I love this movie so much

One of the best films i have seen

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

This is a typical AIP (American Intl Pictures) flick. Fast cuts with no real story line. The action scenes are good, but I would rate this film below Lemans, Grand Prix and Winning. All these racing films came out between 1966 and 1970. The story lines are similar. Fabian's character of Jo Jo Quilico exemplifies the quintessential race car driver persona. The other reviews here sum it up pretty good. It's worth a look just for some of the cinematography. ~ Enjoy

As a vintage racing buff, I am drawn to the movie with the vintage cars (more on that) and the views of the classic tracks in their original configurations. This film using the cars and footage from 1968.The story of an American breaking in to the European scene is not too far-fetched. In real life there were Americans in F1 in the 1960's:Phil Hill, Dan Gurney, Ritchie Ginther, Ronnie Bucknum, Bob Bondurant and Masten Gregory. Like the Fabian character,most of these guys came out of California; but were sports car drivers,not NASCAR.The story is interesting as the main character is very shallow, not likable and destructive. But I am drawn to the people around him.About the cars. While they refer to the races a Grands Prix, these are not F1 cars but Formula 2 cars. At that time F2 were very similar to F1, the displacement was 1.6 liters (F1 was 3 liters), narrower tires, and no wings. In 1968, F1 cars had high mounted wings in front and back. Good footage of the cars' internal bits, notably the Cosworth FVA 4 cylinder engine. In the 60's, F1 drivers would often race with the up and comers in F2. Stewart drove Ken Tyrrell's Matras, Rindt drove the Winklemann Racing Brabham, Jack Brabham would field a team of Brabham Hondas to name a few. The cars of the protagonist are the Winklemann Racing Brabham BT-18's with the Cosworth motor.The race footage was from the actual F2 series at the appropriate tracks.Today's racing is too corporate and sterile to make a decent film...

This story about former NASCAR driver Joe Joe Quilico and his quest of making it big in European Grand Prix and Le Mans racing, and pursue a love life at the same time ought to evoke comparisons to two epic racing movies, Grand Prix and Le Mans. One good thing is the footage of exciting racing, which ought to please many fans of that era's Formula One and sports car prototype racing. It's interesting that we have a NASCAR driver making the switch to F1 (nowadays, it's the other way around-- Juan Pablo Montoya and Scott Speed come to mind), and Fabian does a great job in his role as an American racer adjusting to life on the European racing circuit. Now for the dislike. The editing! The Wild Racers makes use of too many quick cuts and the film's flow is generally "jerky" and the scenes cut too quickly into the next; it is not smooth at all, making it hard to follow the story at times. Compared to its contemporaries, Le Mans and Grand Prix-- the editing in those movies was much more tastefully done and served better in conveying a sense of emotion, or action, where it was needed. I never felt that I lost the storyline in those movies.I agree with the other review that this story written by Max House is excellent. The storyline is great, no doubt-- but the execution simply didn't convey that, in my opinion. I still enjoyed the racing sequences, though. The Wild Racers could, and should, have been up there as one of the great racing movies of all time.

For a low budget imitation of a great classic film, this movie has a certain visual beauty that hints as the physical loveliness of the Formal 1 racing circuit. The women wear exquisite outfits, the montages work as travel log. Fabian looks like a classic Grand Prix driver from the time. Missy Farmer is lovely looking as is Talia Shire.What I saw was dubbed it seems. The dialogue sounds unreal. The music seems to be an imitation of French romantic films.The film does not work. The story does not engage me. I do not care about the narrative and somehow the montage lacks crispness and cohesion. Still, it almost works in a way. It almost seem an undertone or overtone to "Grand Prix" This is like a memory of a dream and that is a compliment.