| 27 November 2020

A spontaneous conversation allows for the structure of a possible film. When joining those words with 16 mm footage and rolls of old photographs, the images start to burn and their ignition fosters questions about what memories are, how they are archived and preserved, and which of them vanish without a trace. According to Didi-Huberman, to look at an image one has to be able to distinguish where it is burning.