Excellent, smart action film.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Ryan Woodman (Shane West) and Maggie Carter (Marla Sokoloff) are best friends and neighbors. Floyd (Aaron Paul) is their slacker friend. Ryan is obsessed with high school goddess Ashley Grant (Jodi Lyn O'Keefe). Big man on campus Chris Campbell (James Franco) wants to get the one he can't get, the virginal enigmatic Maggie. So he needs Ryan to Cyrano DeBergerac for him. In return he proposes to do the same for Ryan with his cousin Ashley.The biggest problem is that Shane West is way too good looking for the loser role. They need somebody much more geeky, and a bad haircut really doesn't make it. It's nothing offensive, but it just can't rise above the clichés. It's obvious where this is going, and it has an uncomfortable time getting there.

Even though creating a modern version of Cyrano de Bergerac is not a novel approach, the idea is still fine if it is executed well.The issue with "Whatever it takes" is that the execution is worst bit. The characters are grossly exaggerated, the scenes that should be moving are in fact outright ridiculous and the ending is awkward, to say the least.As for the acting, Marla Sokoloff appears to be getting progressively bored with her character, as the plot is developing. As for the others, the characters they are playing are so grotesquely meaningless that no serious acting effort would have been needed anyway.Finally, the only reason why this movie is not getting an 1 out of 10 is that are a few brief moments in the movie that could appear funny to someone.

Whatever It Takes is mislabeled as being a Teen Comedy. In actuality it's a Teen Farce that tries to be a Teen Comedy. It fails as a Comedy as the majority of the characters are unabashedly selfish individuals in pursuit of their own selfish desires with close to no redeemable qualities. That's the territory of Farce. Other examples of Teen Farces include the American Pie movies and Not Another Teen Movie. Where Whatever it Takes fails is that it tries to be a Teen Comedy only in the romance between our two "unpopular" characters, when the rest of the characters and situations fit the genre of a Farce. It's like the two leads got picked up out of a Comic world and were left trapped in a Farcical one. And the fight between the two genres of humor gets this film nowhere-fast.If it were a Comedy it would be more celebratory of the community and interested in bringing members who don't "fit in" the community into it as full fledged members with a place, a purpose, and a partner. What this film is interested in saying is that the community is too selfish and deserving of "punishment" to bother joining--which is typically the stuff of Satire or Farce.In a farce there's little to no concern for other people, and body humor frequently goes for grossing people out. Which is what this movie nearly goes out of its way to portray. The entire high school community is composed of a group of selfish individuals, the reason for their being so the movie silently postulates is due to the fact that they have very little care or respect for themselves as individuals--a realization which would work in a Comedy if that realization wasn't being completely undercut with only the minimal in character development and the most ridiculous of gross-out humor. I mean what school teaches safe sex with a giant penis and a giant condom? I almost felt sorry for Ashley, the popular girl, whose character is revealed to have a neurotic mind completely entangled around her low self-esteem, but this realization is coupled in the same moment by her eating a chocolate cake and opening her mouth to reveal the cake's blacked out her teeth. Or that she begs all night on Ryan's lawn to ask to go to prom, only to tear away her dress and reveal the skimpy bikini underneath. That kind of humor belongs in a Farce, but is out of place in a Comedy, and it completely undercuts any sympathy the character might otherwise have developed. Had she not blacked out her teeth or revealed her hidden bikini we could have seen under the veneer of her popularity and seen the scared child who desperately wants to fit in and will put herself into near-emotional abusive situations in order to get negative attention and thus feel gratified. If the movie had actually done that it could have given some more weight to the conflict between Ryan realizing his feelings for Ashley, and now feeling obligated to show Ashley how to stand up for herself and be confident in being her own person (in a John Hughes manner recalling Some Kind of Wonderful). However the opportunity is missed as the film would rather make jokes about how hot the actress is and how horny her character is--that she doesn't even notice that Ryan is replaced with another boy and still has sex with him.The soulful parts such as Ryan realizing that he actually likes Maggie as he tells Chris how to woo her in the theater, are lifted from its source material of Cyrano D'Bergerac. The rest of the movie and its sense of humor is more appropriate for a farce, which if you watch the special features seems to be the kind of humor the director is entertained by the most and pushed the actors towards in his direction.In the end the script should have seen a few more revisions to either take out the farcical humor and add some redeeming heartfelt qualities to the high school community and its most popular students, or fully embraced the farcical nature of its humor and dehumanized its pair of "unpopular" kids and thus be the precursor to Not Another Teen Movie.Either would have been better than this awkward film that can't make up its mind about what genre it is.

Not normally being a fan of the teen comedy genre (with the exception of the brilliantly weird "Clueless"), I was hesitant to watch this film. I heard Richard Schiff was in it, which drew me slightly, but the reason I gave in and had a look was because it featured Shane West. There are a few men in the film industry who could take parts where they read from the phone book and I'd still be interested, and Shane West is one of them. (And no, I'm not a teenage girl, I'm older than Shane.)It's not a great movie. It's not even a particularly good movie. The performances are delivered with reasonable enthusiasm and yes, Shane is pretty. But it's not a cinematic masterpiece.However, that said -- this movie has one absolutely hilarious scene that makes it worth the effort to rent, or even buy if you spot it in the bargain bin like my friend did. Shane's character Ryan, at one point, can be seen wearing nothing but boxer shorts and a cowboy hat, with an accordion strapped to his chest, dancing around to "Play That Funky Music White Boy." It is the most stupidly hysterical thing I have ever seen and I about fell off the sofa laughing. I guarantee you cannot watch this scene with a straight face, so the next time you're in dire need of a laugh, look for this movie and find that part!