Touching Home
Touching Home
| 29 April 2008 (USA)
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The true story about a father struggling to make amends with his twin sons as they pursue their dreams of professional baseball.

Reviews
GurlyIamBeach

Instant Favorite.

BroadcastChic

Excellent, a Must See

Grimossfer

Clever and entertaining enough to recommend even to members of the 1%

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Cristal

The movie really just wants to entertain people.

SimonJack

"Touching Home" is a clever title for this 2008 film by twin brothers who then were novices in Hollywood. Brought up on baseball, their driving hope was to become pro ball players. That's how they would make something of themselves and escape the clutches of an all but nonexistent family and home life. Once grown, they come to grips with a dysfunctional family and alcoholic dad who has never been there for them. The twin boys in real life are Noah and Logan Miller. After five years of minor league baseball in the southern mid-section of the U.S., they went back home to California. They held different jobs – always together as brothers, and eventually wound up in Los Angeles. They had jobs that introduced them to the seedy side of nightlife indulged in by many of the wealthy of Hollywood. They then decided to write a screenplay, and after reading "Lew Hunter's Screen writing 434," they wrote one. Soon they had written half a dozen. They then began work on a movie about their story growing up. And, in 2009, they wrote a book, "Either You're in or You're in the Way." It tells about their experiences leading up to the production of this movie, "Touching Home."Although new to Hollywood, the Miller twins are in rare company already. Very few others have done what they did with this film. They produced it under the Winston name of their characters in the film. They are the sole writers of the script. They direct the film themselves. And they are the co-stars of the film, along with Ed Harris. I don't know that there's a record or list anywhere that has individuals who did all four major tasks in making a film: producer, director, screenwriter and actor co-star. Besides Harris, they got some very good talent for the main supporting roles. Brad Dourif gives an outstanding performance as their uncle Clyde Winston who is mentally handicapped. And, Robert Forster does an excellent job as Perk Perkins, the local sheriff who is their baseball coach when they are little and friend and helper to their dad, Charlie (Ed Harris) later. Harris is excellent in his portrayal of the alcoholic father. The story of Logan and Noah Miller is amazing in itself. They stuck together through great adversity and neglect. Today, probably very few people don't know about dysfunctional families. Many people have grown up in one themselves. Many know other people who have. "Touching Home" is a story about surviving such an upbringing, and in a way – perhaps the only way – in which the victims can find peace and consolation. This movie has all other aspects done very well – the direction, filming, settings, camera work, etc. But what makes it stand out is the story itself. We never learn why the twins are growing up without a mother. But, their dad is an alcoholic from the outset – when we first see the boys at around age 10. There's no apparent physical abuse of the boys, but he comes home drunk late at night. Later, we see that their grandmother appears to be a reclusive alcoholic herself. And, they have a slightly mentally handicapped uncle whom the boys both like. Their dad is known as a hard worker, but he drinks and gambles away all that he earns. He now is living in the back of his covered pickup, which he parks at night near the edge of a forest or park. The movie opens with the boys at a junior college in Arizona where they play baseball on a school team. Their hopes are to be noticed by pro scouts who regularly attend collegiate games looking for talented players. But their plans fall through when one of them can't maintain his grade level to stay qualified for sports. So, they pull up stakes and head back home where they plan to work, save money and continue training on their own together. Then they will return south to try out for the majors during spring training camps. The bulk of the movie takes place from that point on. I won't describe the details. But this is where this film goes in a different direction than most. With their dad, Charlie's continued drinking, Lane and Clint (the brothers' characters) would be socially and morally right to stay away from him, and not let him influence their lives. But, because of the heartstring pull of one brother, the twins rise to a heroic love and empathy for their father. They don't enable his habit – they confront him on it. And because they don't shut him out of their lives, they see what many people do not. Charlie truly loves them. The film just gives us a glimpse of his remorse, and it shows his broken promises, denials and lies. In doing that, the film shines a spotlight on the insidiousness of addiction. How it holds a power and control over a person that an alcoholic or other addict can't counter and overcome alone. The movie has a bittersweet ending, but one where the brothers find peace and consolation. They dedicate the movie to their dad, in the last clip before the end credits. A photo has a caption that reads, "For our Dad, David Arthur Miller." Unlike the movie, he actually died in jail. One thing apparent from the twins' experiences is that they have a healthy sense of humor. In part one of their book, they describe their moves and many jobs they had along the way. After describing what happened at one job they wrote, "We were fired from a bingo hall. Not many people can claim that."

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richard-1787

There isn't really much of anything to this movie. It reminded me of the sort of made-for-TV movies that used to be featured on the Hallmark Hall of Fame years ago. It's a touching story of twin brothers who want to break into professional baseball. But baseball is not the focus of this movie. Rather, it's their relationship with their alcoholic father, who, when he isn't spending money on alcohol, is losing it at cards.Not an angry drunk, just a sad one.There just isn't much of anything to this movie. The script is flat, so there isn't much in the way of opportunities to act. Other than Ed Harris, I don't know if any of the other actors could act if they had been called upon to do so. They weren't, so I can't say.The one thing I found strange was the homoerotic undertone of much of the movie. Maybe they were just aiming at a teenage girl market - though I can't see how; women play no important part in this picture - but there were a lot of scenes of the two leads, young men with athletic torsos, without their shirts on. Sometimes, when they got angry, they fought or wrestled. One of the two had no interest in women at all, the other only a passing interest in his seldom-seen girlfriend. But I don't think the movie was made for a gay market either.Actually, I'm not sure what sort of audience it was made for. Certainly not an audience interested in baseball.And that's about all I can think to say about this movie. I can't think whom I could recommend it to.

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kdx112

This film starts out very, very vanilla...the drunken father..the twin sons working at the quarry...nothing grabs you at all. It felt very 'routine' and I nearly took the DVD out and set out to return it midway through the film.The movie also struggles to find its identity: Is it a film about baseball, alcoholism, or a love story? When one of the twins meets and befriends his teacher girlfriend, that romantic line is quickly forgotten and thrown by the wayside later in the movie. The actress simply disappears.The father drinks himself into a stupor, yet nothing of his background possibly explaining his alcoholism is expounded upon or explained. He's just drunk all the time. He's therefore a very unlikable and almost unnecessary character - we just see a drunk meandering in and out of his sons lives.The cinematography/locations are beautiful at times however - but pretty pictures alone does not a good movie make. The story and characters needed to be fleshed out further, particularly the father and the girlfriend. A weak effort indeed.

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Jaime Pena

I received a last minute invite thru Yelp for a private screening of this movie in San Rafael last week. I am not an avid movie reviewer, just a graduate student who was impressed with the film! Needless to say, I came into this movie without knowing much about it, thinking this was just going to be some strange indie flick. I was pleasantly surprised at how well made the film was and this film more than exceeded my expectations.The actors/writers/directors Noah and Logan Miller tell a very heart wrenching tale about their alcoholic father and their dream of playing professional baseball, which hit a lot of personal notes with me as I too come from a family where members have suffered from the same disease. My boyfriend also played baseball professionally so we were both pleasantly surprised with baseball being a major theme in the movie. I found myself tearing up at some of the scenes! Ed Harris was wonderful in the role of their father. Brad Dourif was also very believable as their uncle.I highly recommend reading their book too, You're Either In or In the Way, which goes behind the scenes to explain how the film came to be, it really is a story of pure luck as well as people being genuinely impressed with the Miller brothers.Best of luck to the Miller brothers, this truly was a story that needed to be told and they did an awesome job telling it.

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