The Widow from Chicago
The Widow from Chicago
| 23 November 1930 (USA)
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A woman infiltrates a criminal mob to avenge her brother's death.

Reviews
Borgarkeri

A bit overrated, but still an amazing film

Keira Brennan

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

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Anoushka Slater

While it doesn't offer any answers, it both thrills and makes you think.

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Dana

An old-fashioned movie made with new-fashioned finesse.

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davidjanuzbrown

The primary reason to watch this movie is to see Edward G. Robinson's first time playing a gangster ( Dominic) at Warner Brothers. Robinson had that role down pat ( this was his fourth time he played a mob boss). The biggest problem is the main star Alice White ( Polly Henderson). The problem is although Polly is beautiful to look at, she is far too lightweight to be in a gangster movie ( as is her future love interest 'Swifty' Dorgan Neil Hamilton (best known as Perry White on the 'Superman' a TV Series)). The story involves Polly pretending to be the 'Widow' of Hamilton in order to find out who murdered her policeman brother., who was pretending to be Hamilton ( who he believed died from a leap into the East River). Of course, the problem happens when ( spoilers ahead) he survived and found out about his "Widow." Of course, she succeeds and tricks Robinson into confessing to the murder on the phone while the cops listen. Of course, 'Swifty' saves her from Dominic, and as Dominic says "Invite me to the wedding, but make it fast, because I am afraid, I will not be around for awhile." Which inspires 'Swifty to pop the question. One other thing about the movie is songs ( probably sung by Alice White), that were cut from the movie ( as a gangster film fan ( and hater of musicals) that was a good thing). Basically this movie shows clearly the rise of Robinson and harder edge movies and the end of Alice White's fluff. 8 of 10 stars.

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Alex da Silva

Polly (Alice White) infiltrates a group of gangsters headed by Dominic (Edward G Robinson) in order to find out who killed her brother Jimmy (Harold Goodwin).The plot develops at a pace which just about allows you to keep up with the story. It's a bit complicated at the beginning but things fall into place so keep watching. Alice White is super cute and likable but I'm not convinced about her ability to survive in the underground world. She'd be dead if she wasn't mixing with lightweights such as Neil Hamilton who plays "Swifty". It comes as a surprise when she ruthlessly shoots a policeman although there is a twist that runs alongside this. Another lightweight is Harold Goodwin - the film gets off to a good start when he gets shot. Overall, this film holds an interest but it is nothing special.

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frankfob

Edward G. Robinson and Alice White star in this early Warner Bros. gangster flick. White is the sister of a murdered policeman, and she sets out to find her brother's killer by impersonating the widow of a dead gangster and cozying up to Robinson, a rackets boss. There are even more complications in this, frankly, badly directed film (Edward F. Cline fared much better as a comedy director at Universal later in his career), several of the supporting performances are either weak or hammy, the film tends to meander and has quite a few dead spots, but Robinson and the unjustly neglected (and very sexy) Alice White do quite well despite the convoluted plot. It's main interest is as a precursor to the classic WB '30s gangster films, and you can see the famous Warners style emerging. It's just a pity that the film itself is so mediocre. It's worth a look to see where Warners was going with the gangster genre, and you can see a lot of Joan Blondell in the vivacious Alice White, but other than that, it's nothing really special, and doesn't hold a candle to Robinson's later work in "Little Caesar" and "Smart Money," which came out a year later.

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brliqq

A clever crime movie in which a woman seeks to put a mob boss behind bars for killing her brother, who was a cop. Polly gets inside Dominic's circle by posing as Swifty's wife, but when the real Swifty shows up things get interesting, and very unpredictable. Polly's brother was killed for impersonating Swifty, so now she is impersonating Swifty's wife for revenge. An entertaining movie that has humorous points and look out for an unusual place to see a SWATSTICKER, years before Hilter's rise.

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