Load of rubbish!!

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

What goes around comes around. Just as a fair number of westerns were remakes of classic Japanese Samurai movies so Sang-il Lee's "Unforgiven" is a fairly literal remake of Clint Eastwood's Oscar winner of the same name. Here we may be dealing with samurai but that doesn't disguise the fact that these guys may as well be cowboys and this could be the American West. It's a reasonably exciting and handsome picture, gorgeously shot in widescreen by Norimichi Kasamatsu, but it is also so close to the original it feels almost negligible. Ken Watanabe plays the Eastwood role but it's something of a one-note performance; he lacks Clint's gravitas. This could have been a classic but as it is it's nothing more than a very good copy.

When I heard that Japanese were making a period samurai movie based on the modern-day Eastwood western classic UNFORGIVEN, I was in two minds. I love samurai flicks (and also leading actor Ken Watanabe), but the Eastwood film was already pretty much perfect for a lot of fans. How could the Japanese hope to better it? The answer is that they haven't. This new UNFORGIVEN is the inferior film in every respect, with a boring villain and a lack of talented actors and characterisation that made the original such a great movie. The Japanese UNFORGIVEN feels slow and stately and is certainly well shot throughout, but aside from the exciting climax, it has no real voice or look of its own.For the most part, this is a shot-for-shot remake and I have no interest in shot-for-shot remakes. Thematic remakes are fine; remakes that take key material and give their own slant, like Carpenter's THE THING or Aja's THE HILLS HAVE EYES, great. But all the while I was watching this film, I was wishing I was watching the superb original instead. Watanabe does his best and while it's nice to see the Japanese remaking an American film for a change (as so many times it's been the other way around), UNFORGIVEN is a bit pointless.

Yes - this film has some stunning visuals, but the pace is very slow, the characters are annoying and somewhat ridiculous at times (constantly acting like idiots), and the main character, Jubei, wallows in self-pity for the entire movie, which makes you wish he would just hurry up and die because he is beyond irritating. Such a shame that this remake isn't as good as other Japanese films (Crouching Tiger, House of F Daggers, etc). I really wanted to turn it off so many times in the last hour of the film because the pitiful characters were like fingernails down a chalk board, but I continued to the end and was quite relieved when it was over. Don't waste your time with this film, but if you do, just watch it on mute with something covering the subtitles at the bottom of the screen. Then you can enjoy the visuals, which is the only thing this film has going for it.

When a movie is as brilliant as Eastwood's Unforgiven, it's very hard if not impossible to watch its remake with a fresh eye. I tried, but could not succeed. I kept wishing I was watching the original. Not to say it was a bad film, not at all, but there are some major flaws in this movie. First of all, the characters and actors were nowhere as charismatic as in the original. Not that they were bad, but imho they lack the emotional depth and nuance that their predecessors had. While Gene Hackman's role seemed beautifully fleshed out, his Japanese counterpart is merely a psychopath.The film imitates parts from the original at places were they could have strayed off a bit, and vice versa. Sometimes it felt I was watching a western, just with Japanese actors, while I expected it to be a samourai movie. There are scenes from Unforgiven 1 and 2 with matching color palettes, which I think is a shame. Why not go for a totally different approach? Accentuate the differences, not the similarities. But there are scenes in the original that had a lot of punch (eg the final shootout scene), which have been given a different approach and therefore fail.Where it succeeds is the beautiful cinematography, and the conclusion of Japanese Will Munny's character. I also like the symbolic use of the elements like rain and snow.But as said, I'm extremely prejudiced (Eastwood's Unforgiven is one of my favourite movies) and perhaps the viewer who is not familiar with the original will love this one just as well.