Just perfect...

Fantastic!

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Joan Blondell and Glenda Farrell play process servers who are very, very creative when it comes to giving subpoenas to people in breech of promise suits. One tramp, Ms. LeClaire, has about a dozen to have served just for her! And, for $1000, the two agree to serve these summonses for their shyster boss (Hugh Herbert). Seeing them scheme to meet men and give them these legal documents was pretty funny--such as how they served the pro wrestler and the crooner (Phil Regan). However, a problem develops when it turns out all these people are being served for one case--the very rich Mr. Courtney (Ross Alexander)...and he turns out to be Blondell's boyfriend! The idea is very clever and enjoyable...to a point. Unfortunately, the movie has as much to dislike about it. The worst was Hugh Herbert. While he was a popular supporting character actor in the 1930s, he was a strictly one-not actor and his shtick was VERY heavy-handed and annoying. And, combining this AND horrible rear-projected chase scenes, the film is darn hard to watch at times. Watchable but not nearly as good as it could have been.

All I can say is any Warner film that has ROSS Alexander and PHIL REGAN in supporting roles is already in trouble. Ross has no sparks as a leading man running away from a process server (Joan Blondell) and Regan's high-pitched tenor is hard on the ears. For comic slant we have HUGH HERBERT in another one of his stereotyped roles to gather whatever laughs there are from a motorboat out of control.Then we have JOAN BLONDELL and GLENDA FARRELL fast talking their way through an "Okay, toots" kind of script and we have more trouble ahead as the two leading ladies blunder their way through one mistake after another in search of good comedic results. The script is no help, with Blondell getting dumped overboard from a yacht several times in a row.Mercifully, the programmer is only 66 minutes in length, but seems longer than that. Not recommended to anyone but die hard Joan Blondell fans who apparently think she's great in everything, no matter how ridiculous the plotting is or how slim the material.

I love Joan Blondell and Glenda Farreell. They're fun when together and both had charming careers on their own. (Blondell's, of course, lasted longer and had higher wattage.) Ross Alexander, who plays a a character engaged in a love/hate relationship with Blondell, was also very appealing. He was handsome and talented. Yet he always seems sad in the movies made during his very short career.Blondell's character is named Ginger, in homage, I'd guess, to the lady who sings the title song (not used or alluded to here) in pig Latin in a higher budget movie. She and Farrell are process servers. Some of their antics are amusing enough. I think climbing into the ring to serve a subpoena to a prizefighter has a kind of cruel edge and is also far-fetched.And that's the problem with this. Though snappy for its first third or so, it becomes too far-fetched. Hugh Herbert steals cars he drives without a license. People are in boats, falling off boats ... It takes on a desperate quality that eventually makes it a chore to watch.

Two lady process servers will stop at nothing to do their job - but then one falls in love with the man they are stalking...WE'RE IN THE MONEY was the sort of ephemeral comic frippery which the studios produced almost effortlessly during the 1930's. Well made & highly enjoyable, Depression audiences couldn't seem to get enough of these popular, funny photo dramas.Joan Blondell & Glenda Farrell are perfectly cast as the fearless, fast-talking females who will try anything to serve their subpoenas. Although Joan gets both top billing and the romantic scenes, both gals are as talented & watchable as they are gorgeous.Ross Alexander plays Blondell's love interest and he does a very nice job. Remembered now chiefly for his appearance in the classic A MIDSUMMER NIGHT'S DREAM (1935), this talented young man from Brooklyn was gifted with the good looks & acting skills which should have made him a major Hollywood star. Instead, Alexander ended up in mostly forgettable parts in obscure films. Tragically, Ross Alexander died a suicide in 1937, at the age of only 29.Hugh Herbert, whimsical & wacky as ever, appears as the girls' boss. Whether driving a stolen car or piloting a speeding motorboat, he is equally hilarious. Behind him comes a rank of character actors - Henry O'Neill, E.E. Clive, Lionel Stander, Hobart Cavanaugh - all equally adept at wringing every smile out of any situation. Sharp-eyed movie mavens should spot an unbilled Walter Brennan as a witness at the wedding.While never stars of the first rank, Joan Blondell (1906-1979) & Glenda Farrell (1904-1971) enlivened scores of films at Warner Bros. throughout the 1930's, especially the eight in which they appeared together. Whether playing gold diggers or working girls, reporters or secretaries, these blonde & brassy ladies were very nearly always a match for whatever leading man was lucky enough to share equal billing alongside them. With a wisecrack or a glance, their characters showed they were ready to take on the world - and any man in it. Never as wickedly brazen as Paramount's Mae West, you always had the feeling that, tough as they were, Blondell & Farrell used their toughness to defend vulnerable hearts ready to break over the right guy. While many performances from seven decades ago can look campy or contrived today, these two lovely ladies are still spirited & sassy.