They're Playing with Fire
They're Playing with Fire
R | 01 April 1984 (USA)
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A married college professor decides to seduce her student, whom she hired as a handyman for her yacht. The hesitant student succumbs to his buxom professor, but their romance is interrupted by her corrupt husband and a masked murderer.

Reviews
Solidrariol

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KnotStronger

This is a must-see and one of the best documentaries - and films - of this year.

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Humaira Grant

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Phillida

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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bkoganbing

That Eric Brown, what a lucky dude. First in Private Lessons with Sylvia Kristel and then in They're Playing With Fire with Sybil Danning the boy is doing well with the cougars.However other than those titillating sex scenes there's not much to recommend either film. Danning seduces Brown but that's at the behest of her husband Andrew Prine. They're both tired of sitting around and waiting for his mother and grandmother to die. They want Brown to break in and just scare the two women so they might sell the old mansion and give them some of the loot.But then some hooded individual comes along and murders the two women and hides the bodies. A few more deaths follow before we learn the truth. If it weren't for Sybil Danning's body and those two weapons of mass destruction she has interest would be minimal here. If that's your thing go for it.

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Woodyanders

Cunning and enticing college English professor Diane Stevens (the ever luscious Sybil Danning at her all-time hottest) seduces gawky, naive student Jay Richard (the hopelessly geeky Eric Brown of "Private Lessons" fame) so she can use him as a patsy for an intricate scheme to inherit a sizable sum of money from her wealthy in-laws. However, a vicious mystery killer gums things up to an alarming degree. Director/co-writer Howard Avedis concocts a really strange and sordid blend of your standard silly teen sexploitation romp (the sleazy soft-core sex scenes are genuinely steamy stuff) and more mean-spirited slasher horror schlock (the scene where the psycho dressed as Santa beats a luckless lady's head in with a baseball bat is truly jolting). The cool supporting cast includes Andrew Prine as Diane's jerky husband Michael, Paul ("The Beast Within") Clemens as Jay's amiable college roommate Martin "Bird" Johnson, Alvy ("Green Acres") Moore as cranky gas station owner Jimbo, and K.T. Stevens as Michael's bitchy mother Linda. Moreover, this picture deserves extra kudos for getting right to the point: a mere eight minutes into the film Sybil removes her top and bares her beautiful bountiful breasts. Gary Graver's crisp, handsome cinematography, several tacky rock songs blaring away on the soundtrack, John Cacavas' thrashin' rock score, a few ugly murder set pieces, and Danning's awesomely abundant eye-popping nudity further enhance the delectably cheesy charm of this vintage 80's exploitation junk.

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skad13

Some of the Database comments on this movie are mind-boggling. In this movie, Danning conspicuously displays what she's best-known for, and it sure ain't her thespian skills, buddy.Her three sex scenes in the movie are unbelievably enthusiastic and should send most slobbering males to the fast-forward button to find the next such scene. The rest of the movie is a dreary slasher thriller that, most incredulously, even manages a happy ending. You know what level the movie's at when the student whom Danning is deflowering tries to carry on a mundane conversation while this busty vixen is on top

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Mal O'Dramatic

The statuesque Sybil Danning dominates this rather poor film of murder and intrigue.Who could not be impressed at the skilful way she manipulates one of her students, played by Eric Brown onto her luxury cruiser in order to overwhelm him in a way only she can manage.Ultimately, Miss Danning is the only good thing in this film as the poorly scripted plot spirals out of control. It fails to convince in almost every department of a thriller.

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