Self-important, over-dramatic, uninspired.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

One of the worst ways to make a cult movie is to set out to make a cult movie.

This movie feels like it was made purely to piss off people who want good shows

This movie could have been good but it didn't seem to be able to make up it't mind what it wanted to be.It started off OK and the MArtial arts were pretty good in places. Then it deteriorated to a silly story often used better in other movies of an injured fighter (injured and thought left for dead by his step brother)in exile who trains to become better than before, oh but he is now a bit mad and a drunk. ( were they trying to copy Drunken Master? If so they failed miserably)He eventually meets and wins a fight against his step brother who although seems madly ion love with his sister decides to bury her where she cannot be found if he loses.Then one of the silliest endings ever. He gets caught up in a fight against westerners led by David Carradine (why?) The end part where he lays on the floor while his son screams get up daddy goes on almost as long as the rest of the movie.In my opinion one of the worst films of this genre I have ever seen.

One of the best movies i've seen what concern martial arts. Just superb. The choreography is classic. Fighters fly on wires, strike with fast hands, kick high, hold impossible poses and pull on a variety of weapons. Also fights I've never seen before, what makes it all original. They are truly breathtaking: brilliantly composed and shot.Action from the beginning to the end in this modern fighting movie with some Asian tragedy. The locations are beautiful. The story is very simple, but who cares? (If you look for a movie with a good story, i could recommend you "house of flying daggers"). This is a movie where you find some beautiful and stunning fighting scenes. Kungfu fans would love to see this movie.

Americans have grown accustomed to a certain kind of Chinese martial arts film. Ever since Crouching Tiger, the Chinese MA film has gotten more attention beyond whatever Hollywood effort is churned out to force a Jet Li or Jackie Chan sub-par effort on American audiences. Crouching Tiger was followed by films like House of Flying Daggers and Hero, while those with bigger interests in the subject certainly sought out more films that most Americans might not know.True Legend seems to pick up on this. Yuen Wo Ping, who is no stranger to Hollywood martial arts films, having dabbled his hand in a number of Hollywood efforts, seems to have taken some of what he's done for American audiences and applied it to this film. He has, after all, been attached to several big U.S. productions, most notably Kill Bill and The Matrix series of films. These and other notable Chinese MA films, which saw American audiences, between True Legend and his last directorial effort, Tai Chi Boxer (1996). So, it may not be surprising that he's incorporated some more Western friendly elements. That may be far reaching, but True Legend is certainly no traditional Martial Arts film.For Chinese MA fans, this is a mixed bag. It starts out with several powerful action sequences, the most notable being the opening rescue scene. Sadly, this is Ping putting his best foot forward and the film never truly rises above it in terms of impressive action. That doesn't mean the film doesn't contain some other outstanding scenes that, at least, left me with a few 'oh snap' moments. And the combination of fantasy elements that you might see in older films, like the 5 Venom Fist style MA, and more modern concepts, like mixing break dancing with drunken fist boxing, give the film it's own identity. Sadly, this creates a bit of an identity crises. We're given a historical context for the film, and the story presents itself similarly to Fearless, another MA biopic, but the film isn't grounded in reality and some strange turns are taken, those most notable being main character Su's encounter with The Wushu God. It's a bizarre, CGI heavy intermission between the more grounded first and final acts. But the entire tone of the film seems to be a mix of the two: the more traditional Chinese MA film and the modern, special effects and wire laden Chinese MA film, the kind that Western audiences might be more accustomed to. And reading about the production of the film, you can certainly see that Ping did want to go beyond the traditional film to create something more modern.Despite this seemingly jumbled style, the film is full of Ping's mastery. Fantastic camera work, editing, and special effects add to the impressive set pieces and choreographed action sequences. Again, there are a ton of 'oh snap' moments, and in a MA film, that is a wonderful thing to have. The opening scene is an incredible display of talent, action, special effects, and choreography that will most likely go down as one of the great modern MA action scenes. There are plenty of other fantastic action sequences, and thankfully Ping knows how to shoot a proper action scene as opposed to so many other directors who think all the action has to be confusing and up close, and all the editors who think that it requires cuts by the second. This film reaffirms that, even after all these years, Ping can still produce something that is entertaining and exciting, that he is still a master of the MA sequence.Whether you enjoy this film or not will depend entirely on how much you can enjoy the fairly odd mix of styles along with the inclusion of a fifth act to end the film. It does take a bit of a right turn with the final act, but it's none the less very entertaining, and includes a cameo (most likely our last glimpse) of David Carradine, who you might know worked with Ping on Kill Bill. However, I would recommend this film to any MA fan. It's unique blend of quirky style, fantastic action, and masterful filming technique all make up one entertaining Chinese MA.

I was so excited for this film to make its way to the states. Yuen Woo-ping is a master of the ideal fight movie and it's awesome to have him directing again after 15 years! His directing/fight coordinating in this film are absolutely epic! This movie has everything you want in a Wushu film. There's copious amounts of fighting with distinctly different styles including MMA, knife combat and awesome aerial stunts, and the ever popular drunken boxing, an evil master, family betrayal and of course the classic David Carradine in one of his final roles. While some may have issues with the "3 acts" or the CGI, I think that they all add to the master work of art that is True Legend.