There are women in the film, but none has anything you could call a personality.

While it doesn't offer any answers, it both thrills and makes you think.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

THE WANDERING SWORDSMAN is one of the lesser films in the career of Shaw Brothers director Chang Cheh, but it's still worthwhile thanks to a winning performance from the intensely likeable David Chiang. Chiang plays the titular character, a kind of rural Robin Hood hero who spends his time killing robbers and sharing out their stolen wealth with poor and deserving villagers. When he's enmeshed in a sinister plot and outwitted by a huge gang of robbers, he must turn the tables and play them at their own game. There's a lot of wirework-assisted action involving Chiang's nimble hero who leaps and bounds all over the place and plenty of action, although it's not quite as gory or expertly-choreographed as in other Chang Cheh films (this can't hold a candle to VENGEANCE, for example). The supporting cast includes a briefly utilised Lily Li as a potential love interest, the great Cheng Lei as the security chief, Wu Ma (who assistant directed), Chen Sing, and Bolo Yeung in his very first film appearance.

"Wandering Swordsman" David Chiang soundlessly somersaults in slow motion as he shadows a pair of thieves known as "the Flying Robbers," who are planning a robbery. He follows them to a tavern, where he casually tells the proprietor that "today is a bad day for thieving." The Robbers overhear him, but ultimately ignore his words of wisdom. He lays for one of them in the forest, takes the stolen gold from him, and gives it to a band of refugees whose village has been taken out on the tide. His largesse comes back to bite him when he has to sell off his short swords to pay for a meal at a tavern. The buyer, Jung (or "Chung," according to the cast list here), played by Chen Hsing, rides off. Chiang, penniless, contemplates following on foot, but comes across a trio of abandoned horses and ventures into the nearby woods out of curiosity. There, he witnesses the murder of Miss Jiang Ning's bodyguard by the robber swordsman, Jin Li Loi, "the single-bladed swordsman." Chiang intervenes on her behalf and Jin wisely moves on. After a brief, flirtatious encounter with Miss Jiang, Chiang himself moves on, using the dead bodyguard's horse to hunt for Jung. THE WANDERING SWORDSMAN is chock full of well-drawn characters played by solid performers (Yang Sze even pops up at one point as a henchman), and all move through a well-conceived story, guided by a topnotch director. The wonky wirework is minimal and serves the same purpose as the transporter effects on STAR TREK: it shorthands some of the action and allows the story to move just a bit faster at times. Martial Arts Movie Loyalists (MAMLs) will appreciate this one.

This is a quite traditional Chinese Martial film, by legendary Hong Kong director Chang Cheh. The leading man David Chiang is a superstar during 70s', you'll see his face a lot in Chang's other movies. This movie "You Xia Er"(Wandering Swordsman, in English), is about a young man who is cheated into a trap, and fight back when he finds out later. The plot is nothing special, but the way Chang put the so called "Jiang Hu"("River and Lake", means the society for swordsmen) is marvelous. The Motel, the gamble house, the guards, everything is so real and attracting. Also the way Mr. Chiang acted as "You Xia Er", with the smile always around his mouth, like he doesn't care about anything (he does in deed), is just what I thought Chinese swordsman should look like.Excellent movie, far more better than most of nowadays cliché martial ones.