I like the storyline of this show,it attract me so much

Best movie ever!

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Unknown Chaplin is a three part television series produced from outtakes and film clips edited from most of Charles Chaplin's well-known films. The first part focuses primarily on the Mutual period when Chaplin made twelve films in sixteen months. The film covers how Chaplin formed his own stock company to make films with much in the way John Ford would do a couple decades later. The film focuses on The Floorwalker, The Count, The Cure, and The Immigrant, while including clips of The Pawnbroker and The Adventurer. The film indicates how Chaplin rehearsed on film by viewing daily rushes and re-shooting scenes multiple times, how some gags worked by exploiting the variances in camera speed, and how Edna Purviance was not a trained actress and had to be shaped by Chaplin's direction.The second part of the film focuses on The Kid, The Gold Rush, and City Lights. It includes interviews with Jackie Coogan, Lita Grey, Georgia Hale, Robert Parrish, Virginia Cherrill, and Sydney Chaplin. A great deal of time is spent on the location shooting for The Gold Rush and the many highlights from that film. Most interesting is the initial introduction of the tramp and the flower girl scene in City Lights. Chaplin had to solve the dilemma of how to make it plain to the audience that the blind flower girl thought the tramp was a rich man. It took a year and a half of patience and countless retakes for Chaplin to solve it.The third part of the film focuses mostly on The Circus and the uncompleted film The Professor, but it also includes tidbits from City Lights, Modern Times, The Great Dictator, and Limelight. The third part showcases mostly scenes which were cut from Chaplin's final edit of his films influences some of his earlier silent pictures had on his later, more famous films. The film shows how Chaplin played an important role in the development of early cinema, combining his own artistic vision with the unbridled mayhem of his Mack Sennett days at the Keystone Company. Many of Chaplin's stock company get substantial screen time, including Edna Purviance, Eric Campbell, Albert Austin, Henry Bergman, John Rand, and Loyal Underwood. Major disappointments are the film's omissions of Chaplin's post-Limelight work, Monsieur Verdoux, and A Woman Of Paris, a box office failure upon its release now regarded as one of Chaplin's most important films and an adult film ahead of its time. James Mason narrates the film with appropriate earnestness. ***1/2 of 4 stars.

Unknown Chaplin (1983) **** (out of 4) Unknown Chaplin: My Happiest Years Incredibly interesting documentary from Kevin Brownlow uses outtakes, behind the scenes footage and other goodies to tell the story of Charles Chaplin during his Mutual years of 1914-1917. Since most silent "extras" are gone it's rather amazing they were able to find all of this stuff, which really puts a face on the rumors surrounding Chaplin's work methods. It is known he was a genius but no one ever saw how that genius came to be. Some said he was sadistic and others said he was a terror to work for. With these outtakes we see why people would feel this way as Chaplin takes little scenes and runs off fifty to one hundred takes. But we also see the genius this creates especially during outtakes of The Immigrant where the same scene is shot over and over using different actors, clothing and other things to pull the scene off. This was part one of a three part series.Unknown Chaplin: The Great Director Part two of Kevin Brownlow's documentary about Charles Chaplin, this one taking a look at the making of The Kid, The Gold Rush and City Lights. Once again you get a perfect idea of who Chaplin was and how he was able to create the masterpieces that he did. The alternate ending and footage from City Lights is certainly the highlight here.Unknown Chaplin: Hidden Treasures Final segment in Brownlow's brilliant documentary is a real treat for fans as it contains to deleted scenes from The Circus, both of which are among the best stuff Chaplin has done. Also included is the deleted opening sequence to Modern Times, which was also quite nicely done. Home movies and other goodies are scattered throughout this part as well. Overall this is certainly a brilliant documentary and highly rated to those who enjoy Chaplin's work.

"Unknown Chaplin" is an interesting program--from two authorities on film history and preservation, Kevin Brownlow and the late David Gill, two men I'm thankful to for many of the restored movies I've seen. I consider Charlie Chaplin one of the greatest filmmakers ever, in addition to being the funniest man I've ever seen. This three-part television series shows cut footage from Chaplin's films, providing a unique look at the filmmaker's perfectionism and improvisational approach.The first two episodes are especially telling. "My Happiest Years" features cut footage from his Mutual shorts "The Immigrant" and "The Cure", where Chaplin repeatedly retook scenes, improvising the comedy and narrative in front of the camera. And, "The Great Director" includes a nice look at the struggle between Chaplin's perfectionism and his unprofessional leading actress during filming of "City Lights". The last episode, "Hidden Treasures", shows a comedian who continued to work when not filming movies for release and how some of the gags in his films evolved over time. There's also a sequence from his aborted film "The Professor" and cut scenes from more of his films. Overall, "Unknown Chaplin" is worth watching for everyone seriously interested in Chaplin's art.

When the series Hollywood was made in the late 1970s, it's producers had more than enough material for a series of over 10 episodes (as it was shown). Especially the material dealing with interviews of silent film period survivors. The producers decided to do several follow-up documentaries. Three eventually were made, about Chaplin, Keaton, and Lloyd. This was the first. Taken from the Chaplin family film vaults, it showed (in three episodes) scenes that were filmed by Chaplin from movies that were actually finished but re-cut (like CITY LIGHTS, THE CIRCUS, and THE CURE), as well as films that were made for private viewing (a film with visitor Sir Harry Lauder), and film that was created for projects that did not work out. It was a wonderful series, and all too brief - mostly due to the tragic fact that Chaplin did not save all the cut material from all his projects and films. Try to catch this on DVD.