How wonderful it is to see this fine actress carry a film and carry it so beautifully.

All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

One of the most extraordinary films you will see this year. Take that as you want.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

The best way to kill a technically well made film is through a bad screenplay. Exhibit 1A: filmmaker Allison Anders' 2003 Showtime film Things Behind The Sun. Ostensibly based upon Anders' real life 'trauma' of being raped as a child, the film wallows in every manner of cliché on the subject of victimhood imaginable, as well as wasting some fine performances, save that of the ever PC and increasingly hyperbolic Don Cheadle, whose performance here presages his terrible role in last year's Oscar-winning Crash.Yet, for all the potential this film has- and which a better and/or more objective director may have well exploited, it bogs down in the sort of Feminist PC clichés that made Monster such a bad film. The men are either unrepentant beasts- like Dan and his rapist pals, or wimpy excuses for men- like Owen and Chuck, straight out of the Alice Walker school of misandry. The film even ends with a trite dedication to Anders' long dead grandmother, described as a rape 'survivor,' not 'victim.'Yet, despite this seeming sensitivity, instead of showing how the vast majority of rape victims actually do adjust, mature, and cope with their violation, then move on, Anders indulges the Hollywood cliché of the eternal victim who cannot move on. This is, however, in keeping with the film's immature schizophrenic attitudes toward sex and psychology. As example, it also has too many pointless T&A scenes of sex, yet no male genitalia. Yes, we know Owen is impotent, so why do we need to see him try banging two different women, and failing? That such gratuitous, and sexist, sex is in this film is startling since the rest of the film is so PC. And, as a whole, the film is far too long at two full hours, and could lose much of its first forty minutes by just getting Owen back to Florida, and cutting the scenes of him shooting blanks. Yet, if that were not enough, there is the bizarre threesome scene with Sherry and two of her groupies, climaxing to furious rock music- an obvious steal from the famous drug scene of Martin Sheen in Apocalypse Now, to the music of The Doors' The End. Even worse, though, is the whole device of the flashbacks tells too much of the story, and lessens the impact of Owens' telegraphed guilt, as well the impact of the film.Things Behind The Sun is, ultimately, an example of the old good intentions lead to….trope, and fails as a work of art, despite glimmers of breaking through its self-imposed political strictures. In that way it recapitulates its main characters' failures to move beyond themselves. If only such a trope had been ameliorative. Ah, well, there's always tomorrow, Allison.

I tend to prefer character-driven movies with strong plots. In that sense, this movie score highly. Kim Dickens turns in a passionate performance as a self-destructive women trying to reclaim her soul after it was taken from her in an adolescent rape. Don Cheadle turns in yet another great performance. Wow, what a great actor. Eric Stoltz has little screen time, but he does a lot with it. Again, what a great actor.This movie suffers a little on the technical front. There are scenes that could have been edited out because they failed to enhance the story line. At times the direction seemed to be a lackluster. Neither of these hurt the movie that much, but it does not quite reach its full potential. It is still worth seeing. I enjoyed it.

It was such a painful movie, I don't know how to describe it. All I can say is that it was so well done that I was almost forced to watch it. I couldn't bring myself to change the channel. It was well written, well acted and well directed. Kim Dickens and Gabriel Mann did an astounding job portraying the victims. I could feel Sherri's pain like it was my own and I felt pain for Owen, as well. The only thing I felt could have been done differently is that Owen was just as much a victim as Sherri was. He was just a child at the time of the rape. How can he have been held responsible for something he didn't want any part of and was forced into by his sociopathic brother? He suffered for it, too. I understand why Sherri had trouble dealing with him up to a point but it seems that everyone involved forgot that he had been a defenseless child, too. I highly recommend this movie to anyone who's ever been a victim or knows a victim.

This film knocked me for a loop. The acting is uniformly terrific and i believe it was filmed with digital cameras. There are two rape scenes that are to my mind the most realistic depictions i've ever seen. This is not rape as sex but rape as brutal violence. A few minutes in a childs life that stays with them for ever. The performances by Kim Dickens and Gabriel Mann as the adult rape victims are completely different yet both seem so true. I took this as a double rape even though one character was technically the rapist. I saw this movie on tv and at times you almost have to force yourself not to change channels. Watching the young Sherry walking away from the house after being raped, dragging her skate board, seems so real you feel like you are peeking through the curtains at someones real life pain. This is a very honest, painful movie and perhaps the best thing is the ending. No shinning light of salvation but a few glimmering shreds of hope for both the central characters. This one will stay with me for a long time.