That was an excellent one.

A different way of telling a story

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

The movie really just wants to entertain people.

Excellent doc for minutemen fans and anyone, I suppose, who appreciates inventive, challenging music delivered with skill and intensity by three very talented yet humble dudes. Tim Irwin, with the aesthetic of his subject in mind, keeps things rolling at a brisk pace, offering a lot of information in a short period of time through a combination of archival show and interview footage of the band, and fresh interviews with their friends and contemporaries. The dominant thread running throughout the film, however, is Mike Watt's tour of San Pedro accompanied by his history of both the band and his friendship with D. Boon. In the words (probably) of Richard Roeper, "a genuine film about genuine people, Roger?"

Always did love this band. Can't believe D Boon's been gone 20 years now (that's the spoiler). Saw it last night at the ICA in London. Many laughs, and a few teary eyes. The film really does capture their passion for music and their utter passion for their own music.There is quite a lot of live footage. Hopefully a DVD release will have these in full. The comments from folks around at the time are funny, insightful, charming, touching and so on. I'd love to show this to someone who has never heard these guys - I have a feeling the film would still be compelling viewing as, as I say, it really does communicate the intensity of this unique trio.PM

I was at the premiere too, and was surprised at how undated the music was. I saw the Minutemen a number of times (best was on the boat in San Pedro harbor, with the Meat Puppets) and this film captures their essence surprisingly well. D. Boone, where are you when we need you! I'm here on the Internet trying to find a place to buy a copy of this excellent film. The music is aggressive and lively and always interesting. The film mainly consists of interviews about the Minutemen coupled with amazing live performances; my friend Andrea Enthal pointed out that they got such excellent renditions of Minutemen songs by combining many live performances to get excellent delivery and sound quality of almost every line. The spirit of the Minutemen lives on.

I just attended the premier for this last night at San Pedro's historic Warner Grand Theatre, and man - what a beautiful film. I know that "time sensitive references" are not smiled upon by our IMDb benefactors, but I believe that in this case it is entirely appropriate to put the film in context in this way. A documentary is, by definition, a time sensitive thing - and this one intentionally so as it's release marks the twenty year anniversary of D. Boon's passing. What I experienced last night at the premier is, I think, an integral part of what this film is all about: celebrating the life, and mourning the loss of this tremendous artist. I first heard the Minutemen in 1985, just months before D. Boon's tragic and untimely death, and so for me, as well as for so many others younger than myself, my love affair with this band has been one of grieving from the very beginning - a grieving which, for Angelenos like myself, is a deeply personal and palpable thing, and one from which it seems we have never fully recovered. ---Until last night. The opening of this movie was like the memorial service for D. Boon that most of us never had. All of LA's punk rock luminaries were in attendance (and in the film!), along with as many of her fans and enthusiasts as the theater could hold, and the feeling was one of - at last - a proper, collective acknowledgment of the contribution made by the Minutemen to punk rock, to DIY, to music period, to each of us; an exhale, if you will, followed by a whoot and a raised fist. The audience cheered and hollered as each of their friends and idols graced the screen to share the myriad ways in which this band touched and transformed their lives, booed at the villains, wept openly at the final goodbye's to D... and this is, I think, what this movie ultimately is: finally, after twenty years, a "time sensitive reference" of the greatness and importance of this band - something which everyone over here knows down in their soul, but which now can be shared with the rest of world with the same level of intimacy - in Mike Watt's own words as he drive's his van around Pedro, in the amazing and extensive live footage of the band, in the very spirit of celebration with which the film was made.So, see this movie, buy a copy, share it with your friends - then go form a band, make a record, make a movie, start your own label or production company or zine ---or just go drink and pogo! RIP, D. We love and miss you.