An absolute waste of money

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

It really made me laugh, but for some moments I was tearing up because I could relate so much.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Cicely Courtneidge (Cicely Fytte/Bertha Fytte), William Gargan (Van Gaard), Max Miller (Joey), Mary Lawson (Mary Fytte), Mark Lester (chairman, board of trustees), Henrietta Watson (headmistress McTavish), Cicely Oates (Miss Crabbe), Judy Kelly (Opal), Dick Henderson (the potential buyer), Dickie Henderson (buyer's son), Charles Mortimer (Harry), Hay Plumb (tennis umpire), Suzanne Lenglen (Marthe Bombarde, the tennis champion), Danny Green (Big Black Fox), Wyn Weaver (trustee), Alma Taylor (schoolmistress), Vivien Leigh (spokesperson for group of schoolgirl well-wishers).Director: ALBERT DE COURVILLE. Screenplay: Stafford Dickens, Con West. Story: Albert de Courville, Daisy Fisher. Photography: Charles Van Enger, Glen MacWilliams. Film editor: R.E. Dearing. Art director: Alex Vetchinsky. Music director: Louis Levy. Title song by Noel Gay (music) and Clifford Grey (lyrics). Sound recording: A. O'Donoghue. Associate producer: Herbert Mason. Producer: Michael Balcon. A Gaumont-British Picture. Not copyrighted in the U.S.A. No recorded U.S. theatrical release. U.K. release through Gaumont British: January 1935. Australian release: 3 July 1935. 78 minutes.SYNOPSIS: Twin sister (owner of a struggling circus) takes the place of a schoolmistress who has eloped with a no-good wrestler.PRINCIPAL MIRACLE: As in Soldiers of the King" (1933), Miss Courtneidge has a dual role, this time as twin sisters. However, there is only one special effect (using a split screen) in which both sisters confront each other.COMMENT: Aside from Miss Courtneidge, this well-produced film's principal interest lies in Vivien Leigh, here making her movie debut. Although twenty-one years old at the time, Miss Leigh plays a schoolgirl. Keen-eyed fans will have no trouble spotting her in the background of three or four scenes before she comes to the fore near the climax and speaks her one line of dialogue about not wanting to come back to the school next year if Miss Fytts is not given the job of headmistress.The main schoolgirl (and Miss Courtneidge's potential nemesis) is superbly played by Australia's Judy Kelly (who, despite many important roles in British films) is completely forgotten today, even in her homeland. Although the same age as Miss Leigh, Judy Kelly was then already an important star. Miss Courtneidge revels in her dual role which finds her in typically fine form and allows her to play engagingly well with other members of the cast, particularly William Gargan (here essaying the romantic lead. Incidentally, his name ks pronounced "Garrigan"). The couple reprise the film's one production number, the delightful "Things Are Looking Up", for a felicitous fade-out. Mark Lester makes the best of his amusing lines as the crusty colonel, while Max Miller, I'm glad to say, is happily confined to a very small part.One of only five films featuring tennis champion Suzanne Lenglen!. A pity! Miss Lenglen can act as well as she can play.

A typically nice Cicely Courtneidge film - exuberance and nonsense in varying amounts, amusing and irritating in turn. It was a single song musical - but what a song, one of Noel Gay's finest tunes!Cicely plays identical twin sisters, the prim one is a girls school mistress, the lively one a circus proprietor - the lively one steps into the breach when the prim one debunks with her lover for Africa. It's occasionally very funny but also very dull at times, with long stretches of childish slapstick. However my favourite bit is the "composing" of the song Things Are Looking Up by Cicely and Bill Gargan which I've seen so often over the years it's now part of me, classic and catchy corn indeed. On a side note the great Max Miller had a few snappy lines but was sadly underused.I've always enjoyed Cicely's films and music - her careless vitality still appeals to me in today's more colourful and wiser world, this world where imposters can't thrive at girls schools, circus animals are banned, and people spreading positive messages and harmlessness are derided.

This is a most entertaining and amusing film, and evocative of simpler times and pleasures. Cicely Courtneidge is infectious in her bonhomie and mad humour, and despite having the broad gestures of a former vaudevillian, she carries the whole thing off wonderfully by sheer force of personality and good fun. Her younger sister is played by a charming young actress named Mary Lawson, who was sadly killed in a German air raid in 1941, depriving the screen of a fine talent. This film also featured Vivien Leigh in her first screen appearance, with one line. This film is set half at the circus (a real one of that time was used for the filming) and half at a girls' boarding school. For once, real schoolgirls actually play many of the girls in the film, and only a few of the leading ones are too old for their parts (Vivien Leigh was 21 playing 15.) This is a madcap comedy, wildly improbable and meant to be so, with a touch of slapstick. Cicely Courtneidge might be described as the female Will Hay, totally oblivious of decorum, with a heart of gold and ready to try to teach advanced geometry (she doesn't know a triangle from a rectangle) if it will save her twin sister her job (the sister has eloped, but no one is meant to know, while her twin waits for her to come back). Cicely plays both sisters, one with a prune in her mouth who teaches school primly, the other an outrageous extrovert who rides bareback, does trapeze acts, and plays tennis at Wimbledon where she breaks a racket and bounces balls off her head. The film is wildly anarchic for its time, unrestrained in its fun, and most refreshing in its innocence.

This film is a fun romp and a perfect vehicle for Ms. Courtneidge's talents- mugging of the grand school ala Marie Dressler - both coming from the vaudeville training of broad comic gesture and both homely, matronly but lovable.The title tune is quite infectious and well done. Note the continuity error in the Wimbledon audience. The fellow in the front row bottom right of screen sometimes wears a hat and sometimes not.Vivien Leigh is most noticeable in three scenes- she is behind the girl in the geometry class who gives Cicely a hard time; she is in front row of third window scene during the title tune production number; she has her one line towards the end in a checkered dress as she tells Courtneidge she won't return to the school if the latter isn't elected headmistress.Do make an effort to see this- much fun.