Such a frustrating disappointment

Did you people see the same film I saw?

Brilliant and touching

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Lame oater even by matinee standards. There's little action, no suspense, and hokey scenes building up 10-year old Cody Jr. In fact, it's really the aggressive youngster who thwarts the baddies, while Dad (Cody Sr.) amiably gives up the spotlight. Then too, judging from all the rope tying and twirling, one might think somebody had a big interest in hemp rather than in westerns. There is some hard riding, and a humorous turn from old goat Buster. Also, the spooky dress-up scenes are pretty well done thanks mainly to the costuming and lighting. Nonetheless, events are limply directed with scenes following one another in no particular order. All in all, the hour looks like an effort at literally putting together a kids' western that failed.

Oliver Drake has around 217 writing credits (including TV eps), but this one is aimed strictly for the kids – and even they will probably resent its scanty production values and likewise be bored silly. I'll admit that Ethel Jackson is a delight, but her role is small. She made only three movies, alas, but I'll be watching out for her in Six Gun Justice. The other players in this movie are strictly from hunger. Add verbose dialogue, a routine plot, dull direction and minimal production values and we suddenly realize that "vanishing" is indeed the key word in the picture's title. Aside from Miss Jackson, I can't see how adults could relate in any way to this Poverty Row effort with its minimal budget, verbose but totally inconsequential dialogue, contrived yet boring and totally uninteresting and unengaging plot. Available on a mercifully shortened Alpha DVD on a double bill with "Frontier Days".

After killing an outlaw, Bill Cody quits his job as a sheriff and vows to raise the outlaw's orphaned son. Riding off to start a new life, they soon find themselves in a creepy ghost town where Cody accepts a job working for a lady rancher alongside dubious characters that plan on rustling the cattle as well as riding off with the attractive rancher!The Vanishing Riders is kind of creaky and a bit short on action. However, it has a spirited main villain and a nifty final fifteen-minutes where Cody and son dress up like skeletal riders atop phantom horses, frightening the superstitious rustlers into submission.Things are never really boring. However, one wishes that the first half would have been more interesting.

When Budd Buster (veteran of over 300 TV and movie westerns) says that the villain, Wolf Larsen, is "raising heck!" you can tell this one looks like it was made for children. If not, it must have been put together to follow P.T. Barnum's words of wisdom, "You'll never go broke underestimating the intelligence of the American Public." (Or was it Vince McMahon who said that?) It's in the long line of ghost town / ghost cave / ghost rider cheapies so common in B westerns of the thirties and forties. But even that dignifies the movie too much. Nothing worthwhile here, except to see that the real star of the film, Bill Cody, Jr. (who must have been about 10 years old) can out act his father, Bill Cody, Sr., who is best known for starring in "the worst B movie western ever made." (Let's see if you can fnd it.)The director, Robert Hill, is best known for directing 'Flash Gordon's Trip to Mars' (1938), felt by many to be the weakest of the three 'Flash Gordon' serials (though it features strong work by Charles Middleton as Ming the Merciless). In this one we see Hal Taliaferro (Wally Wales) featured prominently as the evil gang leader, but otherwise it's a double F: File and Forget. I generously give it a 2.