SERIOUSLY. This is what the crap Hollywood still puts out?

Sadly Over-hyped

Disturbing yet enthralling

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

I'm nostalgic for a good war drama pre 1970. I thought I had seen them all, being middle aged, but I had never watched this one before (it's on TCM). At first I was dismissive, Robert Redford? Oh boy this is going to suck. But no, I was wrong, this is a great war film. It's totally unpredictable, I honestly did not know where this was going. I would suggest to not read any reviews past this point and just watch it first as a spoiler would probably ruin the film. John Saxon puts on an awesome performance and the dialog of everyone involved was real enough for me to become involved. It's not over the top, it's very, very character driven and very engrossing. If you liked low budget war films such as Attack!, Men In War, and Hell Is For Heroes, you will enjoy this. 10 out of 10. It probably deserves it's mid 6 rating technically but as a character driven war drama I don't think you can do any better. I don't want to give away spoilers but every character involved in this was plausible and real. The less you know before watching the better your experience will be.

It's May 1953, and fresh-faced US Army recruited Robert Redford (as Roy Loomis) has joined the battle for Korea. Women in the area greet the American private by saying, "Welcome to Korea, I hope you don't die" and "I love you." Mr. Redford soon notices strange behavior from fellow handsome private John Saxon (as Raymond Endore). A loner, Mr. Saxon nightly paints his face, stealthy makes his way into enemy territory, single-handedly kills an enemy soldier, and performs a ritual Indian dance over the body.Redford finds Saxon's behavior troubling, and tries to separate the increasingly disturbed man from his only friend, eight-year-old Tommy Matsuda (as Charlie). The orphaned Korean lad has formed a hero-worshiping relationship with Saxon, which Redford seeks to sever. There are things to admire about this inexpensively made anti-war drama, especially Saxon's characterization, but the film makes the old symbolic points rather ordinarily and the new ones haphazardly. Some character motivation is noticeably lacking.***** War Hunt (4/6/62) Denis Sanders ~ Robert Redford, John Saxon, Sydney Pollack, Tom Skerritt

May, 1953. The last days of the Korean war. Naive and idealistic Private Roy Loomis (a sound and sympathetic performance by Robert Redford in his film debut) gets sent to the front lines as a replacement in a platoon. Loomis meets crazed and reclusive soldier Raymond Endore (splendidly played with frightening remoteness by John Saxon), an aloof loner who sneaks behind enemy lines on a nightly regular basis and butchers rival soldiers. The officers in command know about Endore's activities, but let it slide because he obtains valuable information during his nocturnal excursions. Loomis decides to stand up to Endore in order to save orphan boy Charlie (a touching portrayal by Tommy Matsuda) from Endore's possibly dangerous influence. Director Denis Sanders, working from a tight, literate, and incisive script by Stanford Whitmore, presents a compellingly gritty, realistic and unglamorous depiction of the darker aspects of war, specifically showing how war allows stone psychos like Endore the readily available opportunity to engage in brutal exploits that would never be acceptable and permissible in the everyday peaceful civilian world. This film astutely nails the horror and humanity of warfare: The one big combat sequence is genuinely harrowing while Endore's relationship with Charlie is truly moving. Endore makes for a fascinatingly complex character; the sight of Endore with mud painted on his face is very chilling, his acts of cold-blooded murder are likewise upsetting, yet his concern for Charle's well being is still nonetheless poignant. Fine supporting contributions by Charles Aidman as the tough Captain Wallace Pratt, Sydney Pollack as the hard-nosed Sergeant Owen Van Horn, Gavin MacLeod as the disillusioned Private Crotty, and Tom Skerritt as the easygoing Sergeant Stan Showalter. Ted D. McCord's stark and striking cinematography makes artful use of fades and dissolves. Bud Shank's melodic and melancholy score also does the trick. A real sleeper.

This ultra low-budgeted and virtually unknown war/drama movie is probably the most interesting from an "acting" point-of-view. "War Hunt" remarkably – but I suppose coincidentally as well – features the big screen debuts of no less than three names that are nowadays considered hugely famous and acclaimed. Director Sydney Pollack (who sadly passed away earlier this year) and charismatic star Tom Skerritt both appear in small yet memorable roles, while Robert Redford (later star of classics such as "The Sting" and "All The President's Men") debuts in the fairly complex leading role of idealistic soldier in the center of a senseless Korean war zone. And yet, in spite of the more appealing great names, it's unquestionably the still underrated veteran actor John Saxon who steals the show. Even more so, Saxon owns the film and he's genuinely petrifying as the introvert soldier who appears to use the Korean War to give rein to his murderous and psychotic tendencies. When the young and inexperienced private Loomis arrives at the front during the last stage of the Korean War, his fellow soldiers immediately warn him to stay out of the way of Private Endore and his protégé Charlie; a local orphan kid. Endore is a brilliant soldier and of immeasurably value to the American army, but that is mainly because he single-handedly decreases the number of Korean soldiers by deliberately sneaking behind enemy lines at night. Private Loomis protests against this, especially because he wants to protect the young Charlie from his dangerous colleague. The rudimentary plot of "War Hunt" is actually pretty genius, since it's the first and only film – at least, as far as I know – that openly suggests signing up for the army is the ideal method for psychopathic killers to get away with their incontrollable urges and even get honored for them! Private Endore is anti-social, impolite and without manners but his superiors never cease to cover from him because he's such a powerful weapon against the enemy. The atmosphere of "War Hunt" is aptly depressing and dark, with some really brilliant musical choices and bleak photography. Presumably due to the absence of financial means, there's a severe shortage of action scenes and hence you'll have to struggle yourself through a handful of seemingly dull and redundant moments. Still, if it's not necessarily boisterous gunfire and violent battles in the trenches you're searching for, I would definitely recommend "War Hunt", if it were only for John Saxon's stupendous performance. His menacingly painted faced, the desolate star in his eyes and his completely unpredictable and impulsive personality make this one of the greatest performances I've ever seen in a low-keyed war epic.