a good lead even though he's be much better in 1929's REDSKIN. The biggest problem with the film is that it jumps around a bit too much and the love story itself is rather weak. The 110-minute running time could have been cut down without too much being missed. Movie legend would have one believe that John Ford discovered Monument Valley but that's certainly not the case as it's fully on display here. The images captured of it are truly breathtaking and these here are reason enough to sit through the movie.

Although by today's standards The Vanishing American is over the top and melodramatic it still has a fine message about the American Indian and their place in the American dream. The sad truth was that this continent did belong to them and we took it from them.Nothing to be either proud or ashamed of. A society that ranged from hunting and gathering to the beginnings of agricultural gave way to a to an industrial and full blown agricultural society. Just the sociological way of things. Everything gives way to something in time.That being said, the tragedy of the American Indian was not often told in these years from the Indian point of view. As a writer Zane Grey was steeped in western lore and if a white man could tell the story he could.After a prologue showing the subjugation, we see the desert tribes of today living on government handouts, trying to maintain respectability but the victims of a corrupt Indian agent played by Noah Beery. That was the way it was back then, under Democratic or Republican administrations, the Department of the Interior was a patronage trough and characters like Noah Beery were more common than we would care to admit.Richard Dix plays a charismatic leader of his people who actually forms an Indian battalion to fight in what was called then, The Great War. It was reasoned we fight for America as good Americans we'll be treated as such when we return. Instead its business as usual as Beery has banished the tribe to desert scrub lands. Time to return to the fighting ways of our ancestors maybe.As Dix's character is presented and he specialized in playing noble heroes on the silent screen and when talkies arrived, the personal tragedy of this tribe is that Dix comes along about four generations too late. He's the kind of leader who might have made a difference back in the day, but can only see the futility of what his tribe is about to do.The Vanishing American shot in what became known as John Ford's Monument Valley was a big budget item for Paramount back in the day. It's got the sweep and grandeur of a John Ford western and a little bit of the influence of Paramount's number one director Cecil B. DeMille in this one who made a spectacle film or two of note. Though melodramatic, The Vanishing American should still be viewed for the lessons it imparts to today's audience.

This is a 'lost' twenties film that deserves to be seen today.This is one of the few exceptions of Western films that sympathetically portrays Native Americans and the abuses they suffered. You won't see another one like this until 'Broken Arrow' (1950). Unfortunately, many of these 'exceptions' focus on just one individual Indian and his personal story, rather than plead the Indians' case. This one mixes both, and is the only film that really attempts to put a Zane Grey novel on screen.Today, Richard Dix's emotional range here doesn't seem very great (checking out his other films it never did), but is that because his noble stoicism is deliberate? In one of his 'Job-like' scenes it almost comes to the surface; his high morality does surely come through.There's a mind boggling prolog of the entire history of Native Americans, including the Annazzazi Cliff Dwellers; the history of Indians moves through time ending with Dix's return to his native land after World War I.Another real high point is the dastardly Noah Beery who doesn't need sound to convey his two faced menace. You can imagine the cheers when he finally gets it (in the neck). His amazing range as an actor can be seen in 'The Mark of Zorro' (1920) where he is the hilariously buffoonish Sergeant, and of course, as Buster Keaton's competition in 'Three Ages' (1923) Keaton's spoof of 'Intolerance' (1916).Truly epic in scope, this is definitely a film that deserves to be seen today, and can be thoroughly enjoyed by all. I give it an 8.

This excellent movie far transcends its own genre, with a resourceful and detailed production that makes for a worthy treatment of some thought-provoking themes. Adapted from the Zane Grey novel, it easily does justice to the interesting story, but it is much more than just a good melodrama. Ambitous in its scale, in its time-span, and in its themes, it puts the main story into a context that is as interesting to watch as it is challenging to many of the common conceptions about the history of the American West.The main story features Richard Dix as a Native American on a reservation, who must contend with a wide range of persons from the 'white' races. Dix succeeds in making his character interesting, believable, and sympathetic. In particular, he does well with portraying the inner torment and longings of a perceptive and capable man who is forced by his environment to keep a lot of things inside.The 'white' characters work well, and they are well-chosen so as to avoid a simplistic portrayal of those who went west. Noah Beery plays the villainous Booker effectively, making his ill intentions clear even when his character is at his most charming, yet at the same making it believable that such a reprehensible character could so often gain the upper hand. Lois Wilson is rather meek, but she works well with Dix in the relationship that is at the center of the story.All of that would be good enough (and it doesn't even mention the beautiful scenery and photography in Monument Valley), but what makes the movie even better is that it is set in a broader context, which places the lengthy, heart-rending clash of cultures in the American West into a sweeping, far more comprehensive picture of the unending struggle of human cultures and societies as they rise and fall through the centuries. It balances a number of perspectives, and believably shows how complex the interplay between different cultures can be.The lengthy prologue, often detailed and interesting in itself, paints a convincing and often harrowing picture of the nature of human societies in their struggles and rivalries through the ages. It adds a depth rarely seen to the eventual conflicts between the expanding USA and the Native American nations, and even if it were made today, it would be a bold statement that challenges stereotypes of all kinds. True indeed is the movie's theme that human cultures come and go, and that those standing strong today will someday pass away, with only the earth itself remaining always.This movie surely deserves to be much better-known, for its top quality production of some often challenging material, its interesting story, and its themes that are worthy of careful and honest consideration. If it were filmed today, some of the details would probably be handled differently, but that is to a large degree a matter of style or fashion. The specific details are far less important than the movie's impressive depth and quality.