The Weirdo
The Weirdo
R | 01 January 1989 (USA)
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After years of torment and torture, a disturbed young man snaps and takes out his frustration in particularly violent ways.

Reviews
Jeanskynebu

the audience applauded

Stellead

Don't listen to the Hype. It's awful

Portia Hilton

Blistering performances.

Quiet Muffin

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

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Bloodwank

The Weirdo tells the story of Donny, a simple young man mistreated by almost everyone but his aunt. He finds love and happiness with a slightly crippled lass named Jenny, but you just know things aren't going to turn out all sunshine and good times. Though broadly a horror film, and certainly drawing on classic genre themes and situations, much of The Weirdo is occupied by brooding drama, heavy on dialogue as Milligan piles up his dysfunctional concerns. Lots of typical Milligan stuff seems to be there, a loathsome priest, an even more loathsome mother, retarded people and constant mean spirited behaviour from most of the characters, the film is an essay in casual grinding cruelty, innocent simplicity slowly broken down till mad and murderous climax, an avalanche of deliriously inept slaying packing quite the punch. The climatic shenanigans I pretty much expected, what took me rather by surprise in the film though was how moving it is. The writing seems really to care about Donny and Jenny, they are in a terribly sad situation and the film never seems to be exploiting them. The small, committed cast and unfussy direction help out here, although the film has an everytown setting and the action moves around a number of different places it always feels claustrophobic, this gives it a sense of inevitability, that Donny will be wronged for no good reason wherever he turns. There's a sincerity and compassion here that really works despite the oddity and comically broad touches like the abundance of slapping, happily this feeling is backed up by some decent acting. Steve Burington does good, sympathetic work as Donny, slow and seemingly simple, pitiable rather than pathetic and with an edge of menace. In fact throughout the film I kept being reminded of some or other similar if not near identical turn in a different movie, just out of reach of my recollection. Jessica Strauss is sweet, childlike but lovable as Jenny and her relationship with Donny comes off as unforced and natural as such a set up was ever likely to be. Sure it's a bit of a fairy tale, but they work well together and are rather touching. Naomi Sherwood is Donny's aunt and comes across a nice enough old gal, doing her best in a situation she never asked for and probably didn't ever want. The rest of the cast is basically just a set of hateful meanies, caricatures but delivered with gusto, with a shout out due to Lyn Caryl, doing great malign work as Donny's near unfeasibly spiteful mother. The ending of this one probably would have been better with a less schlocky approach and the film is ultimately a bit formulaic, but I had a rather fine time with it on the whole. Not by any means a great film and probably not even a "good" film in the conventional sense, this is still worth a look for Milligan fans and 80's oddity addicts I think.

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reidsprague

This is the weirdest feeling movie I've ever seen. It's like Tim & Eric without the cynicism. A few questions:-Why are there 30 year-old bullies? -Why does nothing ever come of the gaping knife wound to Donnie's ribs? -Why did the director leave it open for a sequel? -Which fu**ing universe did this movie drag me to, and will I ever return?Man. If I had to give this a genre it would be Smut-Comedy. There has never been a more original movie. Most movies borrow elements from previous features, but I can't think of a single movie that this reminds me of. I hadn't seen this since grade school, I'm now 25 and just bought a copy on VHS for $20. I still find the same parts hilarious, but I have a certain amount of respect for the total strangeness of The Weirdo than I did back then. BUY THIS MOVIE. While you're at it, burn down your house and kill yourself. You'll thank me later... depending, of course, on if you actually kill yourself.. in which case you couldn't thank me. Just buy the fu&^ing movie at any cost.

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John Seal

The Weirdo (actually entitled Weirdo, the Beginning on the video print) was a massive step up for director Andy Milligan after the train wreck that was Carnage (1986). Another in his series of 'dinner theater' productions, it was shot in Southern California with an amateur cast. And while I would never, EVER claim that it's a classic film of any variety, it weaves a strange spell thanks to Milligan's preference for deadpan dialogue, angular set-ups, and odd settings. Indeed, with the exception of only a few 'big city' shots, The Weirdo resides in a rural fairytale version of the Southland located not a million miles from the Spahn Movie Ranch. If Ingmar Bergman ever made a no-budget horror film, it might look like this, especially during its expository first hour, where characters argue, snipe, and moan endlessly at each other. With oddly affecting performances by cute little Jessica Straus and dear old Naomi Sherwood, as well as a generous assortment of gruesome deaths in the final third of the film, this is a unique example of truly independent filmmaking.

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Lucianivision

The Weirdo MUST go on everyone's top ten worst film list....It is simply DREADFUL! From the opening credits that read: The Weirdo-The Beginning!?????? to a hand chopped off by butter knife to the ludicrous plot? twist.....this movie is just abysmal! I laughed, then cried....I wanted to poke my eyes out with my very own butter knife! How this film ever got financed is anybody's guess...someone must have decided that spending five hundred bucks on crapola was better then burning it......They were wrong!

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