Vindication
Vindication
| 26 May 2011 (USA)
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Fangoria Magazine's OCT. issue 267, introduced this upcoming independent horror movie. Vindication is an independent horror movie striving to raise the bar within the low budget financing of filmmaking. Still in post-production as of April 2008 and using the Panasonic's DVX100B mini-DV camera for production, Vindication is Bart Mastronardi's feature length psychological horror movie, based on his short of the same title. A morality tale about a young man whose attempt at suicide fails causing his guilt to manifest into reality. Vindication is due out in the fall of 2008. Guilt Shows No Mercy!

Reviews
VividSimon

Simply Perfect

Claysaba

Excellent, Without a doubt!!

Hayden Kane

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Ginger

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

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sebastienjack579

This creation by Bart Mastronardi is truly an ode to the essence of classic cinematography. It is a visual delight with filled with well lit scenes and perfectly chosen outdoor locations. The acting is vibrant and uptempo, enough to keep the viewers attention. Overall the film returns the horror genre back to its original focus; providing fear and displaying ingenuity. The film is truly worth the cost and is accessible easily through Amazon for purchase or rent. The highlights of the film are the spirited writing, which gracefully melds with the chaotic scenery. For true horror lovers or just for those that enjoy a perfectly executed film Vindication is must own.

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lakini71

Bart Mastronardi's disturbing horror story follows a deeply troubled young man (nicely played by Keith Fraser) who is literally visited by Guilt after a failed suicide attempt. The story builds slowly but surely, allowing the audience to empathize with the characters. So, by the time the gory mayhem begins, it is all the more shocking and, ultimately, heartbreaking. There are a few limitations with the very low budget, but Mastronardi's skillful writing, directing, and cinematography impresses as much as (if not more than) a Hollywood filmmaker. In fact, he is able to show us a passion for visuals and storytelling that very few big-budget directors possess. So, if you are only looking for the standard slice-and-dice, don't bother. But if you are interested in viewing a challenging and memorable piece of work, then this is a must-see. Kudos must also go to actors Alan Rowe Kelly and Jerry Murdock, who give excellent supporting performances.

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gavin6942

Writer-director Bart Mastronardi brings us a "morality tale about a young man whose attempt at suicide fails causing his guilt to manifest into reality." That sums up the plot in a way far more artistic than I would have been able to state.The film has a few flaws,and they should be known up front. There is plenty of over-acting, especially from the father character. While that works well on stage or perhaps in comedies or soap operas, it takes something away from the seriousness of this drama. The film also clearly suffers from a lack of budget, which is forgivable... though there seems to be too much reliance on hand-held and shaky-cam. They used Panasonic's DVX100B mini-DV, which unfortunately comes across more like a home movie.The strength of the film lies in the really impressive scars and other special effects... including a cutting scene made me wince and turn my head. The acting is also decent, aside from the aforementioned over-acting at times. The story itself is also rather unique and well-presented, something we don't see enough of in these days of sequels and remakes.I'm pleased to say friend of Killer Reviews, Raine Brown, appears (as do Joe Zaso and Alan Rowe Kelly). Brown's appearance always adds something special to a film, and if readers haven't seen her "Psycho Holocaust", they should.Due to the flaws, I cannot give this film more than a 5/10 (or as Killer Reviews uses, 2.5/5). I do look forward to future productions from this cast and crew, but I cannot see this as much more than a learning experience. It is sad, but understandable, that the film took four years to find distribution.

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