Best movie ever!

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

This is a remarkable and wonderful film. In 1939, the classical violinist Jascha Heifetz (generally regarded by common consent in the classical music world as the greatest violinist of the 20th century, which is certainly my view) was actually a popular icon in America. So far have cultural standards declined that such a thing would be impossible to imagine today, in a world contaminated by Madonnas and Kylies and other such low life characters who prance around showing off their tits and bottoms and think of themselves as 'musicians'. And so Samuel Goldwyn decided to make a whole feature film around Heifetz, admirably directed by Archie Mayo. The story is first rate, and Heifetz is portrayed as a stratospheric and inaccessible concert star who happens to run into a poor kid in New York, through a series of amusing circumstances, and thereby becomes involved with the fate of a music school for disadvantaged urban children. The school is continually threatened with closure through lack of funds, but no one dares tell the idealistic head of the school, played by the endearing Walter Brennan, that there are drastic debts owing and angry creditors at the door. In one hair-raising scene, a ruthless music instrument supplier has removal men seize all the instruments from the children of the school's orchestra when they are in the middle of a concert. Joel McCrea is very good as the cheerful beau of Brennan's daughter, sympathetically played by Andrea Leeds, who cheerfully loses his job in order to help support the school and the cause of encouraging poor children to learn music. The star of the film is Gene Reynolds, who plays the poor boy Frankie at the centre of the story who enters the school because he has perfect pitch (or 'a good ear', as Brennan modestly puts it). Reynolds is admirably supported by one of the finest canine actors of the period, a little dog called Zero, who plays the character Sucker, a dog who is Frankie's inseparable companion. Child actor Terry Kilburn is also extremely good as Frankie's younger friend Limey, so named because he is British and sounds it. He is such a cheerful little chap. This film was entitled RAGGED ANGELS in a re-release at a later date in America, but in Britain was called MELODY OF YOUTH. Jascha Heifetz plays numerous extended virtuoso pieces in this film, such as RONDO CAPRICCIOSO by Camille Saint-Saens. No trouble is spared to film him from every angle, with plenteous close-ups of his fingers, his bowing technique, and views of him of every description. He also speaks and briefly 'acts' in a few scenes. From the point of view of the history of music and the violin, this film is a 'must-see' because of the extensive coverage given to Heifetz, around whom the whole film revolves. It was the first time he had appeared in a film. As all who have ever seen archive film of him playing know, Heifetz showed absolutely no emotion when he played, but while remaining as formal as a Greek statue, he could wring more emotion out of his violin than anyone since Paganini, and more than anyone since. He was simply the greatest. And what a treasure this film is, to contain such an early record of his performing. As for the film itself, it is charming and delightful, and most entertaining. It is most emphatically not just a story strung carelessly together to provide an excuse for getting Heifetz on screen. In fact, it is a pity that young people interested in music today cannot all be shown this film in school. I would recommend most strongly to any parents with a child serious about classical music that they show this film to the child. It also carries an important message about the power of music to uplift those who are in unfortunate circumstances and in great poverty. The scene where the mothers of the children block the entrance to the school to stop the men coming in to seize the instruments is touching testimony to how hard times produce backbone and determination. The social lesson is the need to spread classical music more widely through all levels of society. After all, it is such a civilising influence, and there are not many civilising influences left, are there? Isn't it better to be taught to play an instrument and to take part in a student orchestra than to sit at home playing computer games in which you kill people until you are so brutalised that you then pick up a gun from your father's gun cabinet yourself and carry out one of those school massacres? All of those student atrocities I blame on the parents, by the way, since the kids who carry them out are always the spoilt brats of spineless affluent upper middle class families, whose parents should be locked up as incompetents and enablers of their psychopathic offspring. Anyone in search of a bit of sanity in a world full of bad parents and vicious spoilt kids should watch this film, to remember that there was an innocent time when the worst entertainment to which children used to be exposed was likely to be the insipid charms of cowboy heroes like Gene Autrey and Roy Rogers, or perhaps a highly unconvincing monster from outer space invading the earth. Today all the monsters are here already, and do not need to be imported from other worlds. The 'other world' of today is the world of yesterday.

