Memorable, crazy movie

Dreadfully Boring

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Songs: Hoagy Carmichael composed both lyrics and music for the novelty number, "My Dog", which he also sings. The others, sung by Vera Ralston, are "The Tambourine Waltz" and "What Ev'ry Young Girl Should Know", with words by Paul Francis Webster, and "He's Dead But He Won't Lie Down", the words of which were written by Johnny Mercer. Title song "Timberjack", sung by The Lancers, was written by Ned Washington and Victor Young.Unfolding against the lavish natural wonderland of Western Montana, the film was made on location both there and in Glacier National Park.Copyright 1955 by Republic Pictures Corp. New York opening at Loew's State: 9 March 1955. U.S. release: 28 February 1955. U.K. release: March 1955. Australian release through 20th Century-Fox: 24 February 1956. Sydney opening at the Palladium: 24 February 1956 (ran one week). 8,326 feet. 92 minutes.SYNOPSIS: Tim Chipman (Sterling Hayden) returns to his native Talka River section of Montana when he learns his father has met with a serious accident. Tim's boyhood sweetheart, Lynne Tilton (Vera Ralston), is now the owner and singing star of the Vermilion Belle, a deluxe cabaret. The place is highly popular with timberjacks employed by the Talka River Logging Company, a powerful outfit headed by ruthless Croft Brunner (David Brian). Brunner explains that the road is closed to the Chipman interests until the $11,000 assessment on the Chipman stock in the railroad is paid. Tim accuses Brunner of having killed Chipman. With Steve Riika (Chill Wills) and Lynne's father, "Swiftie" Tilton (Adolphe Menjou), Tim tries to get the season's quota of timber to market. Brunner offers to buy a fine quarter-million stand of fir, and Tim refuses to sell. Brunner imports city goons to wreck Tim's timber-floating preparations. (At this stage, however, the picture runs out of money and proceeds to a swifter and much more economical climax than that promised).COMMENT: Catchy title tune, picturesquely rugged scenery, a Shay logging locomotive with flatcars, a couple of vigorously staged action spots, a great performance by Howard Petrie - that just about sums up the entertainment virtues of Timberjack. But on the other side of the coin: dreary songs and overly contrived dance numbers, garish sets, long dialogue stretches with boring people exercising their gums at considerable length - and Vera Ralston filling the wide screen just a little too comfortably.OTHER VIEWS: Vera Ralston registers fine as Vera Ralston in this typical Republic outdoors melodrama. The usual brawls, shoot-outs and occasional spurts of action, plus genuine location scenery that looks mighty picturesque in Trucolor, makes Timberjack a natural for the bush. For city suburban cinemas, however, Timberjack is best booked as the lower half of a midweek double. - Exhibitors' Booking Guide.

I just can't sell this movie folks, I thought it was dreadful. I'm someone who is normally content with both director {Joseph Kane} and star {Sterling Hayden} but here they are mired in weak plotting, bad acting and even worse accents. It also purports to be something of a mystery, which is daft since there isn't one!. Flimsy fights come and go, as do cheese laden songs, while the dialogue is as stilted {read from auto-cue it looks like} as can be. Republic Pictures do have many a fine B movie in the locker, but this isn't worthy of Z movie status.The plot sees Hayden as Tim Chipman, who returns home to find his father, owner of the family logging company, has been murdered. With money owed and a shifty rival in the offering, can Tim solve the mystery, fight off the baddies and once again move logs? Adapted from a novel written by Dan Cushman, of which I haven't read, I honestly don't know if the source material was any good to begin with? But this just doesn't work, either as an interesting story or as a competently executed one. Some decent train sequences catch the eye, and the location work at Glacier National Park is pleasing, if not helped by the less than standard Trucolor print. But really it's not even a time filler of a picture. 3/10

Well,she certainly worked hard and that's a fact.Through most of the movie she appears to be looking desperately at the other actors as if for their approval,like a puppy having mastered a new trick.She gyrates around the saloon,sings in a sub - sub Dietrich fashion a song or two that brings new meaning to the word "banal" before killing the bad guy with a backshot a sniper would have been proud of. In a logging camp full of exotic Europeans with names like Ole and a positive cornucopia of lousy accents Sterling Hayden searches for the truth about his father's death.Nearly as wooden as the logs he wants to send downriver,Mr Hayden is tall and fair and freckled.Unlike Miss Ralston he doesn't seem to care whether anybody likes him or not. Adolph Menjou is rather sweet as Miss Ralston's father who is killed by the bad guy with a single punch to the chin.Perhaps not surprisingly his hat comes off and is later found by Miss Ralston in the bad guy's office.Thus exciting her suspicions.Steady now.... There's plenty of treetop action - enough to set the Health and Safety boys running for the phone - and a lot of manly fistfights. Hoagy Carmichael does his usual piano - playing saloon bar philosopher part and sings a love song to a dog.Go figure. Not so much a negative experience,more a "Oh,is that it?" kind of movie. Just when you think it can't go on for much longer - it doesn't.For connoisseurs of the slightly camp only.

Unusual today, as a logger is the good guy! (Of course, so is the villain.) Some good footage of Shay-powered logging trains in operation; log rafts, and the like. The story and acting style are dated, but there's a nice supporting performance by Hoagy Carmichael and a great character by Adolphe Menjou.