Absolutely brilliant

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

At the close of this movie I half expected the name Roman Polanski might appear. Many of the under-explored themes and situations bring to mind vague occult aspects from several of his works. First and foremost is the promise of a ghostly re-appearance by the dead son of two French movie actors. They've received letters from their son following his suicide - instructing both to meet in Death Valley USA at specific times - where he will mysteriously reveal himself to them one last time (If not yet seen and you don't want to know anything about it there may be some minor spoilers following...) On the way to this event there are some bizarre happenings. The disturbing vision of a deformed girl in the middle of the night talking about death. A Wolf's (or Dog's) mutilated head in a bag, left in a toilet block. None of these situations are further explored - they just seem to happen for the sake of it. Cultists and film study groups will have a field day 'making-up' theories on the hidden deep and 'meaningful' messages.Gerard Depardieu and Isabelle Huppert give strong performances playing their own 'names sake's' and Cinematographer Christophe Offenstein bathes it in glossy images. The haunting minimalist music by Charles Avers is effective and it's disappointing to find the composer's name not included on this IMDb listing (trust this may be remedied). Director/Writer Guillaume Nicloux seems bent on being the replacement for Polanski and nearly bores the viewer to death with endlessly-long walking shots of his stars going somewhere or nowhere. Sometimes it's mildly compelling but ultimately empty.If you're into talkie supernatural themes or questions without answers you may find comfort here, otherwise be warned...

Former couple Isabelle (Isabelle Huppert) and Gérard (Gérard Depardieu) reunites for a mysterious mission. They are semi-famous actors. They're married to others with kids dealing with personal issues. They were estranged from their son Michael who committed suicide. Then they got letters after his death promising to see them in Death Valley on a specific day after a schedule of places and times.These are legendary French actors and it's fascinating to see them together as somewhat themselves out in the real world. It starts out as a compelling mystery as to what's going on. As the characters reveal the secret, the actors are free to become a real couple. That's what most compelling about this movie. These two actors project a real history. The ending is somewhat muddled. I'm not sure what's happening but maybe that's the movie.

This is a strange movieA divorced couple gets letters from their son who committed suicide. When the son was 7 the mother left the family, never to see the son again and the father then put him in a boarding school, to see him rarely.They both get instructions to go to death valley and do some sight seeing together, then the son will appear to them once more he writes. This is however only a side element of the movie, the real thing is the interaction between the couple: The very huge Gerard Depardieu and the fragile Isabelle Huppert who came together on the screen 35 years ago, when they were still attractive, in the movie Loulou.The movie has some very memorable quotes that may or may not refer to the lives of the actorsGD: I have become fat IH: Well as long as you feel good GD: (irritated) do you think I feel good about itandGD: do you still love me IH: When you do not still love someone you were married to you never loved him anywayThe dull Americans with their fake smiles probably gives an idea how they think about Americans. The dead dog head in the toilet makes you wonder what the reference is.Al these moments make the movie very worthwhile, the reappearance of the son is only an excuse for the film. I found I wasn't so much wondering about if the son would really appear or not. I was much more fascinated by the odd moments, dialogs and the confrontation of the couple and how they have difficulty to talk about their personal problems.It is not a shockingly good movie but very fascinating

This is a very simple - in some ways - and sad movie. A long-divorced couple learn of the suicide of their son, with whom they have been out of contact for years. He sends them each a letter, asking them to spend a week together at different sites in Death Valley (yes, in the U.S.), with the promise that he will appear to one of them.They meet. They encounter a few dull Americans. They spend a lot of time out in the desert. Lots of old dirty laundry gets aired. The end makes no sense.When I was walking out of the theater in the small Breton town where I saw this movie - fewer that 10 people had showed up to see it -the usher told me that it was based on the story of the death of Gérard Depardieu's son, Guillaume, and that Guillaume had been his son by Isabelle Hupert. Not true. Guillaume was Depardieu's son by his first wife, Elisabeth, and he did not commit suicide. Nor, as far as I know, was he gay. So much for instant legend.What was good, indeed very good about this movie was the acting by the two principals. They are both first-rate actors, and they do wonders with what is often not first-rate dialogue.For what it's worth, it's also interesting to see them as they are now, with NO makeup or attempt to hide what time has done to two formerly very handsome/beautiful individuals. Depardieu has become downright enormous, and not in a good way. He looks downright pitiful in shorts.There is also some beautiful landscape shots of Death Valley.Not a movie I would see twice, at least in the theater. But not a movie to overlook, either.