Warriors of the Rainbow: Seediq Bale - Part 1: The Sun Flag
Warriors of the Rainbow: Seediq Bale - Part 1: The Sun Flag
| 09 September 2011 (USA)
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An indigenous clan-based people living in harmony with nature find their way of life threatened when violent interlopers from another culture arrive, intent on seizing their natural resources and enslaving them. Warriors of the Rainbow: Seediq Bale - Part 1: The Sun Flag is Part one of the two-part, four-hour Taiwanese edition of the film Warriors of the Rainbow.

Reviews
Grimossfer

Clever and entertaining enough to recommend even to members of the 1%

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Monkeywess

This is an astonishing documentary that will wring your heart while it bends your mind

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Guillelmina

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Sarita Rafferty

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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user-899-95626

Wariors of the Rainbow: Seediq Bale. This movie is based on "wushe incident" in central Taiwan in 1930. This is a action movie which contains various fighting scenes. The main character of this movie is named Seediq Bale which is played by the actor named "Nolay pi-ho". This movie is about the different clans which were in the Tiwan, first fighting each other to be the best. They kill the another clan member and cut their head off and bring them back to their village. The one who brings back more heads of the another clan of member used to know him by the strongest man in the village and they used to respect him. Then when the Japanese attacks them they all fight together with Japanese solders.

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justin chen

first things first, seediq bale came out in USA today. I'm not sure what version i watched... but it was a 2.5 hour movie without any mention of a second part. anyways throughout the movie, it kept me entertained. It kept me thinking and trying to figure out the back story, who the new characters were and etc. There were bits of the movie that was so ridiculous, it seemed almost comical... though it's not supposed to be but the theater laughed anyways. The movie is presented in the Seediq native tongue and so, translations/subtitles were necessary which kept me from fully enjoying the beauty of the shots of landscape and action / etc. It tells the whole incident and explains everything that happens perfectly. the introduction is sufficient, the building to the climax is smooth, but what i think killed it was the hour or so fighting scene... it made it seem too long and by the end of the movie, i felt as if the whole movie was basically fighting... though that IS what it's based upon, it felt... a bit too much. not that its a bad thing or anything, but all in all, i think it was a great movie... for anyone 14 or above.

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colinwen

Just finished the trailer, plan to watch the duo this weekend. I totally understand as a non-Taiwanese or non-Japenese, you wont have the feeling which the director might want to deliver.I believe this kind of movie are everywhere around the world now. Director/writer and movie itself try to tell a story to a huge variety of audience, but what audience can feel only themselves can choose.I have watch a lot of movie based on European history, Australian history, American history or World War I and II. I was kind of confused in the end of these movie, until I check the information from wiki or other website.What I want to say here is its sad if this movie can not inspire you, but this kind of epic style of Taiwanese movie is a huge milestone for every Taiwanese movier.

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exjor

I walked out of the cinema with both surprise and worry. I'm worried because maybe this is not a very good film, especially not a good "commercial film" to make both ends meet, but I'm really glad to see that Te-Sheng Wei can still insist on his idea even in such a big production.Before going to the theater, my first concern was whether it would become a stereotypical nationalism or humanism film, because The Wushe Incident had been represented so many times in our history class in Taiwan that it seemed to be too difficult to make this film without compromising on political correctness, but Te-Sheng Wei made it!Sàidékè balái presented a mass of killing and death, not in a humanism or Han Chinese Nationalism way, but from the aspect of the Seediq. I have heard people arguing if it is necessary to have so much violence in this film, but I have to say that the value of peace or anti-war is the main stream nowadays but not so to the traditional Seediq that time. Therefore, I think the director is not a moral relativist, he just chose not to judge the past with today's value, and resisted the mainstream that drowned the voice of the minority.It impressed me that there was little Chinese or Taiwanese through out this film. Instead, the film is composed of Seediq language and Japanese. We should cherish it that 80 years after the The Wushe Incident, we can finally see a film which represents historical event not based on the authority opinion but on people who didn't lead the history, i.e. the native.

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