To the Limit
To the Limit
R | 19 September 1995 (USA)
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Colette is an attractive ex-CIA agent seeking revenge against a ruthless villain and his organization of trained assassins for the murder of her husband while the man is also after mobster Frank Di Vinci for his own personal reasons. It isn't long before the paths of both Colette and Frank meet whom they share the same vendetta against the same man and they reluctantly try to co-operate with each other to bring him down.

Reviews
Matcollis

This Movie Can Only Be Described With One Word.

InformationRap

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Sammy-Jo Cervantes

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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Brenda

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Welshfilmfan

Yet another stinker from PM Entertainment, this one possibly being their worst, and especially if your a Gay boy like me, there is no reason to watch, you get to see The late Anna Nicole's Huge Breasts, her ass and even her bush at various points in this 'movie' which has to be it's only selling point, Yeah I Can understand straight boys find her attractive but a movie based on her showing her tits and bush throughout - it is a very shoddy excuse for a movie, as Anna Nicole isn't an actress. All she says between stripping off is 'Oh Sh*t' or 'Oh, Fu*k' between being banged by some guy or other, The 'plot' is totally incoherent and the acting by everybody is appalling, the script is dire and the action sequences are abysmal, If your a straight guy or a gay girl, you will enjoy seeing Anna-Nicole's showing her lady parts, other than that, give it a miss, If you're wondering why Anna-Nicole never became a 'actress' then look so further, amazingly Dick & Joe of PM Entertainment hired her again for 'Skyscraper' so obviously this made some money on Anna getting her titties out* out of *****

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marcusman48

I saw this movie for rent at my local video store and couldn't believe my good luck. Here was a low-budget potboiler (I'm a sucker for those) with the most gorgeous girl to ever have been born (I refer, of course, to Anna Nicole Smith) on the box cover and a title that practically screamed RENT ME! I thought for sure it was too good to be true.Guess what? My disillusionment kicked in just a few minutes into the movie. I guess I should have realized that B-level and direct-to-video movies, while generally benefiting from more originality and freedom from censorship than the big-studio films, necessarily face a trade-off in production values and (sometimes, as in this case) performances by the actors.What was this film shot with - a camcorder? The picture quality is very faded and fuzzy; if I didn't know better, I'd have sworn this was made in the 1970s. I tried to grin and bear it, telling myself it would get better. It did - but not by much.The music was terrible and the plot left me cold. Just WHAT was this film about? All I managed to catch on to was some gobbledygook about a gangland hit, a stolen computer disk, and some atrocity in Vietnam - that's about it. The rest is just mindless exposition set mostly in Los Angeles and Las Vegas, with random characters showing up and leaving without rhyme or reason.For having her name above the title, Anna Nicole was not even on the screen that much. She is supposed to be Colette DuBois, a worldly-wise government agent - but she plays the role with her lazy Texas accent intact. And while it's true that she can hold her own in fights with the villains, Colette seems far less concerned with kicking butt than with showing off her own. There are points where the narrative actually grinds to a dead stop so director Raymond Martino can offer voyeuristic shots of a naked Colette showering or doing other supposedly private things. (To be fair, Anna Nicole was not at all bad-looking naked in the mid-1990s.) It is nearly impossible to take Colette seriously as a hard-bitten hero; she seems to realize this, and makes a vain attempt to butch up by spouting obnoxious profanities throughout the picture.TO THE LIMIT also starred Joey Travolta and a whole bunch of other people you probably wouldn't know from folks you'd run into on the street. Travolta is likable - assuming that's worth something - but he seems more befuddled than anything else. Many of the performers, in fact, seem to have been inserted just to make Anna look good.The movie abounds in unintentional comedy, from the stereotyped accents of the mobsters to the sight of deadly assassins in black cat suits and ninja masks. (Does anyone ever wear such a getup in real life?) I stopped trying to take anything seriously after a skinny female assassin decks a man three times larger than she with a single punch. (For people who are offended by explicit content, I must also warn that there is some truly grisly violence - including a tragic wedding massacre - along with the exposure of Anna's voluptuousness.) Worst of all was the plot, which seemed cobbled together at the last second from various genres and tropes of movies past. Martino even offers us a flashback to the Vietnam War; he apparently saw one too many Oliver Stone films and was under the impression that Vietnam equals cool.I really wanted to like TO THE LIMIT, if only for Anna's tremendous beauty and its air of B-movie innocence. I did enjoy watching it, but it was hard for me to stomach without a sense of irony. You can imagine my embarrassment when, after telling a roommate I was watching an action movie and being asked whether it starred Steven Seagal or Jean-Claude Van Damme or someone like that, I had to confess that it starred Anna Nicole Smith.

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Mattias Petersson

I had the misfortune of catching this at one of the low-quality cable channels a while ago. And i was astounded at how bad it was. I can't say that i expected a cinematic experience of note either, but the only thing taken to the limit here is how much junk the viewer can endure.The plot with Anna-Nicole Smith as an ex-CIA agent feels thinner than paper. But the execution is even worse. This is part soft-core porn, looking like something out of a Playboy-video, and part lousy zero-budget action flick. Who is the intended audience for something like this?! Do we even want to know?! This is like a manual in horrible film-making. Truly not worth watching for anyone. I rate this 1/10, but only because no lower grade was available.

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Rammstein-2

Looking for a porn flick but don't dare to rent one because the clerk is a girl? Longing for grotesque silicone breasts that look like weather balloons? Don't really care whether the plot seems to be added after the film was shot? Grab this one and run home. But, I must warn you. If you want even the slightest glimmer of intelligence, wit or good taste to appear for just a second, you'll be disappointed. This film has absolutely none of it.

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