From my favorite movies..

It's a mild crowd pleaser for people who are exhausted by blockbusters.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

If you were a teenager during the turbulent 60s and have even a passing interest in Petty's music, you should thoroughly enjoy this film. I'm about the same age as Petty and can totally relate to the influences that drove him to rock stardom. This movie was a real trip down memory lane and a huge eye opener in terms of the talents of Petty and his amazing band. Its a remarkable story really given Petty's very modest background and growing up in the somewhat rural Gainesville Florida. Fortunately, the University of Florida is there, which provided Petty's early band with an eager audience during the formative years. Even more amazing is how at one point, they simply decided to drive to California with some audition tapes and get a contract. And they did! Who knew it was so easy, although there were plenty of bumps along the way. The movie also provides pretty good insight into the ugly underbelly of the music industry and how they manipulate new artists to their own ends. If you are not a huge Petty fan, you will probably be surprised by how many hits this band had. It's pretty remarkable. All the more so that they can still play them all to perfection, despite their advancing age. Few groups of this age can make that claim. I wasn't a huge Petty fan until I saw this documentary. I was so impressed by Petty the person, and a realization that a lot of their songs were pretty easy to play (just from watching them play, I recognized the basic chords), that I took up guitar again after a 40 year hiatus. And I have actually become a much better guitar player than when I quit in frustration as a teenager. Its a fun ride with some intriguing personalities. Petty comes off as a pretty down to earth person, as does most of his band. A refreshing difference from the huge egos that dominate the rock world. Also be prepared to be surprised at how many huge artists Petty collaborated with, from George Harrison, Bob Dylan, Roy Orbison, Johnny Cash. He is a pretty remarkable fellow.

there aren't many great rock and roll documentaries out and when considering the at-best inconsistent career of Bogdanovich combined with a four-hour running time, even the most devout fan should be apprehensive ... Tom Petty became great only after touring with Dylan and then working as his backup band ... somehow hanging around and playing behind Dylan night-after-night flipped a switch in Petty and suddenly he was writing albums filled with great material ...when Petty first started hitting the airwaves, he was nothing special, just part of the 'new wave' along with Blondie and The Pretenders and The Cars and they are really the only ones worth mentioning ... while they just sound like rock and roll these days back then it was a new path and a great change from the maelstrom that was punk ... but aside from 'American Girl' Petty really didn't have much to offer, just middle-of-the-road material and a Plain Jane band sound that was less-than-special especially next to the finely-honed chops of James Honeyman Scott, the standout 'new' guitarist in those years ... one could shrug one's shoulders, put 'American Girl' on a jam tape and be satisfied with covering Petty's contribution so far ... frankly, those years displayed so much mediocrity among 'top' bands that one could only think of the infamous 'payola years' and wonder if they indeed ever went away ... 1979's huge hit 'Damn the Torpedoes' was chock full of annoying little tunes that only seemed capable of reaching the Top Ten by virtue of a gram of coke in each album sleeve delivered daily to DJs across the country ... his 'tough guy' persona delivered in every other song was a joke ... but then following the now famous backup tour with Dylan (including dates with the Grateful Dead and probably plenty of jam sessions off stage with both), the 'Let Me Up' album surfaced and the lead track was 'Jammin' Me' co-written by Dylan and suddenly Petty jumps up a big rung on the quality ladder ... with several other quality tunes on the album Petty was becoming a consideration in music ... during the intervening four years he spent what was his most important post-Dylan tour time with the legends that made up the Travellin' Wilburys ... a result of which obviously was Jeff Lynne producing the long-time-coming follow-up, 'Full Moon Fever', and now Petty has a complete album of fine tunes, well written and perfectly presented ... Petty stood out as a serious tune-smith and you could see the need for him in the rock world ... you could also see the benefit of hanging out with legends as Petty obviously kept his eyes and ears open and absorbed what made them great talents and let it simmer in his soul until it was the boiled-down stew that finally provided a filling meal instead of the slapdash fast-food he'd been serving up before ... the early years sounded like he was trying to get into the Top 40; but after his 'school years', he sounded like he was trying to write great songs ... there's a big difference and one can hear it ... if not for the adenoid-laden vocals, you could chalk up the first decade of his recording career to most any major label top 40 production of the era ... but after taking the name 'Wilbury' he was intent on living up to the name and didn't settle for inane ditties that would turn a recently post-pubescent girl's head ...Bogdanovich takes all this and turns it into a fleeting four hour documentary ... fleeting in that it felt far more like an hour when it was all said and done and left me wanting more ... so i watched it twice in a day ... Bogdanovich is an occasionally great director who frankly has been wasting his time in TV for more than a decade including appearing in and directing episodes of the vastly overrated 'Sopranos' and other typically weak efforts, even on cable channels where you can use the 'f' word (ohmuhgosh) ... let's face it, TV weakens everything ... it waters it down and churns it into the least-offensive slop people can swallow night-after-night as part of their self-medication regimen ... this is Bogdanovich's best effort by far since his other documentary, 'directed by john ford' ... thus 'picture show' is the definitive film for Bogdanovich ... other efforts seem to be half-attentive work that either goes for the after-school-special feeling of 'mask' or the sitcom pap of 'noises off' ... for a 'great' director, he doesn't have many great efforts ... but this is one ... as good a rock and roll documentary as one will ever see

When the golden age of rock (63-77) ended Tom Petty along with Bruce Springsteen (though he was clearly established at this point) were probably the only fresh newcomers to match and carry on the tradition of the genre with consistently good music for a generation. Unlike poser Springsteen and his crew Petty and the Heartbreakers seem to be a more down to earth self effacing lot and this translates well in Peter Bogdanovich's everything you wanted to know about Petty and the Heartbreakers four hour documentary. In spite of it's length Bogdanovich does an excellent job of keeping things flowing but the length and breath of Petty's discography is what makes Dream soar with live stage performances featuring the remarkable musical talents of lead guitarist Mike Campbell.Unlike rock doc impresario Martin Scorsese (The Last Waltz and a recent Imax doc featuring 30 foot Keith Richards) Bogdanovich approach is straight forward, the boys are forthcoming, genuinely modest and the music speaks for itself. They soberly discuss the problems of rock stardom, working as a team, losing and adding members the toll drugs took on the band as well as a David and Goliath contract dispute with MCA. Petty is both candid and unpretentious about his music, more a working stiff than the messiahs (ala Springsteen) who prattle on about their musics importance to preserving mankind.Fan or not (I happen to be a big one)Tom Petty and the Heartbreakers: Runnin' Down a Dream is a well made documentary featuring plenty of insight on a super group who avoided sensationalism and stage theatrics and simply and powerfully produced what they were on stage for - rock and roll without the sermonizing.

My wife and I didn't blink, except at the end when we were in tears. Honestly people, WATCH THIS DOCUMENTARY!!! I have seen them all, from The Tommy Dorsey Story to this, with Spinal Tap and The Ruttles in between. THIS IS THE BEST MUSIC DOCUMENTARY I HAVE EVER SEEN - BY A LONG WAYS. It is like one of those great songs that literally writes itself.Peter Bogdanovich deserves an Academy Award. The pacing, the entry and exit from each scene or topic, the feel that is captured, the very subtle nuances, well....they're perfect. Thank you for not detouring away from the core band and their music! Bogdanovich makes the four hours seem like minutes. We didn't want it to stop. It also helps to have great subject matter, and I now realize why Bogdanovich took on this project - Tom Petty and The Heartbreakers are the Real Deal. What they have given us is overwhelming. And what they went through and put up with in order to do it only adds to their reputation, and to the story itself. My wife and I keep going back to the DVR and rewinding to scenes or moments that are totally captivating. And, it's true, we were both in tears at the end. It really is that good. Thank you to Tom Petty and The Heartbreakers for letting us into your intensely fascinating world, to Peter Bogdanovich for capturing it so perfectly, to Tom Petty for staying true to his spirit, to Mike Campbell for showing us that a brilliant lead guitarist can also be reverent and humble and to everyone else - your synergy is an inspiration. Thank you from the bottom of my heart.