Self-important, over-dramatic, uninspired.

An absolute waste of money

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Tsai Ming-Liang is a Director you either "get" or don't. His work reminds me to a point of Jim Jarmusch, their pacing is similar. If you've ever seen and liked Jarmusch's "Stranger Than Paradise", you will probably like this. The story introduces you to people who lead mostly ordinary lives, just in Taipei. Ming-Liang's use of the long shot (setting up a scene and waiting for something to happen-usually, very little does) is very important. I think it adds to the simplicity of the story, ostensibly about a watch salesman who sells the young lady the watch he is wearing. He then changes the clocks in Taipei to Parisian time, where the young lady is going on vacation. The film also captures the side story of the watch salesman's mom, who just lost her husband. She looks for ways for him to "come back". It is a bit sad, but also touching. She almost steals the film. For lovers of independent film, a must. If you liked "The Departed", forget it. I'd like to add two things: The interlude "The Skywalk Is Gone", appended on the "Goodbye, Dragon Inn" DVD, is a 20 minute short which is also worthwhile, continues the story. Lastly, "The Wayward Cloud", the real sequel, is not quite as good (I give it 7 out of 10). It has images of fairly explicit pornography. I do recommend it, but it, like all of Ming-Liang's films, is uncompromising. The only major complaint I have with it is the mother is barely in it. I miss her. I want to tell you how it ends, but I can't, I can't spoil it. In the theater watching "The Wayward Cloud", the guy sitting behind me was flat out snoring. I was wide awake. All in all, "What Time Is It There" cemented Tsai Ming-Liang's reputation as a force to be reckoned with. He deserves the praise.

"Terrible" has a reasonably good handle on describing the pace of this movie. I watch it and did found its lack of dialogue disturbing at first but had a level of curiosity high enough to enjoy it. It is a conversation piece since how many movies can you discuss where you basically remember each and every line (there are so few).The movie leaves enough open, and sometimes pointless, scenes to leave a great amount of room for interpretation. Reading the Director's comments helped a bit and I feel a great need to watch Truffaut's "400 Blows" given the numerous references in the movie and commentary. Then again there is enough that I have chalked up certain scenes to being meaningless. My take - Death happens, Celebrate the living.

I was going to write an interpretation, but any interpretation will be unconvincing because the movie was so completely ambiguous. Ambiguity is the only possible result when you mix symbolism with an almost complete lack of dialogue.Now I don't have a problem with ambiguity per se. That's exactly what I like about some David Lynch films, that they're left open to interpretation and the best argument wins. The difference here is presentation. With movies like this, it doesn't matter how profound the underlying theme is if said theme is presented in a boring uninteresting way. Every single scene in the movie is shown, the point is made, and then the scene continues for some reason. These scenes go on and on with no dialogue, no music, no camera movement, and not even enough light to allow you to entertain yourself with the backgrounds.Some of this structurally unnecessary prolonging is done in an attempt at realism. Though it seems naive to assume that real life boredom will be film-worthy simply because it is real. Other times the prolonged scene is simply an immature attempt to make the audience uncomfortable. For example, scenes eating with prominent chewing noises, the tourist and her lesbianism, mother and her masturbation, and so forth.I just figured out the best interpretation: By being aware of time, life slows tremendously and becomes excruciatingly boring, as this movie illustrates beautifully!

"What Time is it There?",a new film by Taiwanese director Tsai Ming-Liang, is a warm tribute to Francois Truffaut,Jean-Pierre Leaud,and "400 Blows".The original title of this film is "7 to 400 blows".Jean-Pierre Leaud also play a role in this film.It's a very beautiful and quiet film with a lot of deep emotion in it.One of the best film from "Taiwanese New Cinema".