Sorry, this movie sucks

Instant Favorite.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The film never slows down or bores, plunging from one harrowing sequence to the next.

As much as I wish I could, it would not be fair to give this film a higher rating than I have, the reason being that I understand why it is completely impossible for the vast majority of viewers to ever find this film as moving as I do. Those of us who are members of the elite craft that Marco mentions all see this movie through a completely different lens than those who do not live every day of our lives with this thing that can be just as accurately categorized as an illness as a gift.Paul Dalio, writer, director, editor and composer of this film, has been through the experience of being hospitalized with a manic episode and subsequently diagnosed and medicated. Using his artistic gift for film making, he has created a story that attempts to show the world what it's like to experience life with bipolar disorder. It is a very nice story that does a good job of deeply exploring the subject matter. However, although he clearly has a gift for storytelling, Dalio's attempt creates something that may be difficult or impossible for most of his audience to relate to. Those of us with bipolar have the same experience when watching this movie as the boomer generation has when watching Forrest Gump - constantly saying to ourselves, "Wow, yeah, I remember that." Everyone else sees something very different, and I could easily understand if the majority of people who see this movie either don't understand it or find it mediocre.It may be a while before the world is really ready for this movie. Psychology is still a fairly new subject that has only been studied in depth by more than just a few people for the last sixty years or so. I do hope the day will soon come when bipolar disorder will be much better understood by everybody. If that day ever does arrive, then and only then will this movie ever become the classic that I believe it deserves to be.

Love and mania and the love of mania -- these are some of the powerful themes explored in this gritty movie about bipolar states of being. The fine script inspired solid performances from the lead and supporting cast alike. They wanted to make this movie and gave it everything they had to tease out the difficult material that was presented in this film. It will probably not be to everyone's taste but if you are looking for a movie that challenges you to examine what society calls 'mental illness' and how that label affects those thus labeled and the difficult relationships that these people have with those who love them most, "Touched with Fire" is definitely a show that you want to check out.It would be too depressing to make a movie that hews too close to reality when it comes to the bipolar mind because an unwatchable tragedy just seems inevitable; "Touched with Fire" takes the audience close to where they would turn away but manages to inject enough hope to keep you going. And that is the central tension in the film -- a glimmer of hope when all appears to be lost. Many people would disagree and say that this picture is too depressing, but I tend to think that these people want movies to narcotize them with a massive dose of feel-goodism.Otherwise, for the few grown ups out there, this movie is worthy of your time.

Katie Holmes plays a manic depressive poet named Carla who meets Marco, played by Luke Kirby, in a psychiatric hospital. Both suffering from Bipolar disorder they find a connection in poetry and alien conspiracy in their manic states. At it's center the film looks at the relationship between mania and creativity and the pros and cons of the mental illness, bipolar disorder. The strength of the film lay in it's characters and direction. Writer/director Paul Dalio creates two characters who are relatable in their humanity, even if you don't suffer from mental illness. Luke Kirby's performance is solid as well as supporting actors Christine Lahti and Griffin Dunne. Unfortunately, some faults lay in star Katie Holmes, as much as she seems to be really trying, she comes across as a little unbelievable at moments although she does perform passably. The pace is a little crooked at times but the on screen dynamic between the two stars really pulls the viewer in and lets us understand the way they see the world. six and a half stars.

Greetings again from the darkness. We all have good days and bad. Sometimes we energetically leap from bed, while other days we barely muster the energy to push off the covers. For those who are bi-polar, those peaks and valleys are mere child's play. When "up", they often are filled with frenetic creativity and hyper-energy. When "down", life holds no purpose and the simplest daily actions are deemed impossible. Medication seems to be their only hope for "normal".Writer-director-editor-composer Paul Dalio admits much of the story comes directly from his life and that Carla and Marco carry much of him. Katie Holmes plays Carla and Luke Kirby (Take This Waltz, 2011) plays Marco … theirs one of the few on screen meet-cutes to occur in a psychiatric hospital (not counting McMurphy and Chief). When the pendulum swings, Carla frantically scrawls out poetry based on nature and feelings. Marco is also a poet – the rapping kind – but he seems more addicted to the energy and spirit that goes with being up.The film is really two-in-one … a star-crossed love story and a commentary on treatment (to medicate or not to medicate – that is the question). The writings and work of clinical psychologist Kay Redfield Jamison play a vital role here, and she even appears as herself in a critical scene. Carla really wants to get "right", especially when she discovers she is pregnant. Marco, on the other hand, spends much of his time trying to maintain the "high" as he finds life so much more fulfilling and interesting when not medicated. Marco uses the track record of many suspected bi-polar types as proof that greatness is near – Emily Dickinson, Tchaikovsky, and Van Gogh.Bradley Cooper was Oscar nominated for his bi-polar role in Silver Linings Playbook, and both movies pay some attention to the challenges faced by families. Carla's parents are played by Christine Lahti and Bruce Altman, while Griffin Dunne is Marco's dad. The best intentions often fail miserably, leaving all parties feeling frustrated and emotionally distraught. The movie seems to make the argument that medication is the only real hope if a sufferer wants to live anything approaching a normal life, and it's Ms. Jamison's stated contention that medication will neither change the personality nor negatively impact creativity.Katie Holmes offers up her best work since Pieces of April in 2000. Of course, there was a "marriage" mixed in there that stomped down her career. This role reminds that she is capable of finding the core of a deep character. Welcome back. Spike Lee is listed as a Producer here, and Mr. Dalio says Lee, who was his NYU Film School professor, encouraged him to explore this facet of his affliction. Dalio's wife Kristina Nikolova shared cinematographer duties with Alexander Stanishev.The film, previously entitled "Mania Days", does a nice job of showing us the extremism involved with being bi-polar, as well as the challenges that come from being part of the medical field or familial support staff.