THEY SHALL HAVE MUSIC (United Artists, 1939), directed by Archie Mayo, became producer Samuel Goldwyn's tribute to classical music through the eyes and talent of young children. Headlined by Jascha Heifetz (1901-1987), a celebrated violin virtuoso, with name above the title, ahead of renowned screen veterans Joel McCrea, Andrea Leeds and Walter Brennan, this production might have served as a biographical subject on Heifetz with him enacting his own story up to his legendary status. Instead, it's something completely different, dedicated "To the many schools throughout the world --- devoted to the development and encouragement of great talent among the children of the poor." The main character of the story isn't any of the actors mentioned, but the fourth billed Gene Reynolds, who actually carries the 102 minute film from start to finish.As Frankie Miller, he's a tough New York City slum kid living with his kindhearted mother, Jane (Marjorie Main) and strict stepfather, Ed (Arthur Hohl). He's also leader and treasurer of a group of boys, Limey (Terry Kilburn), Rocks (Walter Tetley) and Fever (Chuck Stubbs), spending much time on the streets getting in trouble with authorities and neighbors. One evening, Frankie and Limey find two unused tickets to a Jascha Heifetz concert. Unable to pawn off the tickets, they attend the recital instead. With Limey bored to tears, Frankie takes much interest in Heifetz. After returning home, he acquires his late father's fiddle to develop his musical talent imitating Heifetz. A heated argument with his stepfather follows, whom he nearly attacks, causing Frankie to run away and avoid being arrested and taken to reform school. Very much on his own, carrying a violin case for food and supplies, the boy earns money shining shoes by day and sleeps in an abandoned car by night. Things start to look better for Frankie after befriending a stray dog he names "Sucker," later leading him into a Third Street music school for poor children. Finding "Frankie Smith" to have an ear for music, and no place to stay, Professor Lawson (Walter Brennan, in fine characterization), the school's founder, offers the teenager room and board and acceptance as one of his pupils. Because the school is six months behind on their rent, and unable to survive on donations alone, Mr. Flower (Porter Hall), whose associate, Peter McCarthy (Joel McCrea), who never bothered to collect due to his love for Lawson's daughter, Ann (Andrea Leeds), threatens to close down the school. Through Frankie's good intentions, he makes efforts to save the school by trying to speak to Mr. Heifetz at his home. Situations become more complex when Heifetz's $70,000 Stradivarius is reported missing and now in Frankie's possession.In a sense of being an original story, the screenplay tends to borrow portions from Goldwyn's own DEAD END (1937), using tough kids from New York's poor district as main attractions, and Universal's ONE HUNDRED MEN AND A GIRL (1937), with talented teenage singer (Deanna Durbin) helping her father's unemployed musicians by getting the sponsorship of musical conductor Leopold Stokowski. Whether intentional or not, THEY SHALL HAVE MUSIC does get by on its own merits, especially with interludes to fine classical pieces consisting of: Peter Tchiakowsky's "Andante Cantabile" from "String Quartet No.1 in D, Opus 11"; "Introduction and Rondo Capriccioso, Opus 28"; Frederic Chopin's "Nocturne in B Flat Minor, Opus.9, No.1"; "Caro Nome" from Giuseppe Verdi's "Rigoletto" (beautifully sung by Jacqueline Nash); Wolfgang Mozart's "Eine Kleine Nachtmusik" "Hora Staccato" and "Estrellita" "The Barber of Seville," "The Minute Waltz in D Flat" (piano played Mary Ruth); "Symphony No.4 in A ('Italian'), Opus. 90," "Casta Diva," and "Violin Concerto in E Minor." Others participants to these compositions aside from Heifetz include the California Junior Symphony Orchestra.In spite of its somewhat contrived screenplay held together through a series of circumstances, THEY SHALL HAVE MUSIC is as entertaining as it is underrated. With McCrea and Leeds having little to do, with Heifetz having even less by way of acting, Gene Reynolds, a fine young actor with sincerity and conviction, on loan out assignment from MGM, never developed into a top teen idol as did box office attraction Mickey Rooney. Nearly forgotten as an actor, Reynolds did become better known in later years as director and producer of TV shows, especially the long running, MASH (CBS, 1972-1983). Tommy Kelly, lead boy actor in 1938's "Adventures of Tom Sawyer," and "Peck's Bad Boy at the Circus," is reduced to minor role as Willie, the kid whom Frankie hounds for membership dues for the club.With this being an overlooked Goldwyn production, THEY SHALL HAVE MUSIC did get plenty of exposure over the years, through its 1986 video cassette distribution; cable television broadcasts on American Movie Classics (1992-94) and Turner Classic Movies (where it premiered March 30, 2007). Anyone seeking for relatively unknown movie, this is one to consider, along with another similar themed production of MUSIC OF THE HEART (Miramax, 1999) featuring Meryl Streep. (***1/2)

As you can tell from the few comments posted here - mine may very well be the last you'll see, unless there is a big DVD-release or TCM plays it again ! - this is a kind-of "Our Gang" movie with a bunch of different kids. MGM certainly WAS the musical studio - if the musicians, dancers and singers weren't under contract, they were on tap. Heifetz was one of the most expensive.....that does it for a little charity work !!! The fee he received in that era was unheard of. Another musical film with Jose Iturbi (Mexican pianist) featured about 100 kids playing some simple tune on 100 pianos......so, those skeptics who think young children aren't musical are mistaken: I was one.As all write, "Frankie Smith" - good-ole American name - (Gene Reynolds) was the bad-but-good kid who is taken-in from the streets by the owners of a music-school. Can you believe that Walter Brennan ("Prof. Lawson") of all those western movies was the man running the school? Joel McCrea ("Peter McCarthy") and Andrea Leeds ("Ann Lawson") were the bigger stars in "They Shall Have Music", with a host of well-known extras (many of whom went-on to become stars in their own rights). As others have commented, almost all of the kids in the orchestra (actually, The Meremblum Symphony from Los Angeles) made big successes of their lives, either as musicians (for the studios) and other businesses.Sad to say, there aren't that many young-people's orchestras today - a sad mistake. Parents with children in school are usually so busy trying to keep their heads above water, and many don't even know what is happening to the kids in school. Musical instruction can get to be pricey, and almost EVERYONE would rather had a football-team.....This is the cheapest concert by Jascha Heifetz you'll ever hear is contained in this movie.....in those days, a quarter. His playing is brilliant, even if he looks like he'd rather be someplace else.....emotionless. By contract, any concert by Yo-Yo Ma is so joyful, it makes you want to run right out and buy a cello.....this guy is having a good time....like the kids in the "street" concert, when they hoodwink Heifetz to play at their school.All of the orchestral numbers were played by "the kids," and they make it sound easy. I love this type of movie - their plots are so simple, it doesn't take you two days to figure-out if you enjoyed - or understood - the movie, at all. We need some new movies like this - can't do anything but inspire younger kids to play other instruments than guitars.......Bravo!

I think Samuel Goldwyn was trying to accomplish two things in this film. First the film is a homage to Jascha Heifetz, considered to be the best violin virtuoso of the past century. Secondly having brought to the screen the Dead End kids with his film of the same title and seeing them sign with Warner Brothers, he was trying to create a second gang of appealing urchins. Though the film was good there certainly was no demand that the kids from this film be reteamed for another feature. Leader of the gang is Gene Reynolds who at one time played the violin, but now leads a street gang of disreputable urchins. His stepfather, Arthur Hohl, breaks the violin his late father gave young Reynolds and threatens to send him to reform school over the feeble protests of his mother Marjorie Main.Young Reynolds happens to stumble onto a music school run by the old music maestro himself, Walter Brennan and his daughter Andrea Leeds. They take him in, but they have their financial problems with a lot of creditors led by Porter Hall.This film is mostly to be seen today because it's a chance for classical music lovers to see and hear Jascha Heifetz who as you gather is the solution one way or another to everybody's problems. Joel McCrea is in this film also, but has a rather colorless part as Andrea Leeds boyfriend. Besides Heifetz, one thing the film does do is touch on, albeit gingerly on the topic of child abuse and battered spouses. Arthur Hohl is one mean man and Marjorie Main is very clearly a much battered wife.The kids in the cast do well, Reynolds, Tommy Kelly, Terry Kilburn and a young girl under the name of Jacqueline Nash who grew up and performed as Gale Sherwood, nightclub partner to Nelson Eddy. She had a nice soprano even as a child.But it's Heifetz you see the show for.