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untitled part 3b: (as if) beauty never ends..

| 22 January 2003 (USA)

Documentary

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An ambient work of many things, including orchids blooming, and plants growing, superimposed over raw footage from post massacre filmings of the 1982 massacre of Palestinians at Sabra and Shatila refugee camp in Lebanon. Cloud footage, Hubbell space imagery, the visible body crosscuts, and abstract shots of slow motion water, add to this reflection of the past, its present context and forbearance. With the voice over of Abdel Majid Fadl Ali Hassan (a 1948 refugee living in Bourg El Barajneh camp) recounting a story told by the rubble of his home in Palestine [Israel], and the collection of audio accompanying the clips, the tape permeates into an intense essay on dystopia in contemporary times. Working directly, viscerally, and metaphorically the videotape rovides an elegiac response to the Palestinian dispossession.

Dynamixor

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Fairaher

The film makes a home in your brain and the only cure is to see it again.

Kaydan Christian

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Rosie Searle

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.