Very well executed

I like Black Panther, but I didn't like this movie.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Close shines in drama with strong language, adult themes.

Robert Taylor had been a familiar face in films for nearly 25 years when he made "Tip on a Dead Jockey" in 1957. Here, he plays Lloyd Tredman, a Korean war pilot who now lives in Madrid doing...well, not much. He is divorced (so he thinks) from his wife Phyllis (Dorothy Malone). However, she never signed the papers and travels to Madrid to find out what happened to their marriage and if there is any way to salvage it.Lloyd admits that he is no longer able to pilot a plane. He is haunted by what he saw in Korea and is now too scared and nervous to fly again. He is the part-owner of a race horse, and is looking forward to winning a lot of money as a result of the race.Before that happens, he is approached by a man who offers him $25,000 to smuggle money out of the country. Lloyd doesn't like it, but he says it all depends on what happens in the race. When the race doesn't turn out as planned, Lloyd is sure that the smuggler had something to do with it. Angry, he refuses to accept the job. Instead, it goes to his close friend Jimmy (Jack Lord). When Jimmy is delayed, his wife (Gia Scala) becomes hysterical, and becomes worse when Jimmy announces he's doing it again! At that point, Lloyd takes over. It's not a smooth trip, with Lloyd almost not able to take off due to being paralyzed from nerves. He finally does, and if anything could happen, it does.This isn't a great movie. It moves slowly and there isn't a lot of action. It's interesting to see Jack Lord pre-Hawaii Five-O, young and with a slightly higher speaking voice and wearing less makeup than he did on his TV show. Dorothy Malone was attractive and good, but the plot is obvious.Taylor, always solid and likable, did six films with director Richard Thorpe. I am a fan of classic films, so I watch him because he is from the golden age, but also because he was my late mother's absolute favorite. He does a good job here.A few words about my mom's favorite guy, after my father, of course. The kid from Nebraska, with his resonant speaking voice and perfect face went on from this film to a successful TV series, "The Detectives," and continued in films until his death from lung cancer at the age of 57, in 1969. Yeah, the cigarettes got most of them.He is somewhat out of favor for testifying before the House Un-American Activities Committee as a friendly witness. However, a new book, Robert Taylor: Reluctant Witness, disputes this. In truth, I don't think he was the sharpest knife in the drawer and probably didn't understand the impact of the committee -- and, like many, he saw Communism as a threat. He claimed to have used bad judgment in accepting the film "Song of Russia." The truth? He did whatever Louis B. Mayer told him to do and wasn't aware that it was making a political statement until someone told him it was pro-Communist. He lived under the umbrella of MGM nearly his entire career and just did what he was assigned.It's not an excuse, and I'm the last one to applaud blacklisting or witch hunts. But everyone who testified had an agenda. Except probably Robert Taylor, who, when he left MGM, didn't know how to make a dinner reservation.

Tip on a Dead Jockey looks at the plight of a veteran pilot who is suffering from what we now call post-traumatic stress disorder. Lloyd Tredman (Robert Taylor) has decided to drift along in life, hiding away from family and friends in Madrid. His wife (Dorothy Malone) was about to divorce him, at his request, but changes her mind and goes after her man. Taylor is living on the fringes of Madrid society, giving rowdy parties and avoiding work. He is also carrying on a mild flirtation with his neighbor (Gia Scala) wife of his service buddy (Jack Lord). After losing his shirt when a jockey is killed during a race, Taylor is handed an offer by Martin Gabel--a simple matter of flying some currency from one point to another--illegal but not dangerous. He at first refuses then accepts the offer to save Lord from doing it and becoming a criminal. Taylor has to overcome his terror of flying to help his friend. Marcel Dalio provides some comic relief as does Joyce Jameson as a drunken lady who doesn't know how she ended up in Taylor's bed. Nothing goes smoothly, of course. Drugs enter the picture and Taylor has to decide what he will or will not do. The film was originally scheduled to be directed by Orson Welles but he dropped out and Richard Thorpe took over. Not a great film but solid entertainment done professionally by a very good cast.

You would think that from the title of this 1957 film, you'd be seeing racetracks and jockeys in abundance. This is not the case as the film turns out to be a rather routine story of smuggling drugs.Believe it or not, Robert Taylor and his co-star Dorothy Malone sing at the piano.For a couple that has supposedly divorced, they seem very compatible when together with the exception of one scene.Martin Gabel plays the heavy in this film and how ironic it is to see him in one scene with Jack Lord. Go know that fate would play such a trick on both men as they later succumbed to Alzheimer's.The mid to late 1950s was not a good time for Taylor. His young good looks were going and the heavy lines possibly from heavy smoking, which later killed him, were showing. No wonder he switched to television in the 1960s with the highly successful The Detectives.Marcel Dallio attempts to bring some comic relief to the film, especially when he reverses I thank you from the bottom of my heart.These films dealing with people having to confront their fears are usually not the best. This is not an exception to that rule.

Tip on a Dead Jockey, is a good introspective movie with character studies of people in turmoil. Robert Taylor plays a former fly boy that has lost his nerve, his love and his honor. He moves to Spain to get away, and forget how afraid he is of everything. He has a house guest, many parties, many days at the races and little of anything else. Lloyd Tredman (Taylor) is a very troubled man. He has divorced his wife Phyllis (Dorothy Malone) without any explanation and she goes to Spain to find out why. The reason he says, is because he is all used up, too many times he sent flyers out to certain death, and there is just nothing left for him to give. Martin Gabel offers him $25,000 to fly in and out of Spain and drop a package filled with money, but Lloyd can not go, too afraid, so he gives the job to Jimmy (Jack Lord) his best friend. Lloyd thinks he is love with Paquita (Gia Scala), Jimmy's wife. Gabel tells him this is his chance with her if Jimmy does not return. He leaves, runs away, but is summoned back to console Paquita when Jimmy is 3 days late. Phyllis accuses him of trying to murder Jimmy because of Paquita, and he goes over the edge and slaps her. This scene is worth the whole movie. Dorthy Malone, as the embittered and confused ex-wife is great in this scene, with Taylor at his best as the accused. In the end he flies the plane, after he regains his courage, and finds that Gabel has hidden heroine in the package. He alerts the authorities and they arrest Gable and his helpers. He then goes to Phyliss to mend the marriage. Robert Taylor is always good as the man with the hidden past as in "High Wall", "Rogue Cop", and "Ride Vaquero".