I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

It's 9 films from this franchise, I am watching them all, so far I've watched 4, this is by far the best Tomie adaptation, besides from "Tomie the beginning", this one shows us the latest Tomie, she's selfish, manipulative, demanding, materialistic, arrogant, prideful. Hysterical to watch, there's some very interesting FX moments, if you have read the manga you won't find it silly or over the top, it is like that in the drawing, so , this is the best that one can do to try and show that.The director did a great job and I can't praise the actress Miu Nakamura, if you are used to watch live action movies from manga or anime, you know she did a very good job being Tomie.

Absolutely baffled by these high scoring reviews!! Firstly I am a huge fan of Junji Ito and the Tomie/Museum of Terror series, (the three stars I have given are only awarded on the basis that I love the comics) and as I fan I expected to be able to overlook the film's flaws (awful score, terrible acting, bastardisation of the story line, a main actress not beguiling enough to play the part and bargain basement special effects etc etc) but apparently this is not possible.Initially I thought the film was supposed to be making some sort of joke, but no. It's just bad. And not even good-bad. Admittedly this is the only film in the Tomie series I have seen, but based on this experience I wouldn't seek out the others. Don't bother, especially if you are an Ito fan.

Here comes the first not so positive review of this movie because I had high expectations and by the end I was a bit disappointed.First I want to say that I'm a fan of Asian horror, so I'm not the average viewer just coming here to bash it. It's very original in it's plot and imagery, and that's what makes it worth watching in my opinion. It starts as a pretty serious story with the emphasis on suspense but then it turns into something else entirely and here the problems begin. There is just too much of everything and I found myself laughing because it was so ridiculously overdone. The cheap but disgusting effects doesn't exactly make it better but the acting is good and keeps it together in one piece, allowing you to explore this descent into madness for what it's worth. First there is one Tomie, then one and a half, then three...wait, how many was that again? Yes, it's like that...I think the point was to make something different that stands out and as such it's very successful. Sometimes you even stare in awe because you don't know what to expect the next second and that's very good because it's impossible to predict the ending. But overall it's too weird and disjointed to be a solid piece of horror. I can recommend this to the hardcore fan but not the average viewer, unless you want something new that crosses the line.

The "Tomie" franchise is probably the most disappointing series of horror films I've ever seen. Despite an interesting premise (involving a demon girl who cannot die and causes violent obsessions from her acquaintances), every single installment (up to this point) has been painfully boring and sleep-inducing. When I heard that they were making a new one, I had zero interest. Then I heard that Noboru Iguchi ("The Machine Girl') was directing it, so I gave it a chance and I'm glad I did.Here's a plot summary from Asianmediawiki: "Tsukiko (Moe Arai) is a member of the photography club in high school. On her way home with friend Kae (Aika Ota), Tsukiko runs into older sister Tomie (Miu Nakamura) who goes to the same high school. Tomie is also with Toshio (Kensuke Owada) - a guy Tsukiko has a secret crush on. Tsukiko is consumed with fierce jealousy over her sister, but at the same time is intoxicated with Tomie's beauty. Tsukiko keeps pressing the trigger on her camera. At that time Tomie tells her sister that she knows what she is feeling. When Tsukiko stops taking pictures, Tomie is crushed by a steel frame that falls from a building under construction. One year later, Tsukiko still suffers nightmares over her sister's death. Slowly, her daily life returns to some sense of normalcy. On Tomie's 18th birthday, her parents and Tsukiko stand around a birthday cake in her honor. At that time someone knocks on their door. Tomie stands in the doorway with rich black hair and her beauty shining even more brightly. Her parents are delighted to see Tomie and welcomes her back with tears pouring out. Meanwhile, Tsukiko stands there unable to believe what is transpiring. Tsukiko's nightmare now turns into reality and her terror is only set to begin." There is no question that Iguchi infused more entertainment value in this one film than all of its predecessors combined. It starts off with a bloody death scene and becomes more outrageous and blackly comical with each passing minute. There's more creativity than one might expect in terms of the horror elements, and the actresses are good. It fails to rise above simple popcorn horror, but it is fun to watch for its WTF moments.I hope Iguchi directs another "Tomie" film, because he's the only director who has displayed enough energy to make it entertaining.