Save your money for something good and enjoyable

Excellent but underrated film

Watch something else. There are very few redeeming qualities to this film.

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

A documentary about the inventor of the first electronic synthesizer instrument and his subsequent life after he was abducted by the KGB as well as a history of his instrument.While this is not the most exciting documentary you will ever see it does put the focus on an instrument that is unlike any other. This is not a woodwind or percussion, but something altogether different, reacting to the electromagnetic forces of the human body! Those who know what a theremin is know it has strong connotations with science fiction, and has even made its way into some modern music. I had no idea that a theremin was in "Good Vibrations", though the sound is evident. Hearing Brian Wilson ramble is priceless, and we also get quite a bit from Robert Moog, who may be even more famous than Theremin himself.

While not a landmark in documentary filmmaking, Steven M. Martin's 1993 documentary, Theremin: An Electronic Odyssey, is almost the documentary Kijack's is, as it has a far worthier subject- electronic musical pioneer and inventor Leon Theremin, but a bit more scattershot execution, cinematically. The 83 minute long film mixes traditional biography of Theremin's life, his loves (marrying a black ballet dancer in the 1930s), his political persecution in the Stalin era Soviet Union, details on the history, construction, and musical influence of the theremin, and a summary of it all.The film features interviews with Todd Rungren, Robert Moog, who discourses on Theremin's role in electronic music, his own influential career, and has a number of lesser known talking heads, and one transcendently silly interview with a literally batshit insane Brian Wilson (of The Beach Boys fame), who speaks wanderingly of how he got the idea to use the theremin for his hit song Good Vibrations. Archival footage and audio only clips of theremin music, as well as clips from many films- including 1940s A films like Spellbound and The Lost Weekend, and 1950s B and sci fi films, like It Came From Outer Space and The Day The Earth Stood Still, testify to the influence of the film.However, the film's star is not Leon Theremin, but his younger protégé, the great theremin player, Clara Rockmore. And when I state that this woman was great, I mean it. Her handling of the theremin dwarfs all the other players. This virtuoso could literally make the instrument, which could range from producing eerie to barely tolerable sounds, into an instrument of, well, to beg the cliché, genius. In Rockmore's air divining fingers, the theremin could sound like the most virtuoso female singing voice ever recorded. Her talent level, on this instrument, is so staggeringly far above any of the other on screen players that it is akin to watching humans and a cvreature from another species do the same task.Additionally, this film, unlike the first, is much more dependent upon the technical aspects to cohere it into a narrative and artistic whole. Aside from director Martin, kudos must go out to cinematographer Robert Stone and, especially editor Robert Greenwald. Rare is the film where the editor plays a larger role than the cinematographer, but this is one of those films. By the end of the film, we get to see the long awaited reunion of Theremin and Rockmore- who long feared Theremin was dead, after he was kidnapped in 1938 and forcibly returned to the Soviet Union. The film deserved its many honors at film festivals.

I was disappointed with this "film" for many reasons. First, it was impossible to understand the interviews with Leon Theremin. The version I watched had no English subtitles, so most of the last third of this "film" was useless. Also, they interviewed a woman with short, brown hair that spoke Russian with no subtitles. Another problem is that most of these people are not introduced or have their names on the screen. I had no idea who these people were and why they were being interviewed. (My opinion is the director didn't know why these people were being interviewed either.) Anyway, the last third of this "film" just drags on and on because you don't who the people are, and you can't understand what they're saying. It's so bad, it's really annoying.Another problem is the look and feel of this "film". It was made in the early 90's, but has the look and feel of a 70's documentary. It appears that the director had no preconceived plan of what he wanted, so he went out and filmed all this footage and then tried to make a story out of it when he got back to the editing suite. I've worked on documentaries, and that's NOT how you should do it. The director had 15-20 years to improve upon the look of his "film", but did not. This leads me to think that he was very inexperienced. The "film" looks very amateurish and dated. Is it all bad? No. The first 2/3 are fairly interesting and tell a good (if disjointed) story of Theremin and his inventions. I loved the performances by Clara Rockmore. They were moving and beautiful. All the archive footage was pretty cool. And Brain Wilson's interview is something you just have to experience for yourself - it's classic! I also enjoyed the interviews with Robert Moog - very enlightening. All in all, this is a decent "film" (God, I hate it when they say "A Film by ______" in the credits. It sounds so pompous!) But, it suffers from a lack of direction which makes the last third so bad, it's painful. Plus, we can't understand what happened after Theremin was kidnapped and brought back to Russia. It's really frustrating.

I own one of Bob Moog's theremins, and it's the most difficult instrument that I've ever tried to learn to play. This film is a great overview of the instrument, the man that invented it, and the artists who have mastered it. I, too, was glad that the film downplayed the sci-fi gimmicky aspect of the instrument, but that is also an important part of its history. The best use in a film is probably The Day The Earth Stood Still.Many of the people in the film have since become deceased, so this is a great historical record of Mr. Theremin and Ms. Rockmore. I only wish that I could come close to her artistry with the instrument.Various companies build and sell theremins, the most popular among them being the late Bob Moog's Big Briar.