Martin Arnold has adopted a fragment from the shower scene of Alfred Hitchcock’s legendary thriller PSYCHO, rendering and composing it anew with the possibilities of digital retouching. The result is a short yet intense piece of contemporary aesthetics. Devoted mainly to density and omission, it visualizes the cinematic narrative on all its levels as a cinematographic and aesthetic mise en scène. Simultaneously, it reveals that a resolving adaptation of traditional cinematic forms can also create suspense, excitement and pleasure.