The Walking Hills
The Walking Hills
NR | 05 March 1949 (USA)
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A study in greed in which treasure hunters seek a shipment of gold buried in Death Valley.

Reviews
YouHeart

I gave it a 7.5 out of 10

FrogGlace

In other words,this film is a surreal ride.

Matylda Swan

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

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Lachlan Coulson

This is a gorgeous movie made by a gorgeous spirit.

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Spikeopath

The Walking Hills is directed by John Sturges and written by Alan LeMay. It stars Randolph Scott, Ella Raines, Arthur Kennedy, Edgar Buchanan, John Ireland, William Bishop, Josh White and Jerome Courtland. Music is by Arthur Morton and cinematography by Charles Lawton Jr.Upon hearing a chance statement about lost gold, a disparate group of people head out in search of it to the desert plains of The Walking Hills...Whipping up a sandstorm.A sort of contemporary Western film noir fusion, The Walking Hills is a darn fine drama that is acted accordingly. Though blessed with action, tension and passion, it's as a character study where the picture excels. True enough to say it's not overly complex stuff, the greed is bad motif a standard narrative strand, as is the tricky love triangle that resides within the sandy tale, but with the wily Sturges and the shrewd LeMay pulling the strings this plays out always as compelling. With the great Lawton Jr. adding his considerable skills as a photographer - ensuring the Alabama Hills and Death Valley locations are key characters themselves - the production shines.Often mentioned in reference to The Treasure of the Sierra Madre, it of course is not as good as that superb picture. That it earns its right to be considered a baby brother to it, though, is testament to its worth in itself. 7/10

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Reedmalloy

The reviews that have thus far been written here about "The Walking Hills" (except for a few clunkers) do it justice. It is a compact piece of good film-making and quality entertainment. The quality of the acting makes the subsequent plot twists believable without hitting you over the head in their revelations.Not much is said about Alan Le May's script, however. He is little remembered today except possibly as the writer whose novel ''The Searchers" was turned into John Ford's great western. I grew up reading everything he wrote and found Le May a skilled story-teller who always remembered that the story was the whole point of it all.Le May crafted subtly complex stories about frontier Texas (despite being from Indiana) before Larry McMurtry was even born. His westerns are an easy-reading blend of his own knowledge of human nature, Louis L'Amour's (whom he preceded) formula romance, and a Hemingway style prose. His characters were given names and personalities that ring absolutely true, and he treats readers as adults capable of putting two-and-two together themselves. The only writer I ever found to rival him in creating an elusive combination of complexity and subtlety in a sagebrush saga is Frank X. Tolbert, much of whose work reads like Le May's.Such is the case with "The Walking Hills". Le May fleshes out his plot with details, but just enough to elucidate motivations while keeping the story moving. He never goes too far or too often, and as others noted, some of the character "back-stories" (such as Johnny's and Cleve's) tell just enough to give them a purpose while others (those of Chalk, Old Willy, and Josh) are left to the imagination of the viewer. Le May didn't throw a detail into the plot that wasn't wrapped up by the end, and in the natural course of events. Pretty good stuff.As a side-note to reviewer "bkoganbing", Ella Raines' husband was ROBIN Olds, a legendary character himself, and he never flew jets in Korea, much less became an ace there. In fact Ella went behind his back and used her friendship with people of influence to keep him out of that war, which may have played a part in their eventual separation when he went on to become an icon in the Vietnam War.

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dougdoepke

Despite presence of cowboy vet Randy Scott, this is not really a western. Instead it's a modern adventure tale of gold fever. A bunch of disparate saloon characters goes hunting for buried treasure amid treacherous sand dunes of the Southwest. Each has his own reason for going and his own past, so naturally conflicts develop. And, oh yes, lovely Ella Raines shows up on horseback as relief from the ugly guys. Scott's the most level-headed of the bunch, but he's no paragon— is his willingness to abandon the wounded Johnny because of hard-headed realism or selfish greed.It's an unusual collection of distinctive Hollywood players, including a shifty Kennedy, a nasty Ireland, a sneaky Collins, and, of course, a jovial Buchanan. Too bad the star-crossed William Bishop died too young to establish a screen persona. And how unexpected for blues singer Josh White to turn up as one of the fortune hunters. His musical interludes may seem artificially inserted but are pleasantly entertaining.For me there are two highlights. The sandstorm, of course, is really well done-- on a set I would assume, but still a marvelously staged effect. The other is that battle of shovels atop a swirling dune, (move over Japanese martial arts). It's like nothing I've seen. Then too, the location staging in Death Valley may send you out for water, so bring a canteen.Including flashbacks, the narrative itself is pretty crowded for a 78-minute runtime. So don't expect a tight format. Action and characters tend to be sketched through the proverbial glass darkly. Nonetheless, the movie's an unusual production that's remained oddly memorable since my first viewing, lo, so many years ago.

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dbdumonteil

Excellent western ,where what is apparently the main subject (the search for gold) is actually of secondary importance in the end.The director is much more interested in his characters and the relationships that are formed between them.He superbly films the desert ,which has got something lunar ,disturbing ;the signals in the distance increases this feeling of mystery.Even the flashbacks are strange ,they seem completely out of place (Ella Raines could have told her story ) and they add to the threatening atmosphere.Most of the time,the viewer does not know who is searching who and almost all the action takes place in the same place (apart from the beginning) ,which is very rare in a western.Impressive sand-storm scene.

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