Plot so thin, it passes unnoticed.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

"Toy Tinkers" is an American cartoon from 1949, so this one has its 70th anniversary soon and if you take a look at cast and crew here, you will find the names of many prolific and successful artists working for Disney. Their 7.5 minutes here bring us another clash between Donald and Chip and Dale, this one here with many references to the holidays. Fittingly it was released in the month of December too back then. I think it was an okay watch with solid fun overall. The Christmas spirit it never really delivers, but it has enough strengths in other fields, mostly the comedy aspect, the animation too of course, to still be very much worth seeing. What I also liked especially here is that it was not too politically correct, also not scared of slight depictions of violence and seeing how well they work here, you could say it's a pity they were so careful otherwise because it could have elevated the material in other cartoons too. Still, this does not make an impact when it comes to the nonexistent dramatic component, but adds to fun and absurdity. I am generally not a great Chip and Dale fan I guess, but here they are as convincing as everything and everybody else and the latter also refers to the toys because they were so central in the story here that they almost feel like actual characters. No surprise they are mentioned in the title too. It was a good watch and I recommend seeing it, not particularly during the holidays only, but also at any other time of the year.

Toy Tinkers (1949) *** (out of 4) Donald goes into the forest and cuts down a Christmas tree, which is witnessed by Chip and Dale who in return sneak into Donald's house to steal some walnuts. After they're caught the two sides battle with various ornaments and toys. This film has a lot in common with DONALD'S SNOW FIGHT, which featured Donald doing battle with his two nephews and I think you can also see that this film had an influence on PLUTO'S Christmas TREE, which had Pluto doing battle with Chip and Dale after they got into his home. This middle film isn't nearly as great as the other two but I think there's enough here to keep people entertained. I think the highlight of the movie is a sequence where the chipmunks are on a train and have to try and steal the walnuts from Donald who has a few tricks of his own. Throughout the film the animation is top-notch and there's no question that there's enough action for two movies.

I will admit that I much prefer Pluto's Christmas Tree, but this is a very amusing cartoon. My only complaint is that it is noticeably more violent than other Christmas vignettes. The animation and the music are lovely, and a lot of the episode is laugh-out-loud funny. I loved the part when Chip an' Dale put a candle in the telephone, and when Donald answered it, it exploded, it was hilarious. Chip an' Dale are as sweet as ever, especially when they argue over the Christmas present. It was also nice to see Donald having fun, though he isn't as temperamental as he appears in other episodes. Overall, a very amusing and well done cartoon, not the best, but well worth looking out for! 9/10 Bethany Cox.

A Walt Disney DONALD DUCK Cartoon.Chip 'n' Dale become TOY TINKERS after discovering the treasures spread out under Donald's Christmas tree.Although enjoyable, this little Oscar nominated Duck versus Chipmunks Holiday film is unremarkable as far as animation & storyline are concerned. Clarence "Ducky" Nash supplies Donald's unique voice; the Chipmunks are largely unintelligible.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.