Such a frustrating disappointment

Good movie but grossly overrated

It’s sentimental, ridiculously long and only occasionally funny

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

It's 19th century France. Sobran Jodeau is a peasant working for a château winemaker. He wants to make more than peasant wine. During one drunken night, he is rescued by angel Xas who offers him special seeds in exchange for meeting him one night every year for the rest of his life. Sobran marries Celeste (Keisha Castle-Hughes) and starts a family. The Chateau's Baroness Aurora de Valday (Vera Farmiga) returns from Paris. It's a fable of love, passion, and wine.Niki Caro, who wrote and directed 'Whale Rider', has created a melodrama about French vine during the Napoleanic age. It's a bit of a grind. It's long and melodramatic like an old romance novel. It does go off in unexpected directions. The passion for the vines do come through the screen. Jérémie Renier has a shiftiness that is unappealing and distracts from the assumed passion from Sobran. His European accent don't match either Vera or Keisha. Keisha is underused and is no more than a face. Another lead could tie the whole movie together. This movie struggles to find solid ground but I do like the wine making.

THE VINTNER'S LUCK has had a bad press since its 2009 release on account of its slow pace and apparently perfunctory characterization. In truth the story is straightforward enough, as vintner Sobran Jodeau (Jérémie Renier) learns how to cultivate a vineyard with the help of angel (Gaspard Ulliel), while trying to bring up his family, and coping with an ineffectual patron (Keisha Castle-Hughes). The film emphasizes quite strongly that individuals should make their own luck in order to succeed; Jodeau discovers this at the end, after his vineyard has been blighted by a bug, and the angel suddenly becomes a mortal. The pleasures of this film lie in the beautiful photography - in Burgundy and New Zealand, both standing in for eighteenth century France - by Denis Lenoir, and the finely judged camera-work by director Niki Caro. One gesture, one expression is worth a thousand words.

Having read the novel by Elizabeth Knox I had high hopes for the film. I bought the DVD and when I got round to the viewing I was impressed by Niki Caro's rendition. The movie was beautifully crafted from start to finish with the exception of the wasted screen time establishing the landscape. Too much screen time was dedicated to the albeit beautiful French/New Zealand landscape. The casting was perfect, each of the protagonists had a part to play romantically to Sobran Jodeau. Celeste (Keisha Castle Hughes) was the physical, the Baroness (Vera Farmiga) being Intelletual and Xas (Gaspard Ulliel) the spiritual. One factor I found disappointing was the relationship between Sobran and Xas in the novel played a significant role in influencing the fruition of Sobran's dreams to create a wine never tasted, yet in the film the relationship seemed downplayed. Which is a shame because it seemed like the film missed something which would have brought justice to the novel. However I definitely think that this movie is a gem which touches on a mythical theme not explored in the film Industry. The introduction of the angel Xas seemed very believable and I believe Niki managed to bring to life Elizabeth Knox's story of a vintner and his angel to life.

I was thrilled to hear Niki Caro was going to make this movie, no one else would have been able to portray the 'basic' elements of the novel better than she could and very well did. From start to finish the movie consisted of a real feeling of love and life. More so that she exactly put just that into making this film. The importance of simple things which when given love, sweat and time grow into something special, which if you haven't read the novel is the basic idea.There is a heavy pagan love of the earth atmosphere in the movie ensuring an uplifting feeling. Leading me onto the visuals which where spot on, the sweeping French vineyards and valleys where just as I imagined them. The casting was perfect, Sobran who is played by Jeremie Renier provided us with a inspiring and moving look at the trials and tribulations experienced by a 19th century wine maker. I would hate to give this remarkable film any negativity but it does bare mentioning that Xas is completely neglected. Played by the fantastic Gaspard Ulliel much that could have been anticipated was actually not used at all. In fact almost all of the characters fascinating background such as his knowledge of there whereabouts of haven and hell, his relationship with another human, other than Sobran, and the reason why he is a fallen angel is not remotely even mentioned in the movie. The angel seams to be of no importance sadly and could in fact have been withdraw all together. Niki Caro sort of justified this in the Q&A "the movie is about life". It seams to me that she didn't want to add the philosophical characteristic's which was very sad to me, Xas is a captivating individual. Aurora De Valday (Vera Farmiga) was compelling but sadly Celeste (Keisha Castle-Hughes) fell flat in the second half.Many fans of the novel might be disappointed due to the amount of fundamental moments in the development of the characters which is simply dropped out all together. However I do strongly think that this is as great an adaptation as anyone could have hoped for. Also if its anything to go by I was at the gala presentation, after which it received a huge round of applause